Sources For Byzantine Art History
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The Visual Culture Of Later Byzantium C 1081 C 1350
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Author : Foteini Spingou
language : en
Publisher:
Release Date : 2021
The Visual Culture Of Later Byzantium C 1081 C 1350 written by Foteini Spingou and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Art and society categories.
"The period encompassed by this volume of translations opens with a major crisis over the status of the icon and its veneration. Charles Barber and David Jenkins (I.1.1 in this volume) present three extensive texts related to this crisis, which began when Leo of Chalcedon objected to the imperial appropriation of materials bearing sacred images, such as the doors of the Chalkoprateia church in Constantinople. As his arguments against this act unfolded in the period from 1082- to 1095, Leo developed a theory of the image that argued for a formal, as opposed to a material, presence of Christ in his icons. Given this presence of Christ's character, Leo argued that an icon should not be destroyed and that this portrayal deserved adoration. A full account of this argument is presented in Leo's letter to his nephew Nicholas of Adrianoupolis. This letter, which perhaps dates to 1093 or 1094, shows how Leo builds his case upon a reading of the ninth-century iconophile writings of Theodore of Stoudios and other authorities, which Leo reads as offering support for a hypostatic presence in the image mediated by the visible character of the subject. A key response to Leo of Chalcedon's arguments is offered by Eustratios of Nicaea. His Syllogistic Demonstration builds upon the logical model of ninth-century iconophile thought to show that the icon only has a formal relation to the subject depicted in that object. It is a response that is notable for its precise accounts of the limits of depiction, which becomes the description of the outline, form, and dimension of the outward and sensible traits of the appearance of a person. This allows him to argue that the material and sensible icon cannot receive adoration: Christ as God is adored; Christ as God cannot be depicted; therefore, the depicted, as depicted, is not adored. So that in no way can we speak of the adoration of a manufactured icon, or of adoration in an icon"--
Sources For Byzantine Art History
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Author :
language : en
Publisher:
Release Date : 2022
Sources For Byzantine Art History written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with categories.
Sources For Byzantine Art History Volume 3 The Visual Culture Of Later Byzantium 1081 C 1350
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Author : Foteini Spingou
language : en
Publisher: Cambridge University Press
Release Date : 2022-04-21
Sources For Byzantine Art History Volume 3 The Visual Culture Of Later Byzantium 1081 C 1350 written by Foteini Spingou and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-21 with History categories.
In this book the beauty and meaning of Byzantine art and its aesthetics are for the first time made accessible through the original sources. More than 150 medieval texts are translated from nine medieval languages into English, with commentaries from over seventy leading scholars. These include theories of art, discussions of patronage and understandings of iconography, practical recipes for artistic supplies, expressions of devotion, and descriptions of cities. The volume reveals the cultural plurality and the interconnectivity of medieval Europe and the Mediterranean from the late eleventh to the early fourteenth centuries. The first part uncovers salient aspects of Byzantine artistic production and its aesthetic reception, while the second puts a spotlight on particular ways of expressing admiration and of interpreting of the visual.
The Visual Culture Of Later Byzantium C 1081 C 1350
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Author : Foteini Spingou
language : en
Publisher:
Release Date : 2021
The Visual Culture Of Later Byzantium C 1081 C 1350 written by Foteini Spingou and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Art and society categories.
"The period encompassed by this volume of translations opens with a major crisis over the status of the icon and its veneration. Charles Barber and David Jenkins (I.1.1 in this volume) present three extensive texts related to this crisis, which began when Leo of Chalcedon objected to the imperial appropriation of materials bearing sacred images, such as the doors of the Chalkoprateia church in Constantinople. As his arguments against this act unfolded in the period from 1082- to 1095, Leo developed a theory of the image that argued for a formal, as opposed to a material, presence of Christ in his icons. Given this presence of Christ's character, Leo argued that an icon should not be destroyed and that this portrayal deserved adoration. A full account of this argument is presented in Leo's letter to his nephew Nicholas of Adrianoupolis. This letter, which perhaps dates to 1093 or 1094, shows how Leo builds his case upon a reading of the ninth-century iconophile writings of Theodore of Stoudios and other authorities, which Leo reads as offering support for a hypostatic presence in the image mediated by the visible character of the subject. A key response to Leo of Chalcedon's arguments is offered by Eustratios of Nicaea. His Syllogistic Demonstration builds upon the logical model of ninth-century iconophile thought to show that the icon only has a formal relation to the subject depicted in that object. It is a response that is notable for its precise accounts of the limits of depiction, which becomes the description of the outline, form, and dimension of the outward and sensible traits of the appearance of a person. This allows him to argue that the material and sensible icon cannot receive adoration: Christ as God is adored; Christ as God cannot be depicted; therefore, the depicted, as depicted, is not adored. So that in no way can we speak of the adoration of a manufactured icon, or of adoration in an icon"--
Sources For Byzantine Art History
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Author : Foteini Spingou
language : en
Publisher:
Release Date : 2021
Sources For Byzantine Art History written by Foteini Spingou and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Art and society categories.
