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Stage Dialects


Stage Dialects
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Dialects For The Stage


Dialects For The Stage
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Author : Evangeline Machlin
language : en
Publisher: Routledge
Release Date : 2006-02-28

Dialects For The Stage written by Evangeline Machlin and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-02-28 with Art categories.


Dialect work is one of the actor's most challenging tasks. Need to know a Russian accent? Playing a German countess or a Midwestern farmhand? These and more accents – from Yiddish to French Canadian – are clearly explained in Evangeline Machlin's classic work. Now available in a book-and-downloadable resources format, Evangeline Machlin's Dialects for the Stage is based on a method of dialect acquisition she developed during her years working with students at Boston University's Division of Theatre. During her long career, Evangeline Machlin trained such actors as Steve McQueen, Lee Grant, Suzanne Pleshette, Joanne Woodward, and Faye Dunaway.



Stage Dialects


Stage Dialects
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Author : Jerry Blunt
language : en
Publisher: Dramatic Publishing
Release Date : 1994

Stage Dialects written by Jerry Blunt and has been published by Dramatic Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Language Arts & Disciplines categories.


A "definitive work," this book presents eleven of the most popular dialects used in plays and drama, breaking them down into key sounds, including "vowel substitutions, dipthongal changes, consonant subsititions, special pronunciations, and pitch patterns." The phonetic alphabet is also included, along with readings for drill and practice.



Accents And Dialects For Stage And Screen


Accents And Dialects For Stage And Screen
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Author : Paul Meier
language : en
Publisher:
Release Date : 2009-01-01

Accents And Dialects For Stage And Screen written by Paul Meier and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-01-01 with Acting categories.




More Stage Dialects


More Stage Dialects
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Author : Jerry Blunt
language : en
Publisher: Dramatic Publishing
Release Date : 1996

More Stage Dialects written by Jerry Blunt and has been published by Dramatic Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Drama categories.




Shakespeare S Accents


Shakespeare S Accents
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Author : Sonia Massai
language : en
Publisher: Cambridge University Press
Release Date : 2020-04-09

Shakespeare S Accents written by Sonia Massai and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-04-09 with Drama categories.


A history of the reception of Shakespeare on the English stage focusing on the vocal dimensions of theatrical performance.



Speech For The Stage


Speech For The Stage
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Author : Evangeline Machlin
language : en
Publisher: Psychology Press
Release Date : 1992

Speech For The Stage written by Evangeline Machlin and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Language Arts & Disciplines categories.


First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.



Dialogue On Dialect Standardization


Dialogue On Dialect Standardization
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Author : Carrie Dyck
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2015-01-12

Dialogue On Dialect Standardization written by Carrie Dyck and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-12 with Language Arts & Disciplines categories.


This volume provides a space for the development of dialogue between dialectologists, language community activists, and other researchers working on the development of orthographies regarding issues that arise during the creation of writing systems in places where there is dialect variation and an absence of writing systems, or where there is a writing system for a national language but not for the particular related language. The chapters in this volume address two major themes: first, the imperative for standardization is influenced by many social and political factors, including identity, age, ease of use of the language, and familiarity, as well as the nature of the language itself. The second theme investigated by the authors is the assumption of the value of standardization, which in many cases leads to overt or covert negotiations or conflicts in the process of language planning and orthography development. These themes are addressed through the experiences of the authors of working with languages and dialects in various parts of the world, including Cyprus, Poland, Canada, the Caribbean, and Mexico, among others. The languages examined in this volume include both those for which there have long been writing systems for “standard” dialects (such as Cypriot Greek and Podlachian, which is sometimes said to be a Belarusian-Ukrainian variety) and those for which writing has been only recently introduced (such as Cayuga, Oneida, and Mixean).



Voice Onstage And Off


Voice Onstage And Off
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Author : Robert Barton
language : en
Publisher: Taylor & Francis
Release Date : 2011-05-03

Voice Onstage And Off written by Robert Barton and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-05-03 with Language Arts & Disciplines categories.


Voice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Every aspect of vocal work is covered, from the initial speech impulse and the creation of sound, right through to refining the final product in different types of performance. This highly adaptable course of study empowers performers of all levels to combine and evolve their onstage and offstage voices. This second edition is extensively illustrated and accompanied by an all-new website, full of audio and text resources, including: extensive teacher guides including sample syllabi, scheduling options, and ways of adapting to varying academic environments and teaching circumstances downloadable forms to help reproduce the book’s exercises in the classroom and for students to engage with their own vocal development outside of lessons audio recordings of all exercises featured in the book examples of Voiceover Demos, including both scripts and audio recordings links to useful web resources, for further study. Four mentors - the voice chef, the voice coach, the voice shrink and the voice doctor - are on hand throughout the book and the website to ensure a holistic approach to voice training. The authors also provide an authoritative survey of US and UK vocal training methods, helping readers to make informed choices about their study.



Accents And Dialects For Stage And Screen


Accents And Dialects For Stage And Screen
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Author : Paul Meier
language : en
Publisher:
Release Date : 2007

Accents And Dialects For Stage And Screen written by Paul Meier and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Acting categories.




Staging Revolution


Staging Revolution
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Author : Xing Fan
language : en
Publisher: Hong Kong University Press
Release Date : 2018-01-11

Staging Revolution written by Xing Fan and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-11 with History categories.


Staging Revolution refutes the deep-rooted notion that art overtly in the service of politics is by definition devoid of artistic merits. As a prominent component shaping the culture of the Cultural Revolution, model Beijing Opera (jingju) is the epitome of art used for political ends. Arguing against commonly accepted interpretations, Xing Fan demonstrates that in a performance of model jingju, political messages could only be realized through the most rigorously formulated artistic choices and conveyed by performers possessing exceptional techniques. Fan contextualizes model jingju at the intersection of history, artistry, and aesthetics. Integral to jingju’s interactions with politics are the practitioners’ constant artistic experimentations to accommodate the modern stories and characters within the jingju framework and the eventual formation of a new sense of beauty. Therefore, a thorough understanding of model jingju demands close attention to how the artists resolved actual production problems, which is a critical perspective missing in earlier studies. This book provides exactly this much-needed dimension of analysis by scrutinizing the decisions made in the real, practical context of bringing dramatic characters to life on stage, and by examining how major artistic elements interacted with each other, sometimes harmoniously, sometimes antagonistically. Such an approach necessarily places jingju artists center stage. Making use of first person accounts of the creative process, including numerous interviews conducted by the author, Fan presents a new appreciation of a lived experience that, on a harrowing journey of coping with political interference, was also filled with inspiration and excitement. “This fascinating study is ground-breaking and timely. Xing Fan masterfully demonstrates how the creative choices made by playwrights, directors, musicians, actors, and designers intersected with one another in creating an aesthetics of the model theater during the Cultural Revolution. A must-read for anyone interested in Chinese literature and drama, theater studies, and comparative literature.” —Xiaomei Chen, University of California, Davis “Though no longer in fashion, the model revolutionary operas of the Cultural Revolution are still occasionally performed. Xing Fan has done us a great service by analyzing them in detail and reminding us of their merits. I thoroughly enjoyed this engaging book and learned a lot from it. I recommend it strongly.” —Colin Mackerras, Griffith University