Streichquintett Op 2 Nr 6 E Moll
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Streichquintett Op 2 Nr 6 E Moll
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Author : Francesco Maria Zannetti
language : en
Publisher:
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Streichquintett Op 2 Nr 6 E Moll written by Francesco Maria Zannetti and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
Streichquintett Op 2 Nr 6 F Dur
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Author : Florian Leopold Gassmann
language : en
Publisher:
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Streichquintett Op 2 Nr 6 F Dur written by Florian Leopold Gassmann and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
Listening To Mendelssohn
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Author : David Hurwitz
language : en
Publisher: Rowman & Littlefield
Release Date : 2020-01-07
Listening To Mendelssohn written by David Hurwitz and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-07 with Music categories.
The greatest musical prodigy since Mozart (some would say he was even greater), Felix Mendelssohn (1809–1847) excelled in everything he did, musical or otherwise, and during his brief life became Europe’s most respected and beloved composer. Yet no musician suffered more drastic swings in his posthumous reputation, and as a result Mendelssohn’s music was obscured by a host of extra-musical factors: changes in taste, the rise of nationalism, anti-Semitism, and contempt for Victorian culture. This “owner’s manual” offers a guide to Mendelssohn’s musical output, major and minor, providing points of entry into a large body of work, much of which remains far too little known. There’s much more to Mendelssohn than the “Italian” Symphony and the “Midsummer Night’s Dream” Overture, and a whole creative world of vivid, expressive, and fantastical music is ready for exploration.
Mozart Haydn And Early Beethoven 1781 1802
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Author : Daniel Heartz
language : en
Publisher: W. W. Norton & Company
Release Date : 2008-11-17
Mozart Haydn And Early Beethoven 1781 1802 written by Daniel Heartz and has been published by W. W. Norton & Company this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-11-17 with Music categories.
A vivid portrait of Mozart and Haydn's greatest achievements and young Beethoven's works under their influence. Completing the trilogy begun with Haydn, Mozart and the Viennese School, 1740-1780 and continued in Music in European Capitals: The Galant Style, 1720-1780, Daniel Heartz concludes his extensive chronicle of the Classical Era with this much-anticipated third volume. By the early years of the nineteenth century, "Haydn, Mozart and Beethoven" had become a catchphrase—a commonplace expression signifying musical excellence. Indeed, even in his early career, Beethoven was hailed as the only musician worthy to stand beside Haydn and Mozart. In this volume, Heartz winds up the careers of Haydn and Mozart (who during the 1780s produced their most famous and greatest works) and describes Beethoven's first decade in Vienna, during which he began composing by patterning his works on the two masters. The tumult and instability of the French Revolution serves as a vivid historical backdrop for the tale.
Unfinished Music
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Author : Richard Kramer
language : en
Publisher: Oxford University Press
Release Date : 2012-07-12
Unfinished Music written by Richard Kramer and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-12 with Music categories.
Unfinished Music explores with subtle insight the uneasy relationship between the finished work and the elusive, provocative traces of the profound labors buried in its past.
The Creative Worlds Of Joseph Joachim
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Author : Styra Avins
language : en
Publisher: Boydell & Brewer
Release Date : 2021
The Creative Worlds Of Joseph Joachim written by Styra Avins and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Composers categories.
Examines Joseph Joachim's vital legacy through a range of philological, philosophical and critical approaches.Joseph Joachim (1831-1907), violinist, composer, teacher, and founding director of Berlin's Royal Academy of Music, was one of the most eminent and influential musicians of the long nineteenth century. Born in a tiny Jewish community on the Austro-Hungarian border, he rose to a position of unsurpassed prominence in European cultural life. This timely collection of essays explores important yet little-known aspects of Joachim's life and art. Studies of his Jewish background, early assimilation into Christian society, Felix Mendelssohn's mentorship, and the influence of Hungarian vernacular music on the formation of his musical style elucidate the roots of Joachim's identity. The later chapters focus on his personal and creative responses to the contentious and rapidly evolving cultural milieu in which he lived: his choice of instruments as his musical "voice," his performances as sites of (re)enchantment in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.ent in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.ent in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.ent in the modern age, his pathbreaking British career, his calling and sway as a quartet player, his pedagogical legacy, his influence on the establishment of the musical canon, and several of his most distinctive and original compositions. With a wide variety of approaches-analytical, philological, archival, philosophical, and critical-this collection will prove enlightening to scholars, performers, and others interested in this brilliant artist and the musical aesthetics, culture, and styles of his time.
Nineteenth Century Chamber Music
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Author : Stephen Hefling
language : en
Publisher: Routledge
Release Date : 2004-03-01
Nineteenth Century Chamber Music written by Stephen Hefling and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-03-01 with Music categories.
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
Composition Chromaticism And The Developmental Process
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Author : Henry Burnett
language : en
Publisher: Routledge
Release Date : 2017-07-05
Composition Chromaticism And The Developmental Process written by Henry Burnett and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Musicology, having been transmitted as a compilation of disparate events and disciplines, has long necessitated a 'magic bullet', a 'unified field theory' so to speak, that can interpret the steady metamorphosis of Western art music from late medieval modality to twentieth-century atonality within a single theoretical construct. Without that magic bullet, discussions of this kind are increasingly complicated and, to make matters worse, the validity of any transformational models and ideas of the natural evolution of styles is questioned and even frowned upon today as epitomizing a grotesque teleological bigotry. Going against current thinking, Henry Burnett and Roy Nitzberg claim that the teleological approach to observing stylistic change is still valid when considered from the purely compositional perspective. The authors challenge the traditional understanding of development, and advance a new theory of eleven-pitch tonality as it relates to the corpus of Western composition. The book plots the evolution of tonality and its bearing on style and the compositional process itself. The theory is not based on the diatonic aspect of the various tonal systems exploited by composers; rather, the theory is chromatically based - the chromatically inflected octave being the source not only of a highly ingenious developmental dialectic, but also encompassing the moment-to-moment progression of the musical narrative itself. Even the most profound teachings of Schenker, and the often startlingly original and worthwhile speculations of Riemann, Tovey, Dahlhaus and others, still provide no theory of development and so are ultimately unable to unite the various tendrils of the compositional organism into a unified whole. Burnett and Nitzberg move beyond existing theory and analysis to base their theory from the standpoint of chromatic 'pitch fields'. These fields are the specific chromatic pitch choices that a composer uses to inform and design a complete composition, utilizing
Dvor K Cello Concerto
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Author : Jan Smaczny
language : en
Publisher: Cambridge University Press
Release Date : 1999-09-28
Dvor K Cello Concerto written by Jan Smaczny and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-09-28 with Music categories.
Dvorák's Cello Concerto, composed during his second stay in America, is one of the most popular works in the orchestral repertoire. This guide explores Dvorák's reasons for composing a concerto for an instrument which he at one time considered unsuitable for solo work, its relationship to his American period compositions and how it forms something of a bridge with his operatic interests. A particular focus is the concerto's unique qualities: why it stands apart in terms of form, melodic character and texture from the rest of Dvorák's orchestral music. The role of the dedicatee of the work, Hanus Wihan, in its creation is also considered, as are performing traditions as they have developed in the twentieth century. In addition the guide explores the extraordinary emotional background to the work which links it intimately to the woman who was probably Dvorák's first love.
Classical Form
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Author : William E. Caplin
language : en
Publisher: Oxford University Press
Release Date : 2000-12-28
Classical Form written by William E. Caplin and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-12-28 with Music categories.
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.