"The period encompassed by this volume of translations opens with a major crisis over the status of the icon and its veneration. Charles Barber and David Jenkins (I.1.1 in this volume) present three extensive texts related to this crisis, which began when Leo of Chalcedon objected to the imperial appropriation of materials bearing sacred images, such as the doors of the Chalkoprateia church in Constantinople. As his arguments against this act unfolded in the period from 1082- to 1095, Leo developed a theory of the image that argued for a formal, as opposed to a material, presence of Christ in his icons. Given this presence of Christ's character, Leo argued that an icon should not be destroyed and that this portrayal deserved adoration. A full account of this argument is presented in Leo's letter to his nephew Nicholas of Adrianoupolis. This letter, which perhaps dates to 1093 or 1094, shows how Leo builds his case upon a reading of the ninth-century iconophile writings of Theodore of Stoudios and other authorities, which Leo reads as offering support for a hypostatic presence in the image mediated by the visible character of the subject. A key response to Leo of Chalcedon's arguments is offered by Eustratios of Nicaea. His Syllogistic Demonstration builds upon the logical model of ninth-century iconophile thought to show that the icon only has a formal relation to the subject depicted in that object. It is a response that is notable for its precise accounts of the limits of depiction, which becomes the description of the outline, form, and dimension of the outward and sensible traits of the appearance of a person. This allows him to argue that the material and sensible icon cannot receive adoration: Christ as God is adored; Christ as God cannot be depicted; therefore, the depicted, as depicted, is not adored. So that in no way can we speak of the adoration of a manufactured icon, or of adoration in an icon"--
The Art Of The Byzantine Empire 312 1453
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Author : Cyril A. Mango
language : en
Publisher: University of Toronto Press
Release Date : 1986-01-01
The Art Of The Byzantine Empire 312 1453 written by Cyril A. Mango and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986-01-01 with Art categories.
Originally published by Prentice-Hall, 1972.
Type And Archetype In Late Antique And Byzantine Art And Architecture
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Author :
language : en
Publisher: BRILL
Release Date : 2023-02-13
Type And Archetype In Late Antique And Byzantine Art And Architecture written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-02-13 with History categories.
This book presents new approaches to the study of typology in Late Antique and Byzantine art and architecture and highlights the importance of type and archetype in constructing architecture and image theories.
Other Icons
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Author : Eunice Dauterman Maguire
language : en
Publisher:
Release Date : 2007
Other Icons written by Eunice Dauterman Maguire and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.
"A winged centaur with the spotted body of a leopard playing a lute; a naked man with an animal head; a goat-footed Pan; a four-bodied lion; sphinxes; and hippocamps. Few would associate these forms of art with the Byzantine era, a period dominated by religious art. However, an art of strikingly secular expression was not only common to Byzantine culture, but also key to defining it. In Other Icons, Eunice Dauterman Maguire and Henry Maguire offer the first comprehensive view of this "unofficial" Byzantine art, demonstrating the role it played and its dialogue with traditional Christian Byzantine art. This beautifully illustrated book creates an entirely new understanding of the whole of Byzantine art and culture. With its wide-ranging examples, the book vividly demonstrates how the surprise of this "profane" art is not only in its subjects of mythic creatures, exotic imagery, and eroticism, but also in the ubiquity and beauty of their placement--within churches and without, woven into silk, illuminated on manuscripts, engraved into pottery, painted in frescoes, and taking life in marble, bone, and ivory. By presenting and exploring this profane art for the first time in a scholarly book in English, Other Icons will change the way we look at the art of an entire era." http://www.loc.gov/catdir/enhancements/fy0654/2005035716-d.html.
The Oxford Handbook Of Byzantine Art And Architecture
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Author : Ellen C. Schwartz
language : en
Publisher: Oxford University Press
Release Date : 2021
The Oxford Handbook Of Byzantine Art And Architecture written by Ellen C. Schwartz and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Architecture categories.
"This handbook offers a wide-ranging introduction to the richness and diversity of the arts in the Byzantine world. It includes thirty-eight essays by international authors, from prominent researchers to emerging scholars, on various issues and media. Discussions consider art created for religious purposes, to enhance and beautify the Orthodox liturgy and worship space, as well as art made to serve in royal and domestic contexts. While Byzantium is defined as the years 330-1453 CE, some chapters treat the aftermath and influence of Byzantine art on later periods. Arts covered include buildings and objects from the Eastern Mediterranean region, including the Balkans, Russia, North Africa, and the Near East. The volume brings together object-based considerations of themes and monuments which form the backbone of art history, with considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, among others-all in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a rich field of study, offering a window into the world of this distinct and fascinating period of art"--
Byzantine Art
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Author : Robin Cormack
language : en
Publisher: Oxford University Press
Release Date : 2018-03-10
Byzantine Art written by Robin Cormack and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-03-10 with Art categories.
The opulence of Byzantine art, with its extravagant use of gold and silver, is well known. Highly skilled artists created powerful representations reflecting and promoting this society and its values in icons, illuminated manuscripts, and mosaics and wallpaintings placed in domed churches and public buildings. This complete introduction to the whole period and range of Byzantine art combines immense breadth with interesting historical detail. Robin Cormack overturns the myth that Byzantine art remained constant from the inauguration of Constantinople, its artistic centre, in the year 330 until the fall of the city to the Ottomans in 1453. He shows how the many political and religious upheavals of this period produced a wide range of styles and developments in art. This updated, colour edition includes new discoveries, a revised bibliography, and, in a new epilogue, a rethinking of Byzantine Art for the present day.