Steven Soderbergh Postmodern Art Cinema


Steven Soderbergh Postmodern Art Cinema
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Steven Soderbergh Postmodern Art Cinema


Steven Soderbergh Postmodern Art Cinema
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Author : Simon Albert Keller
language : de
Publisher: GRIN Verlag
Release Date : 2011

Steven Soderbergh Postmodern Art Cinema written by Simon Albert Keller and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with categories.


Lizentiatsarbeit aus dem Jahr 2007 im Fachbereich Filmwissenschaft, Note: gut, Universität Zürich (Filmseminar), 90 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Die vorliegende Lizentiatsarbeit befasst sich nun mit den Spielfilmen von Steven Soderbergh in Hinblick auf diese Mischformen, die sich aus Merkmalen der Moderne bzw. der Art-Cinema-Narration und der Postmoderne zusammensetzten. Um diese Mischformen zusammenzufassen, wird nach der Gegenüberstellung der verschiedenen filmhistorischen 'Tendenzen' der Begriff des Postmodern Art Cinema geschaffen, um die verschiedenen Aspekte der Moderne bzw. der Art-Cinema-Narration und der Postmoderne unter einen Nenner zu bringen. Das wichtigste Merkmal der Moderne ist dabei die filmische Selbstreflexion und bei der Postmoderne ist es die Selbstreferenzialität. Der erstere Begriff sieht den Film als geschaffene Fiktion an, der sich auf die Alltagsrealität des Autors bezieht, und der zweite Begriff definiert den Film als konstruierte Fiktion, die den Film im Kontext anderer filmischer Werke interpretiert. Das Untersuchungsinteresse der Lizentiatsarbeit ist somit die Analyse des filmischen Gesamtwerks von Steven Soderbergh mit der These, dass die Filme eine Mischform von modernistischer Selbstreflexivität und postmoderner Selbstreferenzialität darstellen. Diese Mischformen werden zusätzlich im Kontext des gesamten Merkmalkomplexes der Moderne bzw. der Postmoderne interpretiert, um eine Aussage darüber zu machen, ob sie dem Postmodern Art Cinema zugeordnet werden können oder nicht. Wichtig ist es auch festzuhalten, dass diese Untersuchung sich einer neoformalistischen Filmanalyse bedient, da der Film als Kunst aufgefasst wird, die er durch seine filmischen Mittel produzieren kann. Die Gewichtung der formalen Mittel und deren Analyse im filmischen Werk ist deshalb wichtig, da nur sie eine Aussage über das wesentliche Konstruktionsprinzip einer Geschichte machen kann.4 Die Fragen, die in dieser Lizentiatsarbeit somit beantwortet werden, sind im Theorieteil unter den Fragestellungen: Was ist die Moderne bzw. die Art Narration und was die Postmoderne? Was ist unter dem Begriff der Selbstreflexivität und dem Begriff der Selbstreferenzialität zu begreifen? Was ist Postmodern Art Cinema? Im Analyseteil gefragt: Welche Filme sind der Moderne zuzuschreiben und welche der Postmoderne? Welche Filme enthalten selbstreflexive, welche selbstreferenzielle Elemente? Wie sind die Filme von Soderbergh aufgebaut? Gibt es eine werkübergreifende, dominante, formale Struktur und welches sind weitere Themen? Ist das Werk von Soderbergh Postmodern Art Cinema?



The Philosophy Of Steven Soderbergh


The Philosophy Of Steven Soderbergh
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Author : R. Barton Palmer
language : en
Publisher: University Press of Kentucky
Release Date : 2011-01-28

The Philosophy Of Steven Soderbergh written by R. Barton Palmer and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-01-28 with Philosophy categories.


Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique story lines and innovative approaches to filmmaking that distinguish this celebrated artist. Editors R. Barton Palmer and Steven M. Sanders have brought together leading scholars in philosophy and film studies for the first systematic analysis of Soderbergh's entire body of work, offering the first in-depth exploration of the philosophical ideas that form the basis of the work of one of the most commercially successful and consistently inventive filmmakers of our time.



The Cinema Of Steven Soderbergh


The Cinema Of Steven Soderbergh
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Author : Andrew deWaard
language : en
Publisher: Columbia University Press
Release Date : 2013-05-07

The Cinema Of Steven Soderbergh written by Andrew deWaard and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-05-07 with Performing Arts categories.


