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Studien Zum Russischen Opernlibretto Des 19 Jahrhunderts Nach Texten Von Pu Kin

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Studien Zum Russischen Opernlibretto Des 19 Jahrhunderts Nach Texten Von Pu Kin

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Author : Heike Gundacker-Lewis
language : de
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Release Date : 1997

Studien Zum Russischen Opernlibretto Des 19 Jahrhunderts Nach Texten Von Pu Kin written by Heike Gundacker-Lewis and has been published by Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Librettists categories.

Ausgangspunkt für diese Arbeit ist die Frage nach dem russischen Opernlibretto als literarischer Gattung. Als Untersuchungsgegenstand dienen drei der bekanntesten russischen Opern, Boris Godunov, Evgenij Onegin und Pique Dame, denen jeweils eine literarische Vorlage des russischen Schriftstellers Aleksandr S. Puskin (1799-1837) zugrundeliegt. Wie wurden die literarischen Texte adaptiert? Welche Veränderungen nahm der Librettist vor? Lassen sich Gesetzmäßigkeiten im Transformationsprozeß erkennen? Inwieweit spielt die Gattungszugehörigkeit der Vorlage eine Rolle? Das sind die Fragen, die im Hauptteil der Arbeit anhand von detaillierten Einzelanalysen des jeweiligen Operntextes und seiner literarischen Quelle erörtert werden.

The Radio Family

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Author : Ingeborg Bachmann
language : en
Publisher:
Release Date : 2014

The Radio Family written by Ingeborg Bachmann and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Drama categories.

"This publication was supported by a grant from the Austrian Federal Ministry for Education, Arts and Culture"--Title page verso.

Shostakovich And Stalin

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Author : Solomon Volkov
language : en
Publisher: Knopf
Release Date : 2007-12-18

Shostakovich And Stalin written by Solomon Volkov and has been published by Knopf this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-12-18 with Biography & Autobiography categories.

“Music illuminates a person and provides him with his last hope; even Stalin, a butcher, knew that.” So said the Russian composer Dmitri Shostakovich, whose first compositions in the 1920s identified him as an avant-garde wunderkind. But that same singularity became a liability a decade later under the totalitarian rule of Stalin, with his unpredictable grounds for the persecution of artists. Solomon Volkov—who cowrote Shostakovich’s controversial 1979 memoir, Testimony—describes how this lethal uncertainty affected the composer’s life and work. Volkov, an authority on Soviet Russian culture, shows us the “holy fool” in Shostakovich: the truth speaker who dared to challenge the supreme powers. We see how Shostakovich struggled to remain faithful to himself in his music and how Stalin fueled that struggle: one minute banning his work, the next encouraging it. We see how some of Shostakovich’s contemporaries—Mandelstam, Bulgakov, and Pasternak among them—fell victim to Stalin’s manipulations and how Shostakovich barely avoided the same fate. And we see the psychological price he paid for what some perceived as self-serving aloofness and others saw as rightfully defended individuality. This is a revelatory account of the relationship between one of the twentieth century’s greatest composers and one of its most infamous tyrants.

Translation And Music

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Author : Sebnem Susam-Sarajeva
language : en
Publisher: Routledge
Release Date : 2016-04-08

Translation And Music written by Sebnem Susam-Sarajeva and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-08 with Language Arts & Disciplines categories.

Popular and multimodal forms of cultural products are becoming increasingly visible within translation studies research. Interest in translation and music, however, has so far been relatively limited, mainly because translation of musical material has been considered somewhat outside the limits of translation studies, as traditionally conceived. Difficulties associated with issues such as the 'musicality' of lyrics, the fuzzy boundaries between translation, adaptation and rewriting, and the pervasiveness of covert or unacknowledged translations of musical elements in a variety of settings have generally limited the research in this area to overt and canonized translations such as those done for the opera. Yet the intersection of translation and music can be a fascinating field to explore, and one which can enrich our understanding of what translation is and how it relates to other forms of expression. This special issue is an attempt to open up the field of translation and music to a wider audience within translation studies, and to an extent, within musicology and cultural studies. The volume includes contributions from a wide range of musical genres and languages: from those that investigate translation and code-switching in North African rap and rai, and the intertextual and intersemiotic translations revolving around Mahler's lieder in Chinese, to the appropriation and after-life of Kurdish folk songs in Turkish, and the emergence of rock'n roll in Russian. Other papers examine the reception of Anglo-American stage musicals and musical films in Italy and Spain, the concept of 'singability' with examples from Scandinavian languages, and the French dubbing of musical episodes of TV series. The volume also offers an annotated bibliography on opera translation and a general bibliography on translation and music.