Speaking About Godard


Speaking About Godard
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Speaking About Godard


Speaking About Godard
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Author : Kaja Silverman
language : en
Publisher: NYU Press
Release Date : 1998-07

Speaking About Godard written by Kaja Silverman and has been published by NYU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-07 with Biography & Autobiography categories.


A filmmaker and a film theorist construct a dialogue around a close reading of eight Godard films, in chronological order, beginning with My Life to Live (1962) and ending with New Wave (1990). Their close reading follows the unfolding of the films as if the two were sitting at a flatbed, with the benefit of a filmmaker's eye for the formal issues of shooting and editing and a theorist's attention to the relations of text and interpretation. Includes bandw photos. Annotation copyrighted by Book News, Inc., Portland, OR



Jean Luc Godard


Jean Luc Godard
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Author : Jean-Luc Godard
language : en
Publisher: Univ. Press of Mississippi
Release Date : 1998

Jean Luc Godard written by Jean-Luc Godard and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Performing Arts categories.


Collected interviews with the French director of Breathless and Hail Mary



Speaking About Godard


Speaking About Godard
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Author : Kaja Silverman
language : en
Publisher: NYU Press
Release Date : 1998-07

Speaking About Godard written by Kaja Silverman and has been published by NYU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-07 with Biography & Autobiography categories.


A filmmaker and a film theorist construct a dialogue around a close reading of eight Godard films, in chronological order, beginning with My Life to Live (1962) and ending with New Wave (1990). Their close reading follows the unfolding of the films as if the two were sitting at a flatbed, with the benefit of a filmmaker's eye for the formal issues of shooting and editing and a theorist's attention to the relations of text and interpretation. Includes bandw photos. Annotation copyrighted by Book News, Inc., Portland, OR



The Films Of Jean Luc Godard


The Films Of Jean Luc Godard
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Author : David Sterritt
language : en
Publisher: Cambridge University Press
Release Date : 1999-08-13

The Films Of Jean Luc Godard written by David Sterritt and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-08-13 with Performing Arts categories.


The Films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's New Wave movement in the early 1960s to a period of political experimentation in the late 1960s and 70s, and, currently, a contemplative period in which Godard has explored issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, the filmmaker's work defies easy categorization. In this study, David Sterritt offers an introductory overview of Godard's work as a filmmaker, critic, and video artist. In subsequent chapters, he traces Godard's visionary ideas through six of his key films, including Breathless, My Life to Live, Weekend, Numéro deux, Hail Mary, and Nouvelle Vague formats. Linking Godard's works to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the last half century.



Jean Luc Godard


Jean Luc Godard
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Author : John Francis Kreidl
language : en
Publisher: Boston : Twayne Publishers
Release Date : 1980

Jean Luc Godard written by John Francis Kreidl and has been published by Boston : Twayne Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Performing Arts categories.




Jean Luc Godard


Jean Luc Godard
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Author : Bert Rebhandl
language : en
Publisher: University of Wisconsin Pres
Release Date : 2023

Jean Luc Godard written by Bert Rebhandl and has been published by University of Wisconsin Pres this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023 with Motion picture producers and directors categories.




Deux Ou Trois Choses Que Je Sais D Elle


Deux Ou Trois Choses Que Je Sais D Elle
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Author : Alfred Guzzetti
language : en
Publisher:
Release Date : 1981

Deux Ou Trois Choses Que Je Sais D Elle written by Alfred Guzzetti and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Performing Arts categories.


A detailed study of the French filmmaker's 1967 movie includes stills and dialog (in French and English) from the film.



Godard Between Identity And Difference


Godard Between Identity And Difference
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Author : John E. Drabinski
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2011-11-03

Godard Between Identity And Difference written by John E. Drabinski and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-03 with Performing Arts categories.


