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Teatro Cuerpo Y Naci N

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Teatro Cuerpo Y Naci N

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Author : Dunia Galindo
language : es
Publisher:
Release Date : 2000

Teatro Cuerpo Y Naci N written by Dunia Galindo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Theater categories.

Teatro Cuerpo Y Naci N

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Author : Dunia Galindo
language : es
Publisher:
Release Date : 2000

Ceremoniales Fiestas Y Naci N

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Author : Marcos González Pérez
language : es
Publisher: Intercultura Colombia
Release Date : 2012

Ceremoniales Fiestas Y Naci N written by Marcos González Pérez and has been published by Intercultura Colombia this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Bogotá (Colombia) categories.

A través de la relación territorio-comunidad ciudad-nación, este texto aborda la descripción y análisis de los ceremoniales de la comunidad muisca, cuyo mundo ritual estaba pleno de manifestaciones que se relacionaban con la naturaleza, con sus creencias cosmogónicas y religiosas y con elementos de la vida como colectivo, aspectos que les implicaba definir tiempos, espacios y lugares para su escenificación. Considerados estos ceremoniales como ejes de sostenibilidad de una comunidad cultural y política, proseguimos el análisis tomando como campo el choque con referentes diferentes, impuestos por la presencia española, a partir de la década de 1530. Se analizan las implicaciones surgidas del cruce de estos dos mundos y nos adentramos en la descripción e interpretación de las denominadas fiestas religiosas del cristianismo y las estatales de la monarquía española, escenificadas en el territorio de lo que hoy se nomina Bogotá. El estudio analiza las variaciones o permanencias que se presentan con el advenimiento de la independencia neogranadina en el siglo XIX, época en la cual Bogotá se convierte en uno de los lugares donde se escenifica una nueva tipología de fastos que celebra diversos referentes, de tal manera que la ciudad sirve de plataforma para la puesta en escena de fiestas de las constituciones, patrióticas, nacionales, julias, cívicas, republicanas y de resacralización del hispanismo. Es una época de disputas entre la modernidad, la modernización y la tradición, conceptos estos que serán puestos en escena en las manifestaciones festivas. De igual manera, se estudian las festividades de celebración de las victorias militares a finales del siglo XIX, en que sobresalen las ceremonias de triunfo en las guerras internas, así como los festejos, en Bogotá, del Centenario de la Independencia en 1910, culminando el análisis con una interpretación sobre la historia del Himno Nacional, como emblema de nación moderna, visto en el marco de las complejidades políticas y sociales que se vivían en la época de su promulgación oficial en 1920.

Encyclopedia Of Latin American Theater

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Author : Eladio Cortes
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2003-12-30

Encyclopedia Of Latin American Theater written by Eladio Cortes and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-12-30 with Performing Arts categories.

Latin American culture has given birth to numerous dramatic works, though it has often been difficult to locate information about these plays and playwrights. This volume traces the history of Latin American theater, including the Nuyorican and Chicano theaters of the United States, and surveys its history from the pre-Columbian period to the present. Sections cover individual Latin American countries. Each section features alphabetically arranged entries for playwrights, independent theaters, and cultural movements. The volume begins with an overview of the development of theater in Latin America. Each of the country sections begins with an introductory survey and concludes with copious bibliographical information. The entries for playwrights provide factual information about the dramatist's life and works and place the author within the larger context of international literature. Each entry closes with a list of works by and about the playwright. A selected, general bibliography appears at the end of the volume.

The Latin American Subaltern Studies Reader

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Author : Ileana Rodríguez
language : en
Publisher: Duke University Press
Release Date : 2001-09-24

The Latin American Subaltern Studies Reader written by Ileana Rodríguez and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-09-24 with History categories.

DIVArgues for the saliency of the category of the subaltern over that of class./div

Dancing Jacobins

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Author : Rafael Sánchez
language : en
Publisher: Fordham Univ Press
Release Date : 2016-04-28

Dancing Jacobins written by Rafael Sánchez and has been published by Fordham Univ Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-28 with Social Science categories.

Since independence from Spain, a trope has remained pervasive in Latin America’s republican imaginary: that of an endless antagonism pitting civilization against barbarism as irreconcilable poles within which a nation’s life unfolds. This book apprehends that trope not just as the phantasmatic projection of postcolonial elites fearful of the popular sectors but also as a symptom of a stubborn historical predicament: the cyclical insistence with which the subaltern populations menacingly return to the nation’s public spaces in the form of crowds. Focused on Venezuela but relevant to the rest of Latin America, and drawing on a rich theoretical literature including authors like Derrida, Foucault, Lacoue-Labarthe, Nancy, Lyotard, Laclau, Taussig, and others, Dancing Jacobins is a genealogical investigation of the intrinsically populist “monumental governmentality” that in response to this predicament began to take shape in that nation at the time of independence. Informed by a Bolivarian political theology, the nation’s representatives, or “dancing Jacobins,” recursively draw on the repertoire of busts, portraits, and equestrian statues of national heroes scattered across Venezuela in a montage of monuments and dancing—or universal and particular. They monumentalize themselves on the stage of the polity as a ponderously statuesque yet occasionally riotous reflection of the nation’s general will. To this day, the nervous oscillation between crowds and peoplehood intrinsic to this form of government has inflected the republic’s institutions and constructs, from the sovereign “people” to the nation’s heroic imaginary, its constitutional texts, representative figures, parliamentary structures, and, not least, its army. Through this movement of collection and dispersion, these institutions are at all times haunted and imbued from within by the crowds they otherwise set out to mold, enframe, and address.