Structures De La Jouissance Musicale
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Structures De La Jouissance Musicale
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Author : Olga Moll
language : fr
Publisher:
Release Date : 2003
Structures De La Jouissance Musicale written by Olga Moll and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with categories.
Parler de la musique avec les concepts de la psychanalyse, tel sera notre propos. Nous nous appuierons sur la pensée de Freud et Lacan. Nous retracerons d'abord le parcours qui, de la linguistique à la psychanalyse situe la signification dans un champ nouveau et permet de considérer la musique comme un discours, au même titre que le rêve ou le symptôme. Nous confronterons l'activité musicale au schéma lacanien de l'intersubjectivité. Les travaux de psychanalyse " appliquée " ont démontré que le désir et sa réalisation étaient les moteurs du développement humain. Nous examinerons ainsi la musique dans le champ du désir. La question de la singularité de cet art parmi les autres sublimations s'imposera. Le mythe d'Orphée, central pour l'activité musicale, sera analysé dans ses premières versions puis dans ses adaptations musicales. Enfin nous fixerons notre attention sur le discours musical lui-même, cherchant à déceler si l'on peut y trouver trace de déplacement ou de condensation.
Studying Popular Music
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Author : Middleton, Richard
language : en
Publisher: McGraw-Hill Education (UK)
Release Date : 1990-04-01
Studying Popular Music written by Middleton, Richard and has been published by McGraw-Hill Education (UK) this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990-04-01 with Social Science categories.
Offers a multidisciplinary analysis of Anglo-American popular music of the last two hundred years.
L Exp Rience Musicale
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Author : Jean-François Pratt
language : fr
Publisher: Editions L'Harmattan
Release Date : 2002-01-01
L Exp Rience Musicale written by Jean-François Pratt and has been published by Editions L'Harmattan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-01-01 with Music categories.
« La musique est un plaisir » entend-on souvent dire aujourd’hui. Mais que recouvre ce plaisir tant prisé de la musique ? N’y a-t-il pas d’autres motifs plus profonds, plus cachés, au besoin de musique chez nos contemporains ? S’appuyant sur des textes freudiens fondamentaux, l’auteur explore, dans le champ du musical, la notion de jouissance telle qu’elle se dégage des travaux de J. Lacan, en la distinguant du plaisir d’une part, du désir d’autre part.
Popular Music
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Author : Simon Frith
language : en
Publisher: Psychology Press
Release Date : 2004
Popular Music written by Simon Frith and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Music categories.
Popular music studies is a rapidly expanding field with changing emphases and agendas. The music industry has changed in recent years, as has governmental involvement in popular music schemes as part of the culture industry. The distinction between the major record labels and the outsider independents has become blurred over time. Popular music, as part of this umbrella of the culture industry, has been progressively globalized and globalizing. The tensions within popular music are now no longer between national cultural identity and popular music, but between the local and the global. This four volume collection examines the changing status of popular music against this background. Simon Frith examines the heritage of popular music, and how technology has changed not only the production but the reception of this brand of sound. The collection examines how the traditional genres of rock, pop and soul have broken down and what has replaced them, as well as showing how this proliferation of musical styles has also splintered the audience of popular music.
Music In Youth Culture
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Author : j. jagodzinski
language : en
Publisher: Springer
Release Date : 2005-08-19
Music In Youth Culture written by j. jagodzinski and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-08-19 with Social Science categories.
Music in Youth Culture examines the fantasies of post-Oedipal youth cultures as displayed on the landscape of popular music from a post-Lacanian perspective. Jan Jagodzinski, an expert on Lacan, psychoanalysis, and education's relationship to media, maintains that a new set of signifiers is required to grasp the sliding signification of contemporary 'youth'. He discusses topics such as the figurality of noise, the perversions of the music scene by boyz/bois/boys and the hysterization of it by gurlz/girls/grrrls. Music in Youth Culture also examines the postmodern 'fan (addict)', techno music, and pop music icons. Jagodzinski raises the Lacanian question of 'an ethics of the Real' and asks educators to re-examine 'youth' culture.
Shelley S Music
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Author : Professor Paul A Vatalaro
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2013-04-28
Shelley S Music written by Professor Paul A Vatalaro and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-28 with Literary Criticism categories.
