Storie Di Cinema
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Storie Di Cinema
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Author : Pino Farinotti
language : it
Publisher: Gelmini Edizioni
Release Date : 2016-04-11
Storie Di Cinema written by Pino Farinotti and has been published by Gelmini Edizioni this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-11 with Art categories.
Chi nella propria vita abbia visto più di una decina di film sa che la storia del cinema non si può che declinare al plurale: quella che per comodità di targhette accademiche chiamiamo “Storia” è in realtà un tessuto composito di fili intrecciati, un canovaccio di storie che si incontrano, si scontrano, si intrecciano e si strecciano, si spezzano e si riannodano all’infinito. In questo intreccio si muove il libro di Pino Farinotti, che è una raccolta di articoli e interventi apparsi su web e carta stampata e che programmaticamente si intitola “storie” del cinema. Storie nei due sensi: talvolta vere e proprie piccole ricostruzioni storiche, talvolta affabulazioni e racconti, che entrano nel tessuto vivo della “storia”, seguono fili e intrecci e ci restiuiscono frammenti di una raffigurazione, idee per una ricostruzione, aree su cui tornare a porre l’attenzione. Se si può (o si deve) cercare un’unità tra questi apparenti disiecta membra, la si trova proprio nell’implacabile volontà di Farinotti di far luce, di delineare, di raccontare non solo per giustapposizione, ma individuando temi, interessi, aspirazioni. Ne esce un concentrato di farinotti-pensiero, che è cosa che si ama o si odia, ma di fronte alla quale è difficile rimanere indifferenti, perché Pino Farinotti non rifugge da prese di posizione nette e da parole pesanti: “morale” innazitutto, e poi bellezza, modelli (quelli estetici e morali, non quelli che sfilano in passerella), letteratura, eleganza, eroi. Sono parole di cui avvertiamo la disabitudine, la desuetudine e la scorrettezza rispetto ai modelli culturali che sono imposti e ci imponiamo, ma di cui non possimo fare a meno di provare la nostalgia (altra parola chiave di questo libro). La silloge dei testi che vengono presentati è divisa programmaticamente in grandi capitoli che raccolgono i temi forti che da sempre hanno caratterizzato lo sguardo dei critici, degli storici e dei grandi narratori di cinema. Si incomincia con gli Eroi, le grandi figure di registi e attori senza i quali il cinema come lo conosciamo neppure esisterebbe (e la cui mancanza, al momento della morte, ci rende sgomenti e ci fa pensare che il mondo abbia perso qualcosa di essenziale), per approdare poi a Cinema e politica (relazione fondativa o peccato originale del cinema?), e a Cinema e società (in un gioco di influenze che nel pensiero di Farinotti è reciproco: il cinema ha “fatto” la società almeno tanto quanto la società si è espressa nel cinema). Il capitolo dedicato al Cinema Italiano è quello in cui la parola chiave “nostalgia” si declina più profondamente, nella constatazione di un declino che non è laudatio temporis acti fine a se stessa, ma indicazione di una direzione, anzi di direzioni, per un ritorno, una ripresa. L’ultimo capitolo, Elzeviri, rappresenta un’uscita dal cinema verso gli altri territori della cultura e dell’arte e si chiude con una conversazione tutta da leggere tra Pino Farinotti e Massimiliano Finazzer Flory dedicata alla notte tra El Greco e Buñuel. In un capitolo a parte, posto quasi a epigrafe del volume, si parla, come è giusto, di Avatar. Troppo presto per inserire questo singolo film in una prospettiva storica, ci stiamo tutti chiedendo se siamo di fronte a un nuovo capitolo epocale o soltanto a un fortunato accidente della cronaca. Un ultimo avviso: il farinotti-pensiero si esprime in farinottilingua, che è un italiano diretto, muscolare, che unisce la precisione dello storico alla fantasia del romanziere e si tiene assai lontano dalle fumisterie di molta lingua criticocinematografica. Con un’altra implacabile volontà: quella di capire e di farsi capire, di suscitare accordo o opposizione, e di stare sempre, come dice un noto tormentone farinottiano, “dalla parte del pubblico”.
The History Of Italian Cinema
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Author : Gian Piero Brunetta
language : en
Publisher: Princeton University Press
Release Date : 2009
The History Of Italian Cinema written by Gian Piero Brunetta and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Art categories.
Discusses renowned masters including Roberto Rossellini and Federico Fellini, as well as directors lesser known outside Italy like Dino Risi and Ettore Scola. The author examines overlooked Italian genre films such as horror movies, comedies, and Westerns, and he also devotes attention to neglected periods like the Fascist era. He illuminates the epic scope of Italian filmmaking, showing it to be a powerful cultural force in Italy and leaving no doubt about its enduring influence abroad. Encompassing the social, political, and technical aspects of the craft, the author recreates the world of Italian cinema.
