Style And Idea
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Style And Idea
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Author : Arnold Schoenberg
language : en
Publisher:
Release Date : 1984
Style And Idea written by Arnold Schoenberg and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Music categories.
This book is full of essays which Arnold Schoenberg wrote on style and idea. He talks about the relationship to the text, new and outmoded music, composition in twelve tones, entertaining through composing, the relationship of heart and mind in music, evaluation of music, and other essays. Arnold Schoenberg (13 September 1874 13 July 1951) was an Austrian and later American composer, associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. He used the spelling Sch nberg until after his move to the United States in 1934 (Steinberg 1995, 463), "in deference to American practice" (Foss 1951, 401), though one writer claims he made the change a year earlier (Ross 2007, 45). Schoenberg was known early in his career for successfully extending the traditionally opposed German Romantic traditions of both Brahms and Wagner, and later and more notably for his pioneering innovations in atonality. During the rise of the Nazi party in Austria, his music was labeled, alongside swing and jazz, as degenerate art. In the 1920s, he developed the twelve-tone technique, a widely influential compositional method of manipulating an ordered series of all twelve notes in the chromatic scale. He also coined the term developing variation, and was the first modern composer to embrace ways of developing motifs without resorting to the dominance of a centralized melodic idea. Schoenberg's approach, both in terms of harmony and development, is among the major landmarks of 20th century musical thought; at least three generations of composers in the European and American traditions have consciously extended his thinking and, in some cases, passionately reacted against it. Schoenberg was also a painter, an important music theorist, and an influential teacher of composition; his students included Alban Berg, Anton Webern, Hanns Eisler, and later John Cage, Lou Harrison, Earl Kim, Wayne Barlow, and many other prominent musicians. Many of Schoenberg's practices, including the formalization of compositional method, and his habit of openly inviting audiences to think analytically, are echoed in avant-garde musical thought throughout the 20th century. His often polemical views of music history and aesthetics were crucial to many of the 20th century's significant musicologists and critics, including Theodor Adorno, Charles Rosen, and Carl Dahlhaus. Schoenberg's archival legacy is collected at the Arnold Sch nberg Center in Vienna.
Style And Idea
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Author : Arnold Schoenberg
language : en
Publisher: Open Road Media
Release Date : 2014-11-04
Style And Idea written by Arnold Schoenberg and has been published by Open Road Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-11-04 with Music categories.
In these enlightening essays, the Austrian composer and music theorist presents his vision of how music speaks to us and what it is capable of saying. This book is full of essays which Arnold Schoenberg wrote on style and idea. He talks about the relationship to the text, new and outmoded music, composition in twelve tones, entertaining through composing, the relationship of heart and mind in music, evaluation of music, and other essays.
Style And Idea
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Author : Arnold Schoenberg
language : en
Publisher: Univ of California Press
Release Date : 2010-10-13
Style And Idea written by Arnold Schoenberg and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-10-13 with Biography & Autobiography categories.
One of the most influential collections of music ever published, Style and Idea includes Schoenberg's writings about himself and his music as well as studies of many other composers and reflections on art and society. An interpretive essay by Joseph Auner, Chair and Professor of Music at Tufts University, augments this anniversary edition.
Style And Idea
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Author : Arnold Schoenberg
language : en
Publisher: Univ of California Press
Release Date : 1984
Style And Idea written by Arnold Schoenberg and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Biography & Autobiography categories.
One of the most influential collections of music ever published, Style and Idea includes Schoenberg’s writings about himself and his music as well as studies of many other composers and reflections on art and society.
Style And Idea
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Author : Arnold Schönberg
language : en
Publisher:
Release Date : 1984
Style And Idea written by Arnold Schönberg and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with categories.
Style And Idea In The Lyric Suite Of Alban Berg
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Author : George Perle
language : en
Publisher: Pendragon Press
Release Date : 2001
Style And Idea In The Lyric Suite Of Alban Berg written by George Perle and has been published by Pendragon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Juvenile Nonfiction categories.
"Perle's contribution in both domains, the analytical and the biographical, have their original and primary impetus in his studies of the Lyric Suite, a work that has preoccupied him since 1937. This Pendragon edition brings the wealth of his earlier writings on the Lyric Suite together for the first time and includes, in addition, new material on the quartet's history, new analytical observations, and a comparative study of the sketches and drafts that allows the reader to convert the currently published score into an authoritatively corrected edition."--BOOK JACKET.