The industry's only director-cinematographer-screenwriter-producer-actor-editor, Steven Soderbergh is contemporary Hollywood's most innovative and prolific filmmaker. A Palme d'or and Academy Award-winner, Soderbergh has directed nearly thirty films, including political provocations, digital experiments, esoteric documentaries, global blockbusters, and a series of atypical genre films. This volume considers its slippery subject from several perspectives, analyzing Soderbergh as an expressive auteur of art cinema and genre fare, as a politically-motivated guerrilla filmmaker, and as a Hollywood insider. Combining a detective's approach to investigating the truth with a criminal's alternative value system, Soderbergh's films tackle social justice in a corporate world, embodying dozens of cinematic trends and forms advanced in the past twenty-five years. His career demonstrates the richness of contemporary American cinema, and this study gives his complex oeuvre the in-depth analysis it deserves.



Steven Soderbergh


Steven Soderbergh
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Author : Aaron Baker
language : en
Publisher: University of Illinois Press
Release Date : 2011-03-31

Steven Soderbergh written by Aaron Baker and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-03-31 with Biography & Autobiography categories.


A Hollywood director who blends substance with the mainstream Steven Soderbergh's feature films present a diverse range of subject matter and formal styles: from the self-absorption of his breakthrough hit Sex, Lies, and Videotape to populist social problem films such as Erin Brockovich, and from the modernist discontinuity of Full Frontal and filmed performance art of Gray's Anatomy to a glossy, star-studded action blockbuster such as Ocean's Eleven. Using a combination of realism and expressive stylization of character subjectivity, Soderbergh's films diverge from the contemporary Hollywood mainstream through the statements they offer on issues including political repression, illegal drugs, violence, environmental degradation, the empowering and controlling potential of digital technology, and economic inequality. Arguing that Soderbergh practices an eclectic type of moviemaking indebted both to the European art cinema and the Hollywood genre film, Aaron Baker charts the common thematic and formal patterns present across Soderbergh's oeuvre. Almost every movie centers on an alienated main character, and Soderbergh has repeatedly emphasized place as a major factor in his narratives. Formally, he represents the unconventional thinking of his outsider protagonists through a discontinuous editing style. Including detailed analyses of major films as well as two interviews with the director, this volume illustrates Soderbergh's hybrid flexibility in bringing an independent aesthetic to wide audiences.



Another Steven Soderbergh Experience


Another Steven Soderbergh Experience
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Author : Mark Gallagher
language : en
Publisher: University of Texas Press
Release Date : 2013-04-04

Another Steven Soderbergh Experience written by Mark Gallagher and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-04 with Performing Arts categories.


How do we determine authorship in film, and what happens when we look in-depth at the creative activity of living filmmakers rather than approach their work through the abstract prism of auteur theory? Mark Gallagher uses Steven Soderbergh’s career as a lens through which to re-view screen authorship and offer a new model that acknowledges the fundamentally collaborative nature of authorial work and its circulation. Working in film, television, and digital video, Soderbergh is the most prolific and protean filmmaker in contemporary American cinema. At the same time, his activity typifies contemporary screen industry practice, in which production entities, distribution platforms, and creative labor increasingly cross-pollinate. Gallagher investigates Soderbergh’s work on such films as The Limey, Erin Brockovich, Ocean’s Eleven and its sequels, Solaris, The Good German, Che, and The Informant!, as well as on the K Street television series. Dispensing with classical auteurist models, he positions Soderbergh and authorship in terms of collaborative production, location filming activity, dealmaking and distribution, textual representation, genre and adaptation work, critical reception, and other industrial and cultural phenomena. Gallagher also addresses Soderbergh’s role as standard-bearer for U.S. independent cinema following 1989’s sex, lies and videotape, as well as his cinephilic dialogues with different forms of U.S. and international cinema from the 1920s through the 1970s. Including an extensive new interview with the filmmaker, Another Steven Soderbergh Experience demonstrates how industries and institutions cultivate, recognize, and challenge creative screen artists.



Sex Lies And Videotape


Sex Lies And Videotape
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Author : Steven Soderbergh
language : en
Publisher: Faber & Faber
Release Date : 2011-06-02

Sex Lies And Videotape written by Steven Soderbergh and has been published by Faber & Faber this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-06-02 with Art categories.


