Sixties British Cinema


Sixties British Cinema
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Sixties British Cinema


Sixties British Cinema
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Author : Robert Murphy
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25

Sixties British Cinema written by Robert Murphy and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.


British films of the 1960s are undervalued. Their search for realism has often been dismissed as drabness and their more frivolous efforts can now appear just empty-headed. Robert Murphy's Sixties British Cinema is the first study to challenge this view. He shows that the realist tradition of the late 50s and early 60s was anything but dreary and depressing, and gave birth to a clutch of films remarkable for their confidence and vitality: Saturday Night and Sunday Morning, A Kind of Loving, and A Taste of Honey are only the better known titles. Sixties British Cinema revalues key genres of the period - horror, crime and comedy - and takes a fresh look at the 'swinging London' films, finding disturbing undertones that reflect the cultural changes of the decade. Now that our cinematic past is constantly recycled on television, Murphy's informative, engaging and perceptive review of these films and their cultural and industrial context offers an invaluable guide to this neglected era of British cinema.



Sixties British Cinema Reconsidered


Sixties British Cinema Reconsidered
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Author : Petrie Duncan Petrie
language : en
Publisher: Edinburgh University Press
Release Date : 2020-03-02

Sixties British Cinema Reconsidered written by Petrie Duncan Petrie and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-02 with History categories.


This collection of exciting new research on British cinema of the 1960s reconsiders and reframes the film culture that emerged from that tumultuous decade. Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes. With perspectives and insights from established scholars and new critical voices, Sixties British Cinema Reconsidered draws on under-explored archival resources to explore four key research areas: stars and stardom; creative collaborations in filmmaking; developments in genre and film style; and how the cinema of the period both responded and contributed to social and cultural transformation in the 1960s.



Transformation And Tradition In 1960s British Cinema


Transformation And Tradition In 1960s British Cinema
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Author : Richard Farmer
language : en
Publisher: Edinburgh University Press
Release Date : 2019-05-03

Transformation And Tradition In 1960s British Cinema written by Richard Farmer and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-03 with Electronic books categories.


Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a fresh perspective on the major resurgence of creativity and international appeal experienced by British cinema in the 1960s



The British Cinema Book


The British Cinema Book
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Author : Robert Murphy
language : en
Publisher:
Release Date : 2001

The British Cinema Book written by Robert Murphy and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Motion pictures categories.


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Sixties British Cinema Reconsidered


Sixties British Cinema Reconsidered
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Author : Duncan Petrie
language : en
Publisher:
Release Date : 2021-11-30

Sixties British Cinema Reconsidered written by Duncan Petrie and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-11-30 with Performing Arts categories.


Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes.



Cinema Memories


Cinema Memories
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Author : Melvyn Stokes
language : en
Publisher:
Release Date :

Cinema Memories written by Melvyn Stokes and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with Motion pictures, British categories.


The 1960s was a rich decade for British cinema audiences. Alongside Hollywood films, from Westerns such as The Man Who Shot Liberty Valance (1962) and The Dirty Dozen (1967) were musicals including West Side Story (1961), Mary Poppins (1964) and The Sound of Music (1965), and epics such as The Longest Day (1962), Cleopatra (1963) and The Greatest Story Ever Told (1965) Towards the end of the decade, a new style of filmmaking emerged, with movies such as The Graduate (1967), Bonnie and Clyde (1967), Butch Cassidy and the Sundance Kid (1969) and Easy Rider (1969). Although the total number of screens in the UK declined from over 3,000 in 1960 to little more than half this by the end of the decade, British cinema itself remained buoyant. The decade saw the release of many so-called 'kitchen sink' dramas including Saturday Night and Sunday Morning (1960), A Taste of Honey (1961) and This Sporting Life (1963), together with the 'Swinging London' films such as Darling (1965) and Alfie (1966). It witnessed the birth of the James Bond franchise with Dr No in 1962, followed by five other 007 films by 1969. The well-established 'Carry On' franchise produced many more films: 15 in all between 1960 and 1969. British director David Lean directed the epics Lawrence of Arabia (1962) and Dr Zhivago (1965). Drawing on first-hand memories from over 1000 cinema-goers, Screen Memories reveals what it was like to see these and other films in British cinemas in the 1960s. The authors explore what the social experience of cinema-going was like during this decade. They consider how cinema-goers constructed meanings from the films they watched - through a complex process of negotiation between the films concerned, their own social and cultural identities, and their awareness of changes in British society. Their examination helps the reader envision what light the cultural memory of 1960s cinema-going sheds on how the Sixties in Britain is remembered and interpreted. Either, as many have argued, a period of transformative change, or, as an era marked by considerable continuity with the 1940s and 50s. Positioning their study within debates about memory, 1960s cinema, and the seemingly transformative nature of this decade of British history, the authors reflect on the methodologies deployed, the use of memories as historical sources, and the various ways in which cinema and cinema-going came to mean something to its audiences.



