Takeshi Kitano


Takeshi Kitano
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Kitano Takeshi


Kitano Takeshi
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Author : Aaron Gerow
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25

Kitano Takeshi written by Aaron Gerow and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Biography & Autobiography categories.


Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano's films from Violent Cop to Takeshis, the author relates the director to issues of contemporary cinema, Japanese national identity, and globalism.



The Cinema Of Takeshi Kitano


The Cinema Of Takeshi Kitano
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Author : Sean Redmond
language : en
Publisher: Columbia University Press
Release Date : 2013-03-12

The Cinema Of Takeshi Kitano written by Sean Redmond and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-03-12 with Performing Arts categories.


The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan’s finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano’s oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano’s films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010).



Beat Takeshi Vs Takeshi Kitano


Beat Takeshi Vs Takeshi Kitano
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Author :
language : en
Publisher:
Release Date : 2002-09-01

Beat Takeshi Vs Takeshi Kitano written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-09-01 with Biography & Autobiography categories.


Called "the world's most original action auteur" by the Village Voice, world-renowned Japanese filmmaker Takeshi Kitano is an enormously popular figure in his own country, not only for his films but for his legendary alter ego, comedian Beat Takeshi. The U.S. release this summer of his latest film, Kikujiro -- an official selection at Cannes 1999 -- will add to the recognition he gained here with Fireworks two years ago, and expose an even larger audience to the stylish noir aesthetic previously lauded by such directors as Martin Scorcese and Quentin Tarantino. Kitano's films have won awards at the Venice and Cannes film festivals, but despite his impact on contemporary cinema, Beat Takeshi vs. Takeshi Kitano is the first English language book to be published on his work. This collection of essays by Casio Abe, one of Japan's preeminent cultural critics, examines both Kitano's films and his Beat Takeshi persona, offering an incisive and revelatory critique of the Japanese consumer culture which Kitano's films and comedy both draw on and play against. Beat Takeshi vs. Takeshi Kitano is the first book in Kaya's Wicked Radiance series, which examines the work of the new wave of Asian filmmakers who are reshaping contemporary cinema.



Takeshi Kitano


Takeshi Kitano
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Author : Donatello Fumarola
language : it
Publisher: Audino
Release Date : 1998

Takeshi Kitano written by Donatello Fumarola and has been published by Audino this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Performing Arts categories.




Beat Takeshi Vs Takeshi Kitano


Beat Takeshi Vs Takeshi Kitano
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Author : Kashō Abe
language : en
Publisher:
Release Date : 2005

Beat Takeshi Vs Takeshi Kitano written by Kashō Abe and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Performing Arts categories.


The first volume in Kaya's series examining the work of a new wave of Asian filmmakers who are reshaping contemporary cinema Called "the world's most original action auteur" by the Village Voice, Takeshi Kitano is already legendary in Japan, where he is known both for his inventive films and for his legendarily caustic alter ego, comedian Beat Takeshi. In the United States, his stylishly noir aesthetic has both influenced and been admired by such directors as Martin Scorcese and Quentin Tarantino. His emotionally intense yet lyrical films have won him worldwide acclaim and honors, including the Grand Prix for Hanabi [Fireworks] at the Venice Film Festival. Now, the long-awaited Beat Takeshi vs. Takeshi Kitano offers a collection of essays on the internationally acclaimed film director by Casio Abe. Despite his impact on contemporary cinema, very little critical work on Kitano's films exists in the United States. Abe's book, originally published in Japan, combines a detailed look at Kitano's filmography with an incisive critique of the consumerist culture which Kitano's films play against. It is also purportedly Kitano's favorite book on his own work. This translation of Abe's writings on Kitano has been updated with articles that discuss Kitano's most recent releases, up to and including Dolls (2002), as well as extensive appendices and footnotes. Abe is one of Japan's preeminent cultural critics, and his book gives a rare and insightful look into the workings of one of the largest media cultures in the world. This will be the first book devoted exclusively to Kitano's work to be published in the United States. Beat Takeshi vs. Takeshi Kitano is the first volume in Kaya's Wicked Radiance series, which examines the work of a new wave of Asian filmmakers who are reshaping contemporary cinema.



