Sound Score


Sound Score
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Sound Score


Sound Score
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Author : Virginia Anderson (Musicologist)
language : en
Publisher: Leuven University Press
Release Date : 2013

Sound Score written by Virginia Anderson (Musicologist) and has been published by Leuven University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Education categories.


Sound and Score brings together music expertise from prominent international researchers and performers to explore the intimate relations between sound and score and the artistic possibilities that this relationship yields for performers, composers and listeners. Considering "notation" as the totality of words, signs, and symbols encountered on the road to an accurate and effective performance of music, this book embraces different styles and periods in a comprehensive understanding of the complex relations between invisible sound and mute notation, between aural perception and visual representation, and between the concreteness of sound and the iconic essence of notation. Three main perspectives structure the analysis: a conceptual approach that offers contributions from different fields of enquiry (history, musicology, semiotics), a practical one that takes the skilled body as its point of departure (written by performers), and finally an experimental perspective that challenges state-of-the-art practices, including transdisciplinary approaches in the crossroads to visual arts and dance.



Sound Design Is The New Score


Sound Design Is The New Score
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Author : Danijela Kulezic-Wilson
language : en
Publisher: Oxford University Press, USA
Release Date : 2019-12-02

Sound Design Is The New Score written by Danijela Kulezic-Wilson and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-12-02 with Music categories.


The practice of blurring the line between score and sound design has transformed contemporary film soundscape by challenging not only the long-established hierarchical relationships between dialogue, music, and sound effects, but also the modes of perception shaped by classical soundtrack practices. The methods of this new trend rely on the language of contemporary popular and art music, producing soundtracks in which it is difficult to tell the difference between score and ambient sound, where pieces of electroacoustic music are merged with diegetic sound, sound effects are absorbed into the score or treated as music, and diegetic sound is treated as musique concrète. In Sound Design is the New Score, Kulezic-Wilson explores theoretical, aesthetic, and sensuous dimensions of this new trend, providing a multifaceted portrait of a practice which recognizes the interconnectedness of all soundtrack elements and emphasizes their inherent musicality. The aesthetic concerns of this practice are illuminated through the concept of the aesthetics of reticence which rejects classical narrative and scoring conventions and uses integrated soundtrack strategies to create the space for mystery in art and for individuality in the cinematic experience. The book's emphasis on sensuous and musical aspects of this practice, informed by the feminist discourse on the erotics of art, challenges popular notions about sensory cinema, demonstrating that the sensuousness of film form and its soundscapes is more sophisticated than simply being the result of excessive sensory stimulation facilitated by the use of digital technology or the "intensified" aesthetics it inspires. The discussion is supported by a wide range of case studies from American Independent, Asian, Australian, and European cinemas, including films by Shane Carruth, Claire Denis, Hou Hsiao-Hsien, Harmony Korine, David Michôd, Gus Van Sant, and Peter Strickland.



Sound Design Is The New Score


Sound Design Is The New Score
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Author : Danijela Kulezic-Wilson
language : en
Publisher: Oxford University Press
Release Date : 2019-11-01

Sound Design Is The New Score written by Danijela Kulezic-Wilson and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-01 with Music categories.


