Stile Cines
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Stile Cines
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Author : Vincenzo Buccheri
language : it
Publisher: Vita e Pensiero
Release Date : 2004
Stile Cines written by Vincenzo Buccheri and has been published by Vita e Pensiero this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Performing Arts categories.
Italian Cinema From The Silent Screen To The Digital Image
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Author : Joseph Luzzi
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2020-02-20
Italian Cinema From The Silent Screen To The Digital Image written by Joseph Luzzi and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-20 with Performing Arts categories.
In this comprehensive guide, some of the world's leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres such as the giallo (horror film) and Spaghetti Western, and the role of women in the Italian film industry. Italian Cinema from the Silent Screen to the Digital Image explores recent developments in cinema studies such as digital performance, the role of media and the Internet, neuroscience in film criticism, and the increased role that immigrants are playing in the nation's cinema.
Mussolini S Dream Factory
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Author : Stephen Gundle
language : en
Publisher: Berghahn Books
Release Date : 2013-12-30
Mussolini S Dream Factory written by Stephen Gundle and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-30 with Performing Arts categories.
The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.
Cinema Is The Strongest Weapon
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Author : Lorenzo Fabbri
language : en
Publisher: U of Minnesota Press
Release Date : 2023-12-19
Cinema Is The Strongest Weapon written by Lorenzo Fabbri and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-12-19 with Performing Arts categories.
A deep dive into Italian cinema under Mussolini’s regime and the filmmakers who used it as a means of antifascist resistance Looking at Italy’s national film industry under the rule of Benito Mussolini and in the era that followed, Cinema Is the Strongest Weapon examines how cinema was harnessed as a political tool by both the reigning fascist regime and those who sought to resist it. Covering a range of canonical works alongside many of their neglected contemporaries, this book explores film’s mutable relationship to the apparatuses of state power and racial capitalism. Exploiting realism’s aesthetic, experiential, and affective affordances, Mussolini’s biopolitical project employed cinema to advance an idealized vision of life under fascism and cultivate the basis for a homogenous racial identity. In this book, Lorenzo Fabbri crucially underscores realism’s susceptibility to manipulation from diametrically opposed political perspectives, highlighting the queer, Communist, Jewish, and feminist filmmakers who subverted Mussolini’s notion that “cinema is the regime’s strongest weapon” by developing film narratives and film forms that challenged the prevailing ethno-nationalist ideology. Focusing on an understudied era of film history and Italian cultural production, Fabbri issues an important recontextualization of Italy’s celebrated neorealist movement and the structural ties it shares with its predecessor. Drawing incisive parallels to contemporary debates around race, whiteness, authoritarianism, and politics, he presents an urgent examination into the broader impact of visual media on culture and society. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.
Stardom Italian Style
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Author : Marcia Landy
language : en
Publisher:
Release Date : 2008
Stardom Italian Style written by Marcia Landy and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Biography & Autobiography categories.
The definitive book on stardom in Italian cinema
La Cines Pittaluga E Le Altre
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Author : AA.VV.
language : it
Publisher: Accademia University Press
Release Date : 2022-05-22
La Cines Pittaluga E Le Altre written by AA.VV. and has been published by Accademia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-05-22 with Performing Arts categories.
Nessun esperimento produttivo ha mai segnato la storia del cinema italiano più della Cines-Pittaluga. Nei suoi dieci anni di vita, tanti ne passarono dal 1926 al 1935, la ditta di via Veio fu infatti il laboratorio dove trovarono sede le maggiori innovazioni dell’epoca. Dalla riorganizzazione della distribuzione nazionale per città capozona, all’allestimento di una struttura pubblicitaria capace di operare anche all’estero. Dall’adozione delle nuove tecnologie di ripresa sonora, all’adattamento di queste a linee produttive diverse fra loro. Dal tentativo di instaurare un nuovo rapporto fra impresa privata e potere fascista, agli accordi con le case estere per la realizzazione di film in versione multi-lingue. Dall’interesse per la commedia, all’apertura in direzione del “giallo” e del film storico. Dalla messa in produzione, su modello hollywoodiano, dei primi film canzonetta, alla ricerca, tutta italiana, di un nuovo rapporto con l’opera lirica. Dalla invenzione del format modernista, un po’ cabaret e un po’ cinegiornale, del ‘varietà cinematografico’, alla progettazione di nuove serie documentarie d’autore dedicate all’Italia e al suo territorio. Una incredibile varietà di idee e sperimentazioni su cui il volume propone ora uno sguardo ampio e interdisciplinare. Con saggi di A. Venturini, F. Bono, R. Giulianelli, M. Nicoli, G. Della Maggiore, R. De Berti, S. Facci, E. Mosconi, P. Maganzani, I. Agostini, G. Taddeo, E. Uffreduzzi, D. Lotti, C. Ceresa, M. Grifo, E. Nepoti, M. Zegna. A cura di D. Felisini, L. Mazzei, D. Orecchia.
Cinemas Of The Global South
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Author : Dilip M Menon
language : en
Publisher: Taylor & Francis
Release Date : 2024-03-19
Cinemas Of The Global South written by Dilip M Menon and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-03-19 with Performing Arts categories.
This book engages with the idea of the Global South through cinema as a concept of resistance; as a space of decolonialisation; and as an arena of virtuality, creativity and change. It opens up a dialogue amongst scholars and filmmakers from the Global South: India, Nigeria, Colombia, Brazil, South Africa, and Egypt. The essays in the volume approach cinema as an intertwined process of both production and perception not divorced from the economic, social, political and cultural. They emphasise film as a visual medium where form, structure and content are not separable. Through a wide array of film-readings, the authors explore the concept of a southern cinematic esthetics, in particular, and the concept of the Global South in general. The volume will be of interest to scholars, students and researchers of film and media studies, critical theory, cultural studies and Global South studies.
The Classical Hollywood Cinema
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Author : David Bordwell
language : en
Publisher: Routledge
Release Date : 2003-09-02
The Classical Hollywood Cinema written by David Bordwell and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-09-02 with History categories.
Acclaimed for its breakthrough approach and its combination of theoretical analysis and empirical evidence, this is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s.
Italian Horror Cinema
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Author : Stefano Baschiera
language : en
Publisher: Edinburgh University Press
Release Date : 2016-06-14
Italian Horror Cinema written by Stefano Baschiera and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-06-14 with Performing Arts categories.
This collection brings together for the first time a range of contributions aimed at a new understanding of the Italian horror cinema genre.
Italian Fascism S Empire Cinema
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Author : Ruth Ben-Ghiat
language : en
Publisher: Indiana University Press
Release Date : 2015-02-11
Italian Fascism S Empire Cinema written by Ruth Ben-Ghiat and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-02-11 with History categories.
Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.