Storytelling In World Cinemas
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Storytelling In World Cinemas
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Author : Lina Khatib
language : en
Publisher: Columbia University Press
Release Date : 2013-01-31
Storytelling In World Cinemas written by Lina Khatib and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-01-31 with Performing Arts categories.
Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories. Like its sister volume, Storytelling in World Cinemas, Vol. 1: Forms, this book is an innovative addition to the academic study of world cinemas.
Storytelling In World Cinemas
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Author : Lina H. Khatib
language : en
Publisher: Columbia University Press
Release Date : 2012
Storytelling In World Cinemas written by Lina H. Khatib and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Performing Arts categories.
"Storytelling in World Cinemas, Vol. 2: Contexts addresses the questions of what and why particular stories are told in films around the world, both in terms of the forms of storytelling used, and of the political, religious, historical, and social contexts informing cinematic storytelling. Drawing on films from all five continents, the book approaches storytelling from a cultural/historical multidisciplinary perspective, focusing on the influence of cultural politics, postcolonialism, women's social and cultural positions, and religious contexts on film stories."-Publisher website.
Storytelling In World Cinemas
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Author : Lina Khatib
language : en
Publisher: Columbia University Press
Release Date : 2012-05-29
Storytelling In World Cinemas written by Lina Khatib and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-05-29 with Performing Arts categories.
Storytelling in World Cinemas, Vol. 1: Forms is an innovative collection of essays that discuss how different cinemas of the world tell stories. The book locates European, Asian, African, and Latin American films within their wider cultural and artistic frameworks, showing how storytelling forms in cinema are infused with influences from other artistic, literary, and oral traditions. This volume also reconsiders cinematic storytelling in general, highlighting the hybridity of 'national' forms of storytelling, calling for a rethinking of African cinematic storytelling that goes beyond oral traditions, and addressing films characterised by 'non-narration'. This study is the first in a two-volume project, with the second focusing on the contexts of cinematic storytelling.
Storytelling In World Cinemas
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Author :
language : en
Publisher:
Release Date : 2012
Storytelling In World Cinemas written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Motion pictures categories.
Digital Storytelling
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Author : Shilo T. McClean
language : en
Publisher: MIT Press
Release Date : 2008-09-26
Digital Storytelling written by Shilo T. McClean and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-09-26 with Performing Arts categories.
How digital visual effects in film can be used to support storytelling: a guide for scriptwriters and students. Computer-generated effects are often blamed for bad Hollywood movies. Yet when a critic complains that "technology swamps storytelling" (in a review of Van Helsing, calling it "an example of everything that is wrong with Hollywood computer-generated effects movies"), it says more about the weakness of the story than the strength of the technology. In Digital Storytelling, Shilo McClean shows how digital visual effects can be a tool of storytelling in film, adding narrative power as do sound, color, and "experimental" camera angles—other innovative film technologies that were once criticized for being distractions from the story. It is time, she says, to rethink the function of digital visual effects. Effects artists say—contrary to the critics—that effects always derive from story. Digital effects are a part of production, not post-production; they are becoming part of the story development process. Digital Storytelling is grounded in filmmaking, the scriptwriting process in particular. McClean considers crucial questions about digital visual effects—whether they undermine classical storytelling structure, if they always call attention to themselves, whether their use is limited to certain genres—and looks at contemporary films (including a chapter-long analysis of Steven Spielberg's use of computer-generated effects) and contemporary film theory to find the answers. McClean argues that to consider digital visual effects as simply contributing the "wow" factor underestimates them. They are, she writes, the legitimate inheritors of film storycraft.
The Way Hollywood Tells It
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Author : David Bordwell
language : en
Publisher: Univ of California Press
Release Date : 2006-04-10
The Way Hollywood Tells It written by David Bordwell and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-04-10 with Performing Arts categories.
Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today’s bloated blockbusters. American filmmakers have created a durable tradition—one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960, from romantic comedies like Jerry Maguire and Love Actually to more imposing efforts like A Beautiful Mind. He also draws upon testimony from writers, directors, and editors who are acutely conscious of employing proven principles of plot and visual style. Within the limits of the "classical" approach, innovation can flourish. Bordwell examines how imaginative filmmakers have pushed the premises of the system in films such as JFK, Memento, and Magnolia. He discusses generational, technological, and economic factors leading to stability and change in Hollywood cinema and includes close analyses of selected shots and sequences. As it ranges across four decades, examining classics like American Graffiti and The Godfather as well as recent success like The Lord of the Rings: The Two Towers, this book provides a vivid and engaging interpretation of how Hollywood moviemakers have created a vigorous, resourceful tradition of cinematic storytelling that continues to engage audiences around the world.
Puzzle Films
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Author : Warren Buckland
language : en
Publisher: John Wiley & Sons
Release Date : 2009-02-11
Puzzle Films written by Warren Buckland and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-02-11 with Performing Arts categories.
Drawing upon the expertise of film scholars from around the world,Puzzle Films investigates a number of films that sportcomplex storytelling--from Memento, Old Boy, andRun Lola Run, to the Infernal Affairs trilogy andIn the Mood for Love. Unites American ‘independent’ cinema, the Europeanand International Art film, and certain modes of avant-gardefilmmaking on the basis of their shared storytellingcomplexity Draws upon the expertise of film scholars from North America,Britain, China, Poland, Holland, Italy, Greece, New Zealand, andAustralia
World Cinema
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Author : Shekhar Deshpande
language : en
Publisher: Routledge
Release Date : 2018-01-17
World Cinema written by Shekhar Deshpande and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-17 with Social Science categories.
World Cinema: A Critical Introduction is a comprehensive yet accessible guide to film industries across the globe. From the 1980s onwards, new technologies and increased globalization have radically altered the landscape in which films are distributed and exhibited. Films are made from the large-scale industries of India, Hollywood, and Asia, to the small productions in Bhutan and Morocco. They are seen in multiplexes, palatial art cinemas in Cannes, traveling theatres in rural India, and on millions of hand-held mobile screens. Authors Deshpande and Mazaj have developed a method of charting this new world cinema that makes room for divergent perspectives, traditions, and positions, while also revealing their interconnectedness and relationships of meaning. In doing so, they bring together a broad range of issues and examples—theoretical concepts, viewing and production practices, film festivals, large industries such as Nollywood and Bollywood, and smaller and emerging film cultures—into a systemic yet flexible map of world cinema. The multi-layered approach of this book aims to do justice to the depth, dynamism, and complexity of the phenomenon of world cinema. For students looking to films outside of their immediate context, this book offers a blueprint that will enable them to transform a casual encounter with a film into a systematic inquiry into world cinema.
World Cinema Through Global Genres
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Author : William V. Costanzo
language : en
Publisher: John Wiley & Sons
Release Date : 2014-01-28
World Cinema Through Global Genres written by William V. Costanzo and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-01-28 with Performing Arts categories.
World Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world. Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world A “deep focus” section in each chapter gives students information and insights about important regions of filmmaking (India, China, Japan, and Latin America) that tend to be underrepresented in world cinema classes Case studies allow students to focus on important and accessible individual films that exemplify significant traditions and trends A strong foundation chapter reviews key concepts and vocabulary for understanding film as an art form, a technology, a business, an index of culture, a social barometer, and a political force. The engaging style and organization of the book make it a compelling text for both world cinema and film genre courses
Coming Of Age On Film
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Author : Anne E. Hardcastle
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2009
Coming Of Age On Film written by Anne E. Hardcastle and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Children in motion pictures categories.
In Coming of Age on Film: Stories of Transformation in World Cinema, essays by twelve film scholars examine the theme of coming of age in the cinema of Latin America, Europe, and Africa. Through their consideration of the development that leads to transformation in individuals, nations, or even the film industry itself, these articles elucidate the connections among these diverse films. Bringing together a variety of related topics such as rites of passage, adolescence and maturity, and the literary genre of the Bildungsroman, Coming of Age on Film complements and puts into practice a variety of critical theories. Its focus on global cinema in French, Italian, and Spanish brings attention to the widely represented but minimally studied theme of coming of age. This volume will appeal to scholars in film studies and regional or national cultural studies, as well as those studying adolescence in literature and film.