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Sonic Virtuality


Sonic Virtuality
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Sonic Virtuality


Sonic Virtuality
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Author : Mark Grimshaw
language : en
Publisher: Oxford University Press
Release Date : 2015-06-01

Sonic Virtuality written by Mark Grimshaw and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-01 with Music categories.


In Sonic Virtuality: Sound as Emergent Perception, authors Mark Grimshaw and Tom Garner introduce a novel theory that positions sound within a framework of virtuality. Arguing against the acoustic or standard definition of sound as a sound wave, the book builds a case for a sonic aggregate as the virtual cloud of potentials created by perceived sound. The authors build on their recent work investigating the nature and perception of sound as used in computer games and virtual environments, and put forward a unique argument that sound is a fundamentally virtual phenomenon. Grimshaw and Garner propose a new, fuller and more complete, definition of sound based on a perceptual view of sound that accounts more fully for cognition, emotion, and the wider environment. The missing facet is the virtuality: the idea that all sound arises from a sonic aggregate made up of actual and virtual sonic phenomena. The latter is a potential that depends upon human cognition and emotion for its realization as sound. This thesis is explored through a number of philosophical, cognitive, and psychological concepts including: issues of space, self, sonosemantics, the uncanny, hyper-realism, affect, Gettier problems, belief, alief, imagination, and sound perception in the absence of sound sensation. Provocative and original, Grimshaw and Garner's ideas have broader implications for our relationship to technology, our increasingly digital lives, and the nature of our being within our supposed realities. Students and academics from philosophy to acoustics and across the broad spectrum of digital humanities will find this accessible book full of challenging concepts and provocative ideas.



Sonic Virtuality


Sonic Virtuality
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Author : Mark Grimshaw
language : en
Publisher:
Release Date : 2015

Sonic Virtuality written by Mark Grimshaw and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Mixed reality categories.


This title introduces the concept of sonic virtuality, a theory of sound that positions it as an emergent perception within a framework of virtuality. In its opposition to the acoustic or standard definition of sound, that sound is a sound wave, the thesis builds its case for a sonic aggregate as the virtual cloud of potentials from which the sound as perception emerges. This is argued for from a broad interdisciplinary perspective that assesses evidence and thinking from many fields.



Conceiving Virtuality From Art To Technology


Conceiving Virtuality From Art To Technology
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Author : Joaquim Braga
language : en
Publisher: Springer Nature
Release Date : 2019-09-05

Conceiving Virtuality From Art To Technology written by Joaquim Braga and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-05 with Philosophy categories.


This book provides new theoretical approaches to the subject of virtuality. All chapters reflect the importance of extending the analysis of the concept of “the virtual” to areas of knowledge that, until today, have not been fully included in its philosophical foundations. The respective chapters share new insights on art, media, psychic systems and technology, while also presenting new ways of articulating the concept of the virtual with regard to the main premises of Western thought. Given its thematic scope, this book is intended not only for a philosophical audience, but also for all scientists who have turned to the humanities in search of answers to their questions.



Echoes Of Other Worlds Sound In Virtual Reality


Echoes Of Other Worlds Sound In Virtual Reality
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Author : Tom A. Garner
language : en
Publisher: Springer
Release Date : 2017-09-01

Echoes Of Other Worlds Sound In Virtual Reality written by Tom A. Garner and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-01 with Social Science categories.


This book explores the nature and importance of sound in virtual reality (VR). Approaching the subject from a holistic perspective, the book delivers an emergent framework of VR sound. This framework brings together numerous elements that collectively determine the nature of sound in VR; from various aspects of VR technology, to the physiological and psychological complexities of the user, to the wider technological, historical and sociocultural issues. Garner asks, amongst other things: what is the meaning of sound? How have fictional visions of VR shaped our expectations for present technology? How can VR sound hope to evoke the desired responses for such an infinitely heterogeneous user base? This book if for those with an interest in sound and VR, who wish to learn more about the great complexities of the subject and discover the contemporary issues from which future VR will surely advance.



Body Sound And Space In Music And Beyond Multimodal Explorations


Body Sound And Space In Music And Beyond Multimodal Explorations
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Author : Clemens Wöllner
language : en
Publisher: Routledge
Release Date : 2017-04-07

Body Sound And Space In Music And Beyond Multimodal Explorations written by Clemens Wöllner and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-04-07 with Music categories.


Body and space refer to vital and interrelated dimensions in the experience of sounds and music. Sounds have an overwhelming impact on feelings of bodily presence and inform us about the space we experience. Even in situations where visual information is artificial or blurred, such as in virtual environments or certain genres of film and computer games, sounds may shape our perceptions and lead to surprising new experiences. This book discusses recent developments in a range of interdisciplinary fields, taking into account the rapidly changing ways of experiencing sounds and music, the consequences for how we engage with sonic events in daily life and the technological advancements that offer insights into state-of-the-art methods and future perspectives. Topics range from the pleasures of being locked into the beat of the music, perception–action coupling and bodily resonance, and affordances of musical instruments, to neural processing and cross-modal experiences of space and pitch. Applications of these findings are discussed for movement sonification, room acoustics, networked performance, and for the spatial coordination of movements in dance, computer gaming and interactive artistic installations.