This book reads a series of Godard films as interventions in contemporary debate about the language of difference. Godard has something he wants both to preserve (singularity) and destroy (visual and aural totalitarianism). How is it possible to speak about the Other? How is it possible for the Other to speak? Does all speaking about or by the Other render that speaking common, thereby rendering what is different identical? These questions gather together a number of issues that cross and intersect disciplinary boundaries: signification, representation, ethics, politics, and so on. The problematics with which Drabinski is concerned begin in the debate between Levinas and Derrida, then later in dialogue with Blanchot and Irigaray. To this extent, Godard is particularly well-suited as an interlocutor. Godard's work, especially in the 1970s, is itself a self-conscious form of philosophy. His films theorize themselves, produce a reflexive sound-image language, and so in many ways match the very essence of philosophy: thought thinking thought. Still, the medium of sound and image complicates any rendering of Godard's work as philosophy. Godard produces a philosophically significant cinematic language, rather than simply narrating or representing philosophical ideas in the medium of film. And this language must be taken seriously in the context of the problem of difference. For, if difference is concerned with signification as such, then the visual and aural retain equal rights with writing (and all questions obtaining therein). Indeed, if part of the problem of speaking about or by the Other is how such speaking traffics in inscription, then cinematic language is certainly an important - and authentically complex - intervention in that problem. The nature of the debate in this project - how the language of alterity is possible or impossible - immediately breaks disciplinary borders between philosophy, literary theory, film studies, and cultural studies. What it means to engage with film in this context, however, is complicated. To wit, there are two standard treatments of film in philosophy. Film is typically either an example of a philosophical position or philosophy is used to interpret motifs, characters, plot lines, etc. In neither case is film engaged as a form of philosophizing itself, that is, as a language engaged with philosophical problematics. It is articulating exactly this engagement that this book takes as its primary task. The aim of the project is to read Godard's work as primary texts, with all the attention due the idiosyncratic language of those texts. Framed by the debate about difference and signification, these primary texts register and resonate as transformative interventions. The overarching argument of the book is that Godard's conception and practice of cinematic language opens new, important possibilities for thinking about radical alterity.



Focus On Godard


Focus On Godard
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Author : Royal S. Brown
language : en
Publisher: Prentice Hall
Release Date : 1972

Focus On Godard written by Royal S. Brown and has been published by Prentice Hall this book supported file pdf, txt, epub, kindle and other format this book has been release on 1972 with Performing Arts categories.




Late Godard And The Possibilities Of Cinema


Late Godard And The Possibilities Of Cinema
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Author : Daniel Morgan
language : en
Publisher: Univ of California Press
Release Date : 2013

Late Godard And The Possibilities Of Cinema written by Daniel Morgan and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Performing Arts categories.


“Late Godard and the Possibilities of Cinema is an exhilarating and extremely lucid analysis of the way Godard ‘thinks’ in, of, and through cinema. Drawing on his extensive knowledge of French culture, politics and theory, Morgan skillfully illustrates the complex relations between history, aesthetics, and nature in the director’s later works. Defying criticism of Godard’s alleged retreat from politics, this book provides compelling, detailed, and erudite analyses of his later films and illuminates the auteur’s political and aesthetic response to the so-called ‘death of cinema.’”— Mary Ann Doane, author of The Emergence of Cinematic Time: Modernity, Contingency, the Archive. “Daniel Morgan charts a sensible route into the impenetrable Jean-Luc Godard. Posing clear yet insistent questions, he burrows to the center of both parts of this book’s formidable title, finding in late Godard an aesthetic fusion that generates the light and heat of a trenchant and powerful political critique. Anyone who feels drawn or licensed to write about Godard should read Morgan before setting out.”—Dudley Andrew, author of What Cinema Is! “Daniel Morgan's Late Godard and the Possibilities of Cinema signals a major breakthrough in the international study of the cinema of Jean-Luc Godard. Reconciling the filmmaker's peculiarly Romantic sense of aesthetics —to which the book pays scrupulous, material attention—with the thorny political histories that Godard's cinema has always probed, Morgan gives us new, compelling, synthetic tools with which to understand an artist who is at once the most cryptic and the most sensuous of all living filmmakers.”—Adrian Martin, Monash University, co-editor of lolajournal.com