Like Michael Powell's Peeping Tom, Steven Soderbergh's sex, lies and videotape presents us with a protagonist who can only connect with others through the lens of a camera. Graham is an enigmatic young man who returns to Baton Rouge from a long road trip, mildly irritating his old lawyer friend John and wholly intriguing John's housebound wife Ann. John is conducting a sneaky and entirely sexual affair with Ann's sister Cynthia. For her part, Ann has lost interest in sex, yet Graham's obscurely charming eccentricity stirs something inside her - until she learns that he is functionally impotent and can manage arousal only with the help of a video camera and an agreeably loose-lipped female. Nevertheless, it's the dragging into the open of Graham's dirty little secret that causes all of these characters to confront their own veiled deceits and hypocrisies. sex, lies and videotape won the Palme d'Or at the 1989 Cannes Film Festival, affirming the arrival of a distinctive new talent and signalling the start of a movement among young independent American film-makers opposed to the values and formats of the Hollywood system. Soderbergh's script is an unerringly elegant, witty and literate study of contemporary perversity.



The Solaris Effect


The Solaris Effect
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Author : Steven Dillon
language : en
Publisher: University of Texas Press
Release Date : 2010-01-01

The Solaris Effect written by Steven Dillon and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Performing Arts categories.


What do contemporary American movies and directors have to say about the relationship between nature and art? How do science fiction films like Steven Spielberg's A.I. and Darren Aronofsky's π represent the apparent oppositions between nature and culture, wild and tame? Steven Dillon's intriguing new volume surveys American cinema from 1990 to 2002 with substantial descriptions of sixty films, emphasizing small-budget independent American film. Directors studied include Steven Soderbergh, Darren Aronofsky, Todd Haynes, Harmony Korine, and Gus Van Sant, as well as more canonical figures like Martin Scorcese, Robert Altman, David Lynch, and Steven Spielberg. The book takes its title and inspiration from Andrei Tarkovsky's 1972 film Solaris, a science fiction ghost story that relentlessly explores the relationship between the powers of nature and art. The author argues that American film has the best chance of aesthetic success when it acknowledges that a film is actually a film. The best American movies tell an endless ghost story, as they perform the agonizing nearness and distance of the cinematic image. This groundbreaking commentary examines the rarely seen bridge between select American film directors and their typically more adventurous European counterparts. Filmmakers such as Lynch and Soderbergh are cross-cut together with Tarkovsky and the great French director, Jean-Luc Godard, in order to test the limits and possibilities of American film. Both enthusiastically cinephilic and fiercely critical, this book puts a decade of U.S. film in its global place, as part of an ongoing conversation on nature and art.



Smart Cinema Dvd Add Ons And New Audience Pleasures


Smart Cinema Dvd Add Ons And New Audience Pleasures
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Author : P. Brereton
language : en
Publisher: Springer
Release Date : 2012-05-30

Smart Cinema Dvd Add Ons And New Audience Pleasures written by P. Brereton and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-05-30 with Performing Arts categories.


Examining post-1990s Indie cinema alongside more mainstream films, Brereton explores the emergence of smart independent sensibility and how films break the classic linear narratives that have defined Hollywood and its alternative 'art' cinema. The work explores how bonus features on contemporary smart films speak to new generational audiences.



Postmodernism In The Cinema


Postmodernism In The Cinema
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Author : Cristina Degli-Esposti
language : en
Publisher: Berghahn Books
Release Date : 1998-07-01

Postmodernism In The Cinema written by Cristina Degli-Esposti and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-07-01 with Performing Arts categories.


Although "Postmodernism" has been a widely used catch word and its concept extensively discussed in philosophy, political thought, and the arts, many scholars still feel uneasy about it Despite the fact that the concept can be traced back to Arnold Toynbee's 1939 edition of A Study of History, or even back into the nineteenth century, its amorphous nature continues to confound many scholars, not least because there are not one but several kinds of postmodernism, each one pointing to different states of questioning and to diverse ways of remembering, interpreting, and representing. This anthology makes a significant contribution to the current debate in that it offers sophisticated and multi-faceted discussions of a number of key issues in relation to cinema such as auteurism, national cinemas, metacinema, the parodic, history, and colonization.



Joel And Ethan Coen


Joel And Ethan Coen
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Author : R. Barton Palmer
language : en
Publisher: University of Illinois Press
Release Date : 2022-08-15

Joel And Ethan Coen written by R. Barton Palmer and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-15 with Performing Arts categories.


With landmark films such as Fargo, O Brother Where art Thou?, Blood Simple, and Raising Arizona, the Coen brothers have achieved both critical and commercial success. Proving the existence of a viable market for "small" films that are also intellectually rewarding, their work has exploded generic conventions amid rich webs of transtextual references. R. Barton Palmer argues that the Coen oeuvre forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers' unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this "generic" framework is the central focus of this book.