The Oxford Handbook Of Virtuality


The Oxford Handbook Of Virtuality
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Author : Mark Grimshaw
language : en
Publisher: Oxford University Press
Release Date : 2014-02

The Oxford Handbook Of Virtuality written by Mark Grimshaw and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-02 with Computers categories.


The book is a compendium of thinking on virtuality and its relationship to reality from the perspective of a variety of philosophical and applied fields of study. Topics covered include presence, immersion, emotion, ethics, utopias and dystopias, image, sound, literature, AI, law, economics, medical and military applications, religion, and sex.



The Assassin


The Assassin
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Author : Peng Hsiao-yen
language : en
Publisher: Hong Kong University Press
Release Date : 2019-10-23

The Assassin written by Peng Hsiao-yen and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-23 with Performing Arts categories.


The Assassin tells the story of a swordswoman who refrains from killing. Hou Hsiao-hsien astonishes his audience once again by upsetting almost every convention of the wuxia (martial arts) genre in the film. This collection offers eleven readings, each as original and thought-provoking as the film itself, beginning with one given by the director himself. Contributors analyze the elliptical way of storytelling, Hou’s adaptation of the source text (a tale from the Tang dynasty, also included in this volume), the film’s appropriation of traditional Chinese visual aesthetics, as well as the concept of xia (knight-errant) that is embedded in Confucian, Daoist, and Buddhist worldviews. There are also discussions of the much-celebrated sonic design of The Assassin: the nearly exclusive use of a diegetic film score is a statement on the director’s belief in cinematic reality. Underlying all the chapters is a focus on how Hou reinvents Tang-dynasty China in contemporary culture. The meticulously recreated everyday reality of the Tang world in the film highlights the ethnic and cultural diversity of the dynasty. It was a time when Sogdian traders acted as important intermediaries between Central Asia and the Tang court, and as a result Sogdian culture permeated the society. Taking note of the vibrant hybridity of Tang culture in the film, this volume shows that the historical openness to non-Chinese elements is in fact an essential part of the Chineseness expressed in Hou’s work. The Assassin is a gateway to the remote Tang-dynasty world, but in Hou’s hands the concerns of that premodern world turn out to be highly relevant to the world of the audience. “This book promises to be a useful companion to the film The Assassin. Contributors to this collection have convincingly and compellingly elucidated some of the film’s most difficult features. The result is a rich and wide-ranging analysis of one of the most beautiful films of our time.” —Sung-Sheng Yvonne Chang, The University of Texas at Austin “This collection of essays unfolds the many layers of The Assassin by speaking to its aesthetic achievements, reinvention of genre conventions, deep historical engagement, and philosophical substance. It exceeds the sum of its individual parts by building a vibrant cross-disciplinary conversation among a diverse group of accomplished scholars, who contribute original and compelling insights on the film.” —Jean Ma, Stanford University



The Oxford Handbook Of Sound And Imagination Volume 1


The Oxford Handbook Of Sound And Imagination Volume 1
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Author : Mark Grimshaw-Aagaard
language : en
Publisher: Oxford University Press
Release Date : 2019-07-26

The Oxford Handbook Of Sound And Imagination Volume 1 written by Mark Grimshaw-Aagaard and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-26 with Music categories.


Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.



Foundations In Sound Design For Interactive Media


Foundations In Sound Design For Interactive Media
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Author : Michael Filimowicz
language : en
Publisher: Routledge
Release Date : 2019-06-21

Foundations In Sound Design For Interactive Media written by Michael Filimowicz and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-06-21 with Technology & Engineering categories.


This volume provides a comprehensive introduction to foundational topics in sound design for interactive media, such as gaming and virtual reality; compositional techniques; new interfaces; sound spatialization; sonic cues and semiotics; performance and installations; music on the web; augmented reality applications; and sound producing software design. The reader will gain a broad understanding of the key concepts and practices that define sound design for its use in computational media and design. The chapters are written by international authors from diverse backgrounds who provide multidisciplinary perspectives on sound in its interactive forms. The volume is designed as a textbook for students and teachers, as a handbook for researchers in sound, design and media, and as a survey of key trends and ideas for practitioners interested in exploring the boundaries of their profession.



The Oxford Handbook Of Sound And Imagination


The Oxford Handbook Of Sound And Imagination
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Author : Mark Grimshaw
language : en
Publisher:
Release Date : 2019

The Oxford Handbook Of Sound And Imagination written by Mark Grimshaw and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Music categories.


In this two-volume Handbook, contributors address the tendency to discuss musical imagination through terms like compositional creativity or performance technique, correcting the current bias towards visual imagination to instead highlight the many forms of sonic and musical imagination.