Schoenberg And Words
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Author : Charlotte Marie Cross
language : en
Publisher: Taylor & Francis
Release Date : 2000
Schoenberg And Words written by Charlotte Marie Cross and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Modernism (Music) categories.
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Schoenberg And The New Music
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Author : Carl Dahlhaus
language : en
Publisher: Cambridge University Press
Release Date : 1987
Schoenberg And The New Music written by Carl Dahlhaus and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Music categories.
This book is a collection of essays, by the leading German musicologist of our day, on one of the most controversial and influential composers of our century: Arnold Schoenberg. Schoenberg is considered here as a historical figure, as a thinker and theoretician and as a composer whose works may be subjected to technical analysis and/or examined in relation to the history of ideas. Above all, he is considered in the context of the 'New Music', the historical and cultural movement of the first two decades of this century which embrace musicians such as Webern, Schreker and Scriabin (all of whom are allotted individual essays), as well as Schoenberg himself. In addition to historical and analytical essays there are essays of a broader cultural-historical and even sociological import which should interest all those involved with twentieth-century music and ideas.
Schoenberg Wittgenstein And The Vienna Circle
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Author : James Kenneth Wright
language : en
Publisher: Peter Lang
Release Date : 2007
Schoenberg Wittgenstein And The Vienna Circle written by James Kenneth Wright and has been published by Peter Lang this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.
In 2006, Schoenberg, Wittgenstein, and the Vienna Circle received a Lewis Lockwood Award (Finalist) from the American Musicological Society, for outstanding new books on musicological topics. This study examines relativistic aspects of Arnold Schoenberg's harmonic and aesthetic theories in the light of a framework of ideas presented in the early writings of Ludwig Wittgenstein, the logician, philosopher of language, and Schoenberg's contemporary and Austrian compatriot. The author has identified correspondences between the writings of Schoenberg, the early Wittgenstein (the Tractatus Logico-Philosophicus, in particular), and the Vienna Circle of philosophers, on a wide range of topics and themes. Issues discussed include the nature and limits of language, musical universals, theoretical conventionalism, word-to-world correspondence in language, the need for a fact- and comparison-based approach to art criticism, and the nature of music-theoretical formalism and mathematical modeling. Schoenberg and Wittgenstein are shown to have shared a vision that is remarkable for its uniformity and balance, one that points toward the reconciliation of the positivist/relativist dualism that has dominated recent discourse in music theory. Contrary to earlier accounts of Schoenberg's harmonic and aesthetic relativism, this study identifies a solid epistemological core underlying his thought, a view that was very much in step with Wittgenstein and the Vienna Circle, and thereby with the most vigorous and pivotal developments in early twentieth century intellectual history
Music S Monisms
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Author : Daniel Albright
language : en
Publisher: University of Chicago Press
Release Date : 2021-11-05
Music S Monisms written by Daniel Albright and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-11-05 with Literary Criticism categories.
Daniel Albright investigates musical phenomena through the lens of monism, the philosophical belief that things that appear to be two are actually one. Daniel Albright was one of the preeminent scholars of musical and literary modernism, leaving behind a rich body of work before his untimely passing. In Music’s Monisms, he shows how musical and literary phenomena alike can be fruitfully investigated through the lens of monism, a philosophical conviction that does away with the binary structures we use to make sense of reality. Albright shows that despite music’s many binaries—diatonic vs. chromatic, major vs. minor, tonal vs. atonal—there is always a larger system at work that aims to reconcile tension and resolve conflict. Albright identifies a “radical monism” in the work of modernist poets such as T. S. Eliot and musical works by Wagner, Debussy, Britten, Schoenberg, and Stravinsky. Radical monism insists on the interchangeability, even the sameness, of the basic dichotomies that govern our thinking and modes of organizing the universe. Through a series of close readings of musical and literary works, Albright advances powerful philosophical arguments that not only shed light on these specific figures but also on aesthetic experience in general. Music’s Monisms is a revelatory work by one of modernist studies’ most distinguished figures.