The practice of blurring the line between score and sound design has transformed contemporary film soundscape by challenging not only the long-established hierarchical relationships between dialogue, music, and sound effects, but also the modes of perception shaped by classical soundtrack practices. The methods of this new trend rely on the language of contemporary popular and art music, producing soundtracks in which it is difficult to tell the difference between score and ambient sound, where pieces of electroacoustic music are merged with diegetic sound, sound effects are absorbed into the score or treated as music, and diegetic sound is treated as musique concrète. In Sound Design is the New Score, Kulezic-Wilson explores theoretical, aesthetic, and sensuous dimensions of this new trend, providing a multifaceted portrait of a practice which recognizes the interconnectedness of all soundtrack elements and emphasizes their inherent musicality. The aesthetic concerns of this practice are illuminated through the concept of the aesthetics of reticence which rejects classical narrative and scoring conventions and uses integrated soundtrack strategies to create the space for mystery in art and for individuality in the cinematic experience. The book's emphasis on sensuous and musical aspects of this practice, informed by the feminist discourse on the erotics of art, challenges popular notions about sensory cinema, demonstrating that the sensuousness of film form and its soundscapes is more sophisticated than simply being the result of excessive sensory stimulation facilitated by the use of digital technology or the "intensified" aesthetics it inspires. The discussion is supported by a wide range of case studies from American Independent, Asian, Australian, and European cinemas, including films by Shane Carruth, Claire Denis, Hou Hsiao-Hsien, Harmony Korine, David Michôd, Gus Van Sant, and Peter Strickland.



Sound Innovations For String Orchestra Sound Development Intermediate Conductor S Score


Sound Innovations For String Orchestra Sound Development Intermediate Conductor S Score
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Author : Bob Phillips
language : en
Publisher: Alfred Music
Release Date : 2012-05-22

Sound Innovations For String Orchestra Sound Development Intermediate Conductor S Score written by Bob Phillips and has been published by Alfred Music this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-05-22 with Music categories.


Sound Innovations: Sound Development emphasizes playing with a characteristic beautiful sound. The components of producing this sound are broken into four levels, consistent with the revolutionary Sound Innovations structure: (1) Sound Tone, (2) Sound Bowings, (3) Sound Shifting, and (4) Sound Scales, Arpeggios, Chorales, and Rhythms. The levels can be used in the order that is best for your students, as individual warm-ups or as structured units. Your students will learn the proper use of the bow with the variables of tone, the next group of bowings needed for intermediate repertoire, and how to shift and play with vibrato. These skills will be reinforced with comprehensive scales, arpeggios, sight-reading materials, rhythm exercises, and warm-up chorales.



Source


Source
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Author : Larry Austin
language : en
Publisher: Univ of California Press
Release Date : 2011-07-06

Source written by Larry Austin and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-07-06 with Music categories.


This work is a seminal source for materials on the heyday of experimental music and arts. The book documents crucial changes in performance practice and live electronics, computer music, notation and event scores, theatre and installations, and much more.



The Sound Of Music


The Sound Of Music
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Author : Richard Rodgers
language : en
Publisher:
Release Date : 1960

The Sound Of Music written by Richard Rodgers and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1960 with Musicals categories.




Sound


Sound
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Author : Kathryn Kalinak
language : en
Publisher: Rutgers University Press
Release Date : 2015-05

Sound written by Kathryn Kalinak and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-05 with Art categories.


Sound has always been an integral component of the moviegoing experience. Even during the so-called “silent era,” motion pictures were regularly accompanied by live music, lectures, and sound effects. Today, whether we listen to movies in booming Dolby theaters or on tiny laptop speakers, sonic elements hold our attention and guide our emotional responses. Yet few of us are fully aware of the tremendous collaborative work, involving both artistry and technical wizardry, required to create that cinematic soundscape. Sound, the latest book in the Behind the Silver Screen series, introduces key concepts, seminal moments, and pivotal figures in the development of cinematic sound. Each of the book’s six chapters cover a different era in the history of Hollywood, from silent films to the digital age, and each is written by an expert in that period. Together, the book’s contributors are able to explore a remarkable range of past and present film industry practices, from the hiring of elocution coaches to the marketing of soundtrack records. Not only does the collection highlight the achievements of renowned sound designers and film composers like Ben Burtt and John Williams, it also honors the unsung workers whose inventions, artistry, and performances have shaped the soundscapes of many notable movies. After you read Sound, you’ll never see—or hear—movies in quite the same way. Sound is a volume in the Behind the Silver Screen series—other titles in the series include Acting; Animation; Art Direction and Production Design; Cinematography; Costume, Makeup, and Hair; Directing; Editing and Special Visual Effects; Producing; and Screenwriting.



