Storia Della Musica Nel Brasile
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Storia Della Musica Nel Brasile
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Author : Vincenzo Cernicchiaro
language : it
Publisher:
Release Date : 1926
Storia Della Musica Nel Brasile written by Vincenzo Cernicchiaro and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1926 with Music categories.
Tropicalia
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Author : Pietro Scaramuzzo
language : it
Publisher: Minimum Fax
Release Date : 2021-07-29
Tropicalia written by Pietro Scaramuzzo and has been published by Minimum Fax this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-07-29 with Music categories.
Nel marzo del 1967, il Brasile è governato da una dittatura militare che dura già da tre anni, e che ha appena messo al bando l’ultimo baluardo di opposizione democratica, denominato Frente Ampla. Il malcontento popolare monta, però, ed è il movimento studentesco ad avviare un’ondata di proteste, sistematicamente soffocate dalla repressione violenta della polícia militar. Nel 1967 esce anche il capolavoro dei Beatles, Sgt. Pepper’s Lonely Hearts Club Band, che ha un impatto potentissimo su un gruppo di musicisti che già da alcuni anni cercano una sintesi tra la grande tradizione della samba e della bossa nova e le nuove possibilità esplorate dal rock e dal pop britannici. Sempre nel 1967, al festival organizzato dalla TV Record, una sorta di Sanremo brasiliano, i due esponenti più geniali di questo gruppo, Gilberto Gil e Caetano Veloso, salgono in scena con una band elettrica, ed eseguono rispettivamente «Domingo no Parque» e «Alegria, Alegria». La perplessità iniziale degli spettatori si trasforma in ovazione. Né Gil, né Caetano vinceranno il festival. Ma hanno fatto molto di più. Hanno appena decretato, in diretta televisiva, la nascita di quella rivoluzione estetica e musicale che prenderà il nome di Tropicalismo. Autentico esperto di musica e cultura brasiliane, Pietro Scaramuzzo non si limita a raccontare le origini, la nascita e lo sviluppo del Tropicalismo, o le biografie dei suoi maggiori esponenti, ma ricostruisce un’epoca irripetibile della storia politica e culturale, nella quale alla ferocia di una dittatura sempre più spietata e di un apparato repressivo capillare si è contrapposto un fervore artistico e una libertà di sguardo e di voce che mantengono immutata, ancora oggi, la loro forza sovversiva.
Verit Tropicale
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Author : Caetano Veloso
language : it
Publisher: Feltrinelli Editore
Release Date : 2003
Verit Tropicale written by Caetano Veloso and has been published by Feltrinelli Editore this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Biography & Autobiography categories.
Il Popolo Del Samba La Vicenda E I Protagonisti Della Storia Della Musica Popolare Brasiliana
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Author : Gildo De Stefano
language : it
Publisher:
Release Date : 2005
Il Popolo Del Samba La Vicenda E I Protagonisti Della Storia Della Musica Popolare Brasiliana written by Gildo De Stefano and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Music categories.
The Music Of Brazil
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Author : David P. Appleby
language : en
Publisher: University of Texas Press
Release Date : 2014-05-02
The Music Of Brazil written by David P. Appleby and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-05-02 with Music categories.
Here is the most comprehensive history of Brazilian music available in English. Concise yet remarkably detailed, it provides professional musicologists and music lovers alike with a clear outline of the major trends, important composers, and currents of thought that have shaped the folk, popular, and art music that are an important part of Brazil's unique cultural heritage. The Music of Brazil contains over seventy musical examples representing musical idiom and form throughout recent history. A useful glossary introduces the reader to the key terms of Brazilian music, from agogô—a percussion instrument composed of two bells—to xocalho—a wooden or metal rattler.
Brasile
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Author :
language : en
Publisher: EDT srl
Release Date : 2011-11-07
Brasile written by and has been published by EDT srl this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-11-07 with Travel categories.
Bulletin Of The Pan American Union
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Author : Pan American Union
language : en
Publisher:
Release Date : 1936
Bulletin Of The Pan American Union written by Pan American Union and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1936 with America categories.
Report Of The Committee Of The Conference On Inter American Relations In The Field Of Music
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Author : Conference on Inter-American Relations in the Field of Music Committee. : mn
language : en
Publisher:
Release Date : 1940
Report Of The Committee Of The Conference On Inter American Relations In The Field Of Music written by Conference on Inter-American Relations in the Field of Music Committee. : mn and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1940 with Latin America categories.
Inter American Music Review
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Author :
language : en
Publisher:
Release Date : 1994
Inter American Music Review written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Music categories.
Audible Geographies In Latin America
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Author : Dylon Lamar Robbins
language : en
Publisher: Springer Nature
Release Date : 2019-09-28
Audible Geographies In Latin America written by Dylon Lamar Robbins and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-28 with Social Science categories.
Audible Geographies in Latin America examines the audibility of place as a racialized phenomenon. It argues that place is not just a geographical or political notion, but also a sensorial one, shaped by the specific profile of the senses engaged through different media. Through a series of cases, the book examines racialized listening criteria and practices in the formation of ideas about place at exemplary moments between the 1890s and the 1960s. Through a discussion of Louis Moreau Gottschalk’s last concerts in Rio de Janeiro, and a contemporary sound installation involving telegraphs by Otávio Schipper and Sérgio Krakowski, Chapter 1 proposes a link between a sensorial economy and a political economy for which the racialized and commodified body serves as an essential feature of its operation. Chapter 2 analyzes resonance as a racialized concept through an examination of phonograph demonstrations in Rio de Janeiro and research on dancing manias and hypnosis in Salvador da Bahia in the 1890s. Chapter 3 studies voice and speech as racialized movements, informed by criminology and the proscriptive norms defining “white” Spanish in Cuba. Chapter 4 unpacks conflicting listening criteria for an optics of blackness in “national” sounds, developed according to a gendered set of premises that moved freely between diaspora and empire, national territory and the fraught politics of recorded versus performed music in the early 1930s. Chapter 5, in the context of Cuban Revolutionary cinema of the 1960s, explores the different facets of noise—both as a racialized and socially relevant sense of sound and as a feature and consequence of different reproduction and transmission technologies. Overall, the book argues that these and related instances reveal how sound and listening have played more prominent roles than previously acknowledged in place-making in the specific multi-ethnic, colonial contexts characterized by diasporic populations in Latin America and the Caribbean.