Shelley's Music: Fantasy, Authority and the Object Voice regards music images and allusions to music in Shelley's writing as evidence that Shelley sought to infuse the masculine word with the music of feminine expression. Set within his configuration of hetero-erotic relationships, this agenda reveals Shelley's desire to remain eternally present in his poetry. In the end, Shelley fails to achieve this goal, because he failed to overcome an even stronger desire to preserve male authority. Shelley's Music demonstrates that the main body of Shelley's writing consists of a fantasy aimed at unifying the word, traditionally associated with masculine power and authority, with voice and music, traditionally associated with the power and mystery of feminine expression. This particular fantasy extends an even more fundamental desire to integrate the "object voice" with one's own subjectivity. Structured along the lines of sexual difference and providing the coordinates for Shelley's construction of heterosexual and hetero-erotic correspondence, this phantasmic movement reveals Shelley's desire to make his voice eternally present in the written word. As Zizek reminds us, however, all fantasy inevitably exposes the very horror it means to conceal. For Shelley, what plagues the desire to merge word, voice and music is the prospect of losing both the poet's authority and the subjectivity upon which it relies. Recycling throughout his writing, Shelley's fantasy, then, generates deadlock and instability each time it finds renewed expression. Shelley's Music argues that this division paradoxically becomes Shelley's ultimate goal, because it maintains desire by creating a steady state of suspension that finally preserves for Shelley his authority and his humanity.
Enjoying The Operatic Voice A Neuropsychoanalytic Exploration Of The Operatic Reception Experience
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Author : Carlo Zuccarini
language : en
Publisher: Vernon Press
Release Date : 2019-03-30
Enjoying The Operatic Voice A Neuropsychoanalytic Exploration Of The Operatic Reception Experience written by Carlo Zuccarini and has been published by Vernon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-30 with Psychology categories.
There has been a long-standing and mutually-informing association between psychoanalysis, literature and the arts. Surprisingly, given the oral/aural basis of the ‘talking cure’, music has largely been overlooked by psychoanalysis. Notably, neuroscientific research investigating music reception and production has been steadily increasing in range and scope over the years. However, in order to avoid confounding factors, empirical studies have focused primarily on non-vocal music. Remarkably, operatic vocal music has not featured prominently in either field. Yet the multi-dimensional, multi-layered nature of opera, which fuses together a number of different arts, would appear to provide fertile soil for both disciplines. This book aims to fill that gap, providing a stepping stone for further research. It leverages the individual strengths of psychoanalysis and neuroscience both separately and jointly as the inter-discipline of neuropsychoanalysis. By combining various theories of mind with knowledge about music processing in the brain, this book comprehensively examines the operatic reception experience, providing an account in subjective as well as objective terms. It explores the bittersweet enjoyment of operatic vocal music, which can literally move an operaphile to tears. The explanation for this may be found in a number of subjective dynamics that are unique to the reception of opera, rather than in any distinct objective neural processes, which are common to the reception of all music. These subjective dynamics, which are recruited during neural processing, are triggered by the equally unique features of the operatic voice, in combination with a number of auxiliary elements that are specific to opera. This book will be of interest to academics in a broad range of science and arts disciplines related to music perception and performance, such as music psychology and operatic performance. It may also appeal to passionate operaphiles who wish to understand what drives their addiction!
Hermeneutics And Music Criticism
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Author : Roger W. H. Savage
language : en
Publisher: Routledge
Release Date : 2009-09-10
Hermeneutics And Music Criticism written by Roger W. H. Savage and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-09-10 with Music categories.
Hermeneutics and Music Criticism forges new perspectives on aesthetics, politics and contemporary interpretive strategies. By advancing new insights into the roles judgment and imagination play both in our experiences of music and its critical interpretation, this book reevaluates our current understandings of music’s transformative power. The engagement with critical musicologists and philosophers, including Adorno, Gadamer, and Ricoeur, provides a nuanced analysis of the crucial issues affecting the theory and practice of music criticism. By challenging musical hermeneutics’ deployment as a means of deciphering social values and meanings, Hermeneutics and Music Criticism offers an answer to the long-standing question of how music’s expression of moods and feelings affects us and our relation to the world.
Women Music
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Author : Karin Pendle
language : en
Publisher: Indiana University Press
Release Date : 2001
Women Music written by Karin Pendle and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Music categories.
Women & Music now features even more women composers, performers, and patrons, even more musical contexts, and an expanded view of women in music outside Europe and North America. A popular university textbook, Women & Music is enlightening for scholars, a good source of programming ideas for performers, and a pleasure for other music lovers.
Skryabin Philosophy And The Music Of Desire
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Author : Kenneth M. Smith
language : en
Publisher: Routledge
Release Date : 2017-07-05
Skryabin Philosophy And The Music Of Desire written by Kenneth M. Smith and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Commentary on Skryabin has struggled to situate an understanding of the composer's music within his idiosyncratic philosophical world views. Early commentators' efforts to do so failed to establish a thorough or systematic approach. And later twentieth-century studies turned away from the composer's ideology, focusing instead on 'the music itself' with an analytic approach that scrutinized Skryabin's harmonic language in isolation from his philosophy. This groundbreaking study revisits the questions surrounding the composer's music within his own philosophy, but draws on new methodological tools, casting Skryabin's music in the light not only of his own philosophy of desire, but of more refined semiotic-psychoanalytical theory and modern techniques of music analysis. An interdisciplinary methodology corrects the narrow focus of Skryabin scholarship of the last century, offering insights from New Musicology and recent music theory that lead to hermeneutical, critically informed readings of selected works.