The Sound Of Pictures


The Sound Of Pictures
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Author : Andrew Ford
language : en
Publisher: Black Inc.
Release Date : 2010-11-30

The Sound Of Pictures written by Andrew Ford and has been published by Black Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-11-30 with Music categories.


The Sound of Pictures is an illuminating journey through the soundtracks of more than 400 films. How do filmmakers play with sound? And how does that affect the way we watch their movies? Whether pop or classical, sweeping or sparse, music plays a crucial role in our cinematic experience. Other sounds can be even more evocative: the sounds of nature, of cities and of voices. In The Sound of Pictures, Andrew Ford listens to the movies. He speaks to acclaimed directors and composers, discovering radically different views about how much music to use and when. And he explores some of cinema’s most curious sonic moments. How did Alfred Hitchcock use music to plant clues in his films? Why do some ‘mix-tape’ soundtracks work brilliantly and others fall flat? How do classics from A Clockwork Orange to The Godfather, Cinema Paradiso to High Noon, use music and sound effects to enhance what we see on screen? Whether you’re a film-buff or a music lover, The Sound of Pictures will enrich your experience of the movies. ‘Andrew Ford's book is delightfully snippy and entertaining. More importantly, it's also wonderfully informed in a way that will enhance film viewing past, present and future. A hugely enjoyable and revelatory read.’ —Margaret Pomeranz ‘The Sound of Pictures will be joyfully read by movie and music fans alike.’ —Canberra Times ‘Enjoyable and rewarding’ —Adelaide Advertiser ‘Beautifully written’ —Sydney Morning Herald ‘A must read’ —Courier Mail



The Supercollider Book


The Supercollider Book
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Author : Scott Wilson
language : en
Publisher: MIT Press
Release Date : 2011-04-15

The Supercollider Book written by Scott Wilson and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-04-15 with Computers categories.


The essential reference to SuperCollider, a powerful, flexible, open-source, cross-platform audio programming language. SuperCollider is one of the most important domain-specific audio programming languages, with potential applications that include real-time interaction, installations, electroacoustic pieces, generative music, and audiovisuals. The SuperCollider Book is the essential reference to this powerful and flexible language, offering students and professionals a collection of tutorials, essays, and projects. With contributions from top academics, artists, and technologists that cover topics at levels from the introductory to the specialized, it will be a valuable sourcebook both for beginners and for advanced users. SuperCollider, first developed by James McCartney, is an accessible blend of Smalltalk, C, and further ideas from a number of programming languages. Free, open-source, cross-platform, and with a diverse and supportive developer community, it is often the first programming language sound artists and computer musicians learn. The SuperCollider Book is the long-awaited guide to the design, syntax, and use of the SuperCollider language. The first chapters offer an introduction to the basics, including a friendly tutorial for absolute beginners, providing the reader with skills that can serve as a foundation for further learning. Later chapters cover more advanced topics and particular topics in computer music, including programming, sonification, spatialization, microsound, GUIs, machine listening, alternative tunings, and non-real-time synthesis; practical applications and philosophical insights from the composer's and artist's perspectives; and "under the hood,” developer's-eye views of SuperCollider's inner workings. A Web site accompanying the book offers code, links to the application itself and its source code, and a variety of third-party extras, extensions, libraries, and examples.



Sound Innovations Conductor S Score Concert Band Book 1


Sound Innovations Conductor S Score Concert Band Book 1
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Author : Robert Sheldon
language : en
Publisher: Alfred Music
Release Date : 2010-09-08

Sound Innovations Conductor S Score Concert Band Book 1 written by Robert Sheldon and has been published by Alfred Music this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-09-08 with Music categories.


Sound Innovations for Concert Band is a revolutionary new method series that combines time-tested educational concepts, input from thousands of teachers, advances in modern technology, and solid pedagogy that follows state and national music education standards.