Staging The Blues


Staging The Blues
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Staging The Blues


Staging The Blues
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Author : Paige A. McGinley
language : en
Publisher: Duke University Press
Release Date : 2014-09-10

Staging The Blues written by Paige A. McGinley and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-10 with Music categories.


Singing was just one element of blues performance in the early twentieth century. Ma Rainey, Bessie Smith, and other classic blues singers also tapped, joked, and flaunted extravagant costumes on tent show and black vaudeville stages. The press even described these women as "actresses" long before they achieved worldwide fame for their musical recordings. In Staging the Blues, Paige A. McGinley shows that even though folklorists, record producers, and festival promoters set the theatricality of early blues aside in favor of notions of authenticity, it remained creatively vibrant throughout the twentieth century. Highlighting performances by Rainey, Smith, Lead Belly, Sister Rosetta Tharpe, Sonny Terry, and Brownie McGhee in small Mississippi towns, Harlem theaters, and the industrial British North, this pioneering study foregrounds virtuoso blues artists who used the conventions of the theater, including dance, comedy, and costume, to stage black mobility, to challenge narratives of racial authenticity, and to fight for racial and economic justice.



Blues On Stage


Blues On Stage
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Author : John L. Clark Jr.
language : en
Publisher: State University of New York Press
Release Date : 2023-01-01

Blues On Stage written by John L. Clark Jr. and has been published by State University of New York Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-01-01 with Music categories.


Blues on Stage presents a new history of the development of the "Classic Blues" of the 1920s, offering a comprehensive review of various Black singers who recorded and were influential in this era, including Bessie Smith, Trixie Smith, Butterbeans and Susie, and Ma Rainey. The business of music recording and publishing, including songwriting and touring theater circuits, is explored as part of the narrative of how and when these artists became nationally popular. The most highly regarded singers of this period were not folk or rural artists, but rather highly experienced stage professionals whose careers often extended two decades or more prior to their first recordings. These artists, some of the most famous acts on the Black vaudeville and tent show circuits, were preceded in the recording studio by many cabaret and nightclub singers with a different entertainment perspective and were followed by artists who came from a more rural, less professional background. For anyone interested in the roots of jazz and blues, Blues on Stage offers a new and comprehensive introduction to the development of this American musical style.



Blues On Stage


Blues On Stage
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Author : John L. Clark (Jr.)
language : en
Publisher:
Release Date : 2023

Blues On Stage written by John L. Clark (Jr.) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023 with African American singers categories.


"Tells the story of classic blues singers from Ma Rainey to Bessie Smith"--



The Original Blues


The Original Blues
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Author : Lynn Abbott
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2017-02-27

The Original Blues written by Lynn Abbott and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-02-27 with Music categories.


Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.



American Blues


American Blues
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Author : Tennessee Williams
language : en
Publisher:
Release Date : 1948

American Blues written by Tennessee Williams and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1948 with categories.




Liner Notes For The Revolution


Liner Notes For The Revolution
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Author : Daphne A. Brooks
language : en
Publisher: Harvard University Press
Release Date : 2021-02-23

Liner Notes For The Revolution written by Daphne A. Brooks and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-02-23 with Social Science categories.


An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America’s first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae’s liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music—and who should rightly tell it—Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals.



Experiencing Bessie Smith


Experiencing Bessie Smith
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Author : John Clark
language : en
Publisher: Rowman & Littlefield
Release Date : 2017-10-06

Experiencing Bessie Smith written by John Clark and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-10-06 with Music categories.


Bessie Smith occupies a unique place in the history of American music. She was one of the first undisputed artists to come from the American vernacular tradition of the twentieth century, and as a woman, she was a figure of extraordinary power. She organized and led her own touring companies, wrote some of her repertoire, controlled her many relationships (romantic and otherwise), and even negotiated her own contracts. This type of agency was virtually unheard of in the popular music industry during the first half of the century, and Smith is often cited as a major influence on artists who sought to manage their work and reputation. Her musical output comprises a long series of recordings done between 1923 and 1933, all of which feature her vocal range, musical ability, and emotional power. Her band included some of the best black musicians of the day. In Experiencing Bessie Smith, John Clark chronicles Bessie Smith’s vital contribution to and influence on music, the music industry, and the recording industry. While her recording career lasted only a decade, she toured long before setting her music to vinyl, with much of her early career amply documented. Singers from Billie Holiday to Janis Joplin were influenced by her work, and both musicians and music lovers today continue to be entranced by her unmistakable style.



Ma Rainey And The Classic Blues Singers


Ma Rainey And The Classic Blues Singers
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Author : Derrick Stewart-Baxter
language : en
Publisher:
Release Date : 1970

Ma Rainey And The Classic Blues Singers written by Derrick Stewart-Baxter and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1970 with Biography & Autobiography categories.




Billboard


Billboard
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Author :
language : en
Publisher:
Release Date : 1957-02-23

Billboard written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1957-02-23 with categories.


In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.



African American Literature In Transition 1920 1930 Volume 9


African American Literature In Transition 1920 1930 Volume 9
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Author : Miriam Thaggert
language : en
Publisher:
Release Date : 2022-04-07

African American Literature In Transition 1920 1930 Volume 9 written by Miriam Thaggert and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-07 with Literary Criticism categories.


This book analyses historical, literary, and cultural shifts in African American literature from the 1920s-1930s.