Transformation And Tradition In 1960s British Cinema


Transformation And Tradition In 1960s British Cinema
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Author : FARMER.
language : en
Publisher:
Release Date :

Transformation And Tradition In 1960s British Cinema written by FARMER. and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




The British Cinema Book


The British Cinema Book
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Author : Robert Murphy
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25

The British Cinema Book written by Robert Murphy and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.


The new edition of The British Cinema Book has been thoroughly revised and updated to provide a comprehensive introduction to the major periods, genres, studios, film-makers and debates in British cinema from the 1890s to the present. The book has five sections, addressing debates and controversies; industry, genre and representation; British cinema 1895-1939; British cinema from World War II to the 1970s, and contemporary British cinema. Within these sections, leading scholars and critics address a wide range of issues and topics, including British cinema as a 'national' cinema; its complex relationship with Hollywood; film censorship; key British genres such as horror, comedy and costume film; the work of directors including Alfred Hitchcock, Anthony Asquith, Alexander Mackendrick, Michael Powell, Lindsay Anderson, Ken Russell and Mike Leigh; studios such as Gainsborough, Ealing, Rank and Gaumont, and recent signs of hope for the British film industry, such as the rebirth of the low-budget British horror picture, and the emergence of a British Asian cinema. Discussions are illustrated with case studies of key films, many of which are new to this edition, including Piccadilly (1929) It Always Rains on Sunday (1947), The Ladykillers (1955), This Sporting Life (1963), The Devils (1971), Withnail and I (1986), Bend it Like Beckham (2002) and Control (2007), and with over 100 images from the BFI's collection. The Editor: Robert Murphy is Professor in Film Studies at De Montfort University and has written and edited a number of books on British cinema, including British Cinema and the Second World War (2000) and Directors in British and Irish Cinema (2006). The contributors: Ian Aitken, Charles Barr, Geoff Brown, William Brown, Stella Bruzzi, Jon Burrows, James Chapman, Steve Chibnall, Pamela Church Gibson, Ian Conrich, Richard Dacre, Raymond Durgnat, Allen Eyles, Christine Geraghty, Christine Gledhill, Kevin Gough-Yates, Sheldon Hall, Benjamin Halligan, Sue Harper, Erik Hedling, Andrew Hill, John Hill, Peter Hutchings, Nick James, Marcia Landy, Barbara Korte, Alan Lovell, Brian McFarlane, Martin McLoone, Andrew Moor, Robert Murphy, Lawrence Napper, Michael O'Pray, Jim Pines, Vincent Porter, Tim Pulleine, Jeffrey Richards, James C. Robertson, Tom Ryall, Justin Smith, Andrew Spicer, Claudia Sternberg, Sarah Street, Melanie Williams and Linda Wood.



Studying British Cinema


Studying British Cinema
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Author : Danny Powell
language : en
Publisher: Auteur Publishing in Partnership with Liverpool University Press
Release Date : 2009

Studying British Cinema written by Danny Powell and has been published by Auteur Publishing in Partnership with Liverpool University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Performing Arts categories.


"Using key film texts as its starting point, Studying British Cinema: The 1960s analyses this famously revolutionary decade, and examines how the films of the day reflected the inward battle of the nation. Danny Powell examines differing representations of time and place making sense of the complexities of a changing nation, highlighting cinematic changes in style and outlook that were crucial in communicating, evaluating and constructing British identity in this famous decade, exporting a unified image to the rest of the world, and how this period continues to define Britain today." --Book Jacket.



A Companion To British And Irish Cinema


A Companion To British And Irish Cinema
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Author : John Hill
language : en
Publisher: John Wiley & Sons
Release Date : 2019-05-07

A Companion To British And Irish Cinema written by John Hill and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-07 with Performing Arts categories.


A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.