Studi Vivaldiani
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Studi Vivaldiani
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Author :
language : de
Publisher:
Release Date : 2008
Studi Vivaldiani written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Music categories.
Informazioni E Studi Vivaldiani
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Author :
language : en
Publisher:
Release Date : 1999
Informazioni E Studi Vivaldiani written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with categories.
Vivaldi
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Author : Michael Talbot
language : en
Publisher: Routledge
Release Date : 2017-07-05
Vivaldi written by Michael Talbot and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Since 1978, the 300th anniversary of Vivaldi's death, there has been an explosion of serious writing about his music, life and times. Much of this has taken the form of articles published in academic journals or conference proceedings, some of which are not easy to obtain. The twenty-two articles selected by Michael Talbot for this volume form a representative selection of the best writing on Vivaldi from the last 30 years, featuring such major figures in Vivaldi research as Reinhard Strohm, Paul Everett, Gastone Vio and Federico Maria Sardelli. Aspects covered include biography, Venetian cultural history, manuscript studies, genre studies and musical analysis. The intention is to serve as a 'first port of call' for those wishing to learn more about Vivaldi or to refresh their existing knowledge. An introduction by Michael Talbot reviews the state of Vivaldi scholarship past and present and comments on the significance of the articles.
The Chamber Cantatas Of Antonio Vivaldi
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Author : Michael Talbot
language : en
Publisher: Boydell Press
Release Date : 2006
The Chamber Cantatas Of Antonio Vivaldi written by Michael Talbot and has been published by Boydell Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Music categories.
Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool.
Vivaldi S Music For Flute And Recorder
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Author : Michael Talbot
language : en
Publisher: Routledge
Release Date : 2017-07-05
Vivaldi S Music For Flute And Recorder written by Michael Talbot and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
The Italian Solo Concerto 1700 1760
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Author : Simon McVeigh
language : en
Publisher: Boydell Press
Release Date : 2004
The Italian Solo Concerto 1700 1760 written by Simon McVeigh and has been published by Boydell Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with History categories.
The composition of the solo concerto studied as an evolving debate (rather than a static technique), and for its stylistic features.
A New Chronology Of Venetian Opera And Related Genres 1660 1760
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Author : Eleanor Selfridge-Field
language : en
Publisher: Stanford University Press
Release Date : 2007
A New Chronology Of Venetian Opera And Related Genres 1660 1760 written by Eleanor Selfridge-Field and has been published by Stanford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.
From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any language. This reference work, the culmination of two decades of research throughout Europe, provides a secure ordering of 800 operas and 650 related works from the period 1660 to 1760. Derived from thousands of manuscript news-sheets and other unpublished materials, the Chronology provides a wealth of new information on about 1500 works. Each entry in this production-based survey provides not only perfunctory reference information but also a synopsis of the text, eyewitness accounts, and pointers to surviving musical scores. What emerges, in addition to secure dates, is a profusion of new information about events, personalities, patronage, and the response of opera to changing political and social dynamics. Appendixes and supplements provide basic information in Venetian history for music, drama, and theater scholars who are not specialists in Italian studies.
Opera As Institution
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Author : Cristina Scuderi
language : en
Publisher: LIT Verlag Münster
Release Date : 2020-02-18
Opera As Institution written by Cristina Scuderi and has been published by LIT Verlag Münster this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-18 with Opera categories.
This volume brings together ten essays focusing on the diversity of operatic institutions, their protagonists, and historical fortunes in Europe from 1730 to 1917. Its aim is not to understand operatic institutions as locally distinct and isolated organizations, but rather to perceive them as a part of a historically fluctuating, transnational network: a network that was shaped among other things by individual professionals and groups in the opera business (and beyond), as well as by specific socio-cultural and political surroundings. The volume offers new perspectives on a wide range of topics, including networks of cultural exchange, singers as agents in shaping institutional structures, and the influence of socio-cultural, diplomatic, and political factors on operatic production across international borders.
Tonal Space In The Music Of Antonio Vivaldi
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Author : Bella Brover-Lubovsky
language : en
Publisher: Indiana University Press
Release Date : 2008-06-25
Tonal Space In The Music Of Antonio Vivaldi written by Bella Brover-Lubovsky and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-06-25 with Music categories.
Tonal Space in the Music of Antonio Vivaldi incorporates an analytical study of Vivaldi's style into a more general exploration of harmonic and tonal organization in the music of the late Italian Baroque. The harmonic and tonal language of Vivaldi and his contemporaries, full of curious links between traditional modal thinking and what would later be considered common-practice major-minor tonality, directly reflects the historical circumstances of the shifting attitude toward the conceptualization of tonal space so crucial to Western art music. Vivaldi is examined in a completely new context, allowing both his prosaic and idiosyncratic sides to emerge clearly. This book contributes to a better understanding of Vivaldi's individual style, while illuminating wider processes of stylistic development and the diffusion of artistic ideas in the 18th century.
Music As Social And Cultural Practice
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Author : Melania Bucciarelli
language : en
Publisher: Boydell & Brewer
Release Date : 2007
Music As Social And Cultural Practice written by Melania Bucciarelli and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Music categories.
"The linking theme of the essays collected here is the intersection of musical work with social and cultural practice. Inspired by Professor Strohm's ideas, as is fitting in a volume in his honour, leading scholars in the field explore diverse conceptualizations of the 'work' within the contexts of a specific repertory, over four main sections. Music in Theory and Practice studies the link between treatises and musical practice, and analyses how historical writings can reveal period views on the 'work' in music before 1800. Art and Social Process: Music in Court and Urban Societies looks at the social and cultural practices informing composition from the late Renaissance until the mid-eighteenth century, and interrogates current notions of canon formation and the exchange between local and foreign traditions. Creating an Opera Industry focuses on how genre and artistic autonomy were defined in operas from diverse eras and countries, explaining the role of literature and politics in this process. Finally, The Crisis of Modernity treats nineteenth-century music, offering new models for 'work' and 'context' to challenge reigning theories of the meaning of these terms."--Publisher's website.