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Situating The Subject In Film Theory


Situating The Subject In Film Theory
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Situating The Subject In Film Theory


Situating The Subject In Film Theory
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Author :
language : en
Publisher:
Release Date : 1990

Situating The Subject In Film Theory written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Humanities categories.




Situating The Subject In Film Theory


Situating The Subject In Film Theory
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Author : Veijo Hietala
language : en
Publisher:
Release Date : 1990

Situating The Subject In Film Theory written by Veijo Hietala and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Discourse analysis, Narrative categories.




On The Nature Of Consciousness


On The Nature Of Consciousness
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Author : Antti Revonsuo
language : en
Publisher:
Release Date : 1995

On The Nature Of Consciousness written by Antti Revonsuo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Cognition categories.




A Companion To Film Theory


A Companion To Film Theory
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Author : Toby Miller
language : en
Publisher: John Wiley & Sons
Release Date : 2008-04-15

A Companion To Film Theory written by Toby Miller and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-04-15 with Performing Arts categories.


This volume of specially commissioned work by experts in the field of film studies provides a comprehensive overview of the field. Its international and interdisciplinary approach will have a broad appeal to those interested in this multifaceted subject. Provides a major collection of specially commissioned work by experts in the field of film studies. Represents material under a variety of headings, including class, race, gender, queer theory, nation, stars, ethnography, authorship, and spectatorship. Offers an international approach to the subject, including coverage of topics such as genre, image, sound, editing, culture industries, early cinema, classical Hollywood, and TV relations and technology. Includes concise chapter-by-chapter accounts of the background and current approaches to each topic, followed by a prognostication on the future. Considers cinema studies in relation to other forms of knowledge, such as critical studies, anthropology, and literature.



Cinema And Spectatorship


Cinema And Spectatorship
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Author : Judith Mayne
language : en
Publisher: Routledge
Release Date : 2002-09-11

Cinema And Spectatorship written by Judith Mayne and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-09-11 with Social Science categories.


Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects" and "viewers" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issues already discussed, concentrating on textual analysis, the `disrupting genre', `star-gazing' and finally the audience itself. Case studies incude the place of the spectator in the textual analysis of individual films such as The Picture of Dorian Gray; the construction of Bette Davis' star persona; fantasies of race and film viewing in Field of Dreams and Ghost; and gay and lesbian audiences as "critical" audiences. The book provides a very thorough and accessible overview of this complex, fragmented and often controversial area of film theory.



Psychoanalytic Film Theory And The Rules Of The Game


Psychoanalytic Film Theory And The Rules Of The Game
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Author : Todd McGowan
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2015-07-30

Psychoanalytic Film Theory And The Rules Of The Game written by Todd McGowan and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-30 with Performing Arts categories.


The Film Theory in Practice Series fills a gaping hole in the world of film theory. By marrying the explanation of film theory with interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. The first book in the series, Psychoanalytic Film Theory and The Rules of the Game, offers a concise introduction to psychoanalytic film theory in jargon-free language and shows how this theory can be deployed to interpret Jean Renoir's classic film. It traces the development of psychoanalytic film theory through its foundation in the thought of Sigmund Freud and Jacques Lacan through its contemporary manifestation in the work of theorists like Slavoj Žižek and Joan Copjec. This history will help students and scholars who are eager to learn more about this important area of film theory and bring the concepts of psychoanalytic film theory into practice through a detailed interpretation of the film.



Film Theory


Film Theory
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Author : Thomas Elsaesser
language : en
Publisher: Routledge
Release Date : 2015-03-12

Film Theory written by Thomas Elsaesser and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-03-12 with Performing Arts categories.


What is the relationship between cinema and spectator? This is the key question for film theory, and one that Thomas Elsaesser and Malte Hagener put at the center of their insightful and engaging book, now revised from its popular first edition. Every kind of cinema (and every film theory) first imagines an ideal spectator, and then maps certain dynamic interactions between the screen and the spectator’s mind, body and senses. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from its beginnings to the present—from neo-realist and modernist theories to psychoanalytic, ‘apparatus,’ phenomenological and cognitivist theories, and including recent cross-overs with philosophy and neurology. This new and updated edition of Film Theory: An Introduction through the Senses has been extensively revised and rewritten throughout, incorporating discussion of contemporary films like Her and Gravity, and including a greatly expanded final chapter, which brings film theory fully into the digital age.



The Routledge Encyclopedia Of Film Theory


The Routledge Encyclopedia Of Film Theory
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Author : Edward Branigan
language : en
Publisher: Routledge
Release Date : 2013-12-04

The Routledge Encyclopedia Of Film Theory written by Edward Branigan and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-04 with Performing Arts categories.


The Routledge Encyclopedia of Film Theory is an international reference work representing the essential ideas and concepts at the centre of film theory from the beginning of the twentieth century, to the beginning of the twenty-first. When first encountering film theory, students are often confronted with a dense, interlocking set of texts full of arcane terminology, inexact formulations, sliding definitions, and abstract generalities. The Routledge Encyclopedia of Film Theory challenges these first impressions by aiming to make film theory accessible and open to new readers. Edward Branigan and Warren Buckland have commissioned over 50 scholars from around the globe to address the difficult formulations and propositions in each theory by reducing these difficult formulations to straightforward propositions. The result is a highly accessible volume that clearly defines, and analyzes step by step, many of the fundamental concepts in film theory, ranging from familiar concepts such as ‘Apparatus’, ‘Gaze’, ‘Genre’, and ‘Identification’, to less well-known and understood, but equally important concepts, such as Alain Badiou’s ‘Inaesthetics’, Gilles Deleuze’s ‘Time-Image’, and Jean-Luc Nancy’s ‘Evidence’. The Routledge Encyclopedia of Film Theory is an ideal reference book for undergraduates of film studies, as well as graduate students new to the discipline.



Concepts In Film Theory


Concepts In Film Theory
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Author : J. Dudley Andrew
language : en
Publisher: Oxford University Press
Release Date : 1984-03-15

Concepts In Film Theory written by J. Dudley Andrew and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984-03-15 with Performing Arts categories.


Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.



Questions Of Cinema


Questions Of Cinema
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Author : Stephen Heath
language : en
Publisher:
Release Date : 1981

Questions Of Cinema written by Stephen Heath and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Performing Arts categories.


"It is essential reading for anyone concerned with the theoretical discussion of cinema, and ideology in general." -- Semiotica ..". Heath is an antidote to the Cinema 101 worldview." -- Voice Literary Supplement Heath's study of film draws on Lacanian psychoanalysis, semiotics, and Marxism, presenting film as a signifying practice and the cinema as a social institution of meanings.