Beat Takeshi Kitano


 Beat Takeshi Kitano
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Author : Brian Jacobs
language : en
Publisher:
Release Date : 1999

Beat Takeshi Kitano written by Brian Jacobs and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Motion picture actors and actresses categories.


The first biography to appear on the actor best known for his performances in MERRY CHRISTMAS MR LAWRENCE and JOHNNY MNEMONIC. It is through his own movies, which he wrote, directed and often acted in the main role, that Takeshi has built up a following in several Western countries. His films BOILING POINT, GETTING ANY? and VIOLENT COP involving love, violence, humour and individuals trying to make sense of confusing situations have marked Takeshi out as one of the key figures in contemporary cinema. Includes f/c photographs.





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Author : Bīto Takeshi
language : en
Publisher: Fondation Cartier
Release Date : 2010

written by Bīto Takeshi and has been published by Fondation Cartier this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Art, Japanese categories.


Mainly known as a TV personality and film producer, this is Takeshi Bito's first art project. His idea is that art does not need to be serious and that those coming to see his installations should relax enjoy them, and become participants. He sees art as an evolving process with no fixed ideas and likes to twist conventions.



Takeshi Kitano


Takeshi Kitano
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Author : Vincenzo Buccheri
language : it
Publisher: Il Castoro
Release Date : 2001

Takeshi Kitano written by Vincenzo Buccheri and has been published by Il Castoro this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Performing Arts categories.




Kitano Takeshi


Kitano Takeshi
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Author : Aaron Andrew Gerow
language : en
Publisher:
Release Date : 2007

Kitano Takeshi written by Aaron Andrew Gerow and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Motion picture producers and directors categories.


The award-winning art film Hana-Bi, the stoic gangster elegy Sonatine, the surfer romance A Scene at the Sea, the absurdist comedy Getting Any?, the entertainment samurai spectacle Zatoichi-very different films made under one name Kitano Takeshi. Who is this varied and sometimes elusive Kitano Takeshi? What relationship does he have to Beat Takeshi, the name he also uses as an actor and immensely popular media personality in Japan? Is he an artistic auteur in the traditional sense, offering a singular vision easily identifiable in all his work, or a new kind of star who manages multiples identities, strategically changing them from film to film and situation to situation? This book will explore these issues of auteurship and stardom in the films of Kitano Takeshi especially as they relate to problems of personal and national identity in a Japan confronting an age of globalization. Starting in his early days as one side of a stand-up comedy duo, Kitano has used pairs throughout his films to deftly play out a liminal space between cinema and television, traditional and modern, Japan and the world. Combining a detailed account of the situation in Japanese film and criticism with unique close analyses of Kitano's films from Violent Cop to Takeshis, the author, a renowned expert on Japanese cinema who himself participated in the debates about Kitano in Japan, relates the director to issues of contemporary cinema, Japanese national identity, and globalism.



Takeshi Kitano


Takeshi Kitano
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Author : Luis Miranda
language : es
Publisher: Catedra Ediciones
Release Date : 2006

Takeshi Kitano written by Luis Miranda and has been published by Catedra Ediciones this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Performing Arts categories.


En Japón, Takeshi Kitano sigue siendo ante todo " Beat " Takeshi: un multifacético bufón, en el sentido más noble del término. Este libro, sin embargo, se centra en el único Kitano que «existe» para el resto del mundo: el cineasta-autor que obtuvo el reconocimiento del sanedrín crítico mundial a partir de su séptima película, «Hana-Bi (Flores de fuego,» 1997). Desde ese momento, su filmografía anterior sería objeto de un interés antes relegado a las catacumbas del cine de culto, y el propio Kitano se embarcará en la difícil empresa de aproximarse con cada nuevo film a su propio prestigio. Se le define como post-modernista; como calígrafo hiper-formalista y heredero del más reconocible cine clásico japonés; como arquetipo del cineasta «oriental» (contemplativo, «naif», melancólico, viril). El análisis de sus películas en términos de estilo permite, cuando menos, considerar los supuestos que sostienen tales afirmaciones como etapas en el camino de legitimación cultural de la figura de un autor.