Storie Di Cinema A Venezia
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Author : Irene Bignardi
language : es
Publisher:
Release Date : 2011
Storie Di Cinema A Venezia written by Irene Bignardi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with categories.
The Cinema Of Franceso Rosi
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Author : Gaetana Marrone
language : en
Publisher: Oxford University Press, USA
Release Date : 2020-11
The Cinema Of Franceso Rosi written by Gaetana Marrone and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11 with Biography & Autobiography categories.
"Francesco Rosi (1922-2015) occupies a unique place in postwar Italian, indeed postwar world cinema. His films show a consistent formal balance while representing historical events as social emblems that examine, shape, and reflect the national identity. This important body of work, which has made a vital mark on the works of directors like Martin Scorsese remains to be examined for the English-speaking audience. This study addresses Rosi's films as mosaics fashioned out of "clips" collected from the various stages of production, most specifically from the director's own archival materials. My approach situates each film in its artistic and cultural context, but also attends to the specific forms and ethical commitment that characterize each film"--
Beyond The Bottom Line
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Author : Andrew Spicer
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2014-07-31
Beyond The Bottom Line written by Andrew Spicer and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-31 with Performing Arts categories.
This is the first collection of original critical essays devoted to exploring the misunderstood, neglected and frequently caricatured role played by the film producer. The editors' introduction provides a conceptual and methodological overview, arguing that the producer's complex and multifaceted role is crucial to a film's success or failure. The collection is divided into three sections where detailed individual essays explore a broad range of contrasting producers working in different historical, geographical, generic and industrial contexts. Rather than suggest there is a single type of producer, the collection analyses the rich variety of roles producers play, providing fascinating and informative insights into how the film industry actually works. This groundbreaking collection challenges several of the conventional orthodoxies of film studies, providing a new approach that will become required reading for scholars and students.
Italian Cinema From The Silent Screen To The Digital Image
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Author : Joseph Luzzi
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2020-02-20
Italian Cinema From The Silent Screen To The Digital Image written by Joseph Luzzi and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-20 with Performing Arts categories.
In this comprehensive guide, some of the world's leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres such as the giallo (horror film) and Spaghetti Western, and the role of women in the Italian film industry. Italian Cinema from the Silent Screen to the Digital Image explores recent developments in cinema studies such as digital performance, the role of media and the Internet, neuroscience in film criticism, and the increased role that immigrants are playing in the nation's cinema.
The Italian Cinema Book
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Author : Peter Bondanella
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25
The Italian Cinema Book written by Peter Bondanella and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.
THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND THE FASCIST ERA (1922–45) POSTWAR CINEMATIC CULTURE (1945–59) THE GOLDEN AGE OF ITALIAN CINEMA (1960–80) AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION (1981 TO THE PRESENT) NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called twentieth-century Italy's greatest and most original art form.
A History Of Italian Cinema
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Author : Peter Bondanella
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2017-10-19
A History Of Italian Cinema written by Peter Bondanella and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-10-19 with Performing Arts categories.
A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.
Italian Neorealist Cinema
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Author : Christopher Wagstaff
language : en
Publisher: University of Toronto Press
Release Date : 2007-12-29
Italian Neorealist Cinema written by Christopher Wagstaff and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-12-29 with Performing Arts categories.
The end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's Roma città aperta and Paisà, and Vittorio De Sica's Ladri di biciclette are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en scène, and montage. This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available for the first time a large amount of data on post-war Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. Italian Neorealist Cinema not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general.
Storie Di Cinema E D Altro
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Author : Suso Cecchi d’Amico
language : it
Publisher: Bompiani
Release Date : 2023-05-31
Storie Di Cinema E D Altro written by Suso Cecchi d’Amico and has been published by Bompiani this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-05-31 with Biography & Autobiography categories.
Suso Cecchi d’Amico è stata tra i maggiori sceneggiatori della storia del cinema italiano, assumendo nel tempo rilievo internazionale. Collaboratrice, amica e confidente di artisti e intellettuali come Luchino Visconti, Vittorio De Sica, Cesare Zavattini, Anna Magnani, Nino Rota, Mario Monicelli, Ennio Flaiano e Roberto Rossellini, firmò le sceneggiature di alcune fra le più importanti pellicole italiane di tutti i tempi “quando agli autori venivano chieste delle storie e dei testi, e non qualche suggerimento per utilizzare gli attori”. Il gattopardo, Ladri di biciclette, I soliti ignoti, Salvatore Giuliano, Rocco e i suoi fratelli, Senso, Bellissima sono solo alcuni esempi. Ma Suso si trovò anche al centro di una eccezionale costellazione familiare che, oltre ai Cecchi e ai d’Amico, si estende fino ai Croce e ai Pirandello. In questo dialogo ricco di aneddoti con la nipote Margherita sfilano dunque i protagonisti della vita culturale italiana di quei decenni – scrittori, giornalisti, attori, ma anche un giovane Cuccia ai tempi del fascismo.