Teatro Oficina
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Oficina Theater
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Author : Lina Bo Bardi
language : en
Publisher:
Release Date : 1999
Oficina Theater written by Lina Bo Bardi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Theater categories.
Event Space
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Author : Dorita Hannah
language : en
Publisher: Routledge
Release Date : 2018-07-11
Event Space written by Dorita Hannah and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-11 with Performing Arts categories.
As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political ‘event’, the built environment of a performance became not only part of the event, but an event in and of itself. Event-Space radically re-evaluates the avant garde’s championing of nonrepresentational spaces, drawing on the specific fields of performance studies and architectural studies to establish a theory of ‘performative architecture’. ‘Event’ was of immense significance to modernism’s revolutionary agenda, resisting realism and naturalism – and, simultaneously, the monumentality of architecture itself. Event-Space analyzes a number of spatiotemporal models central to that revolution, both illuminating the history of avant-garde performance and inspiring contemporary approaches to performance space.
World Encyclopedia Of Contemporary Theatre
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Author : Don Rubin
language : en
Publisher: Routledge
Release Date : 2013-10-08
World Encyclopedia Of Contemporary Theatre written by Don Rubin and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-08 with Performing Arts categories.
This new in paperback edition of World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This Encyclopedia is indispensable for anyone interested in the cultures of the Americas or in modern theatre. It is also an invaluable reference tool for students and scholars of a wide range of disciplines including history, performance studies, anthropology and cultural studies.
Neoliberalism And Global Theatres
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Author : L. Nielsen
language : en
Publisher: Springer
Release Date : 2012-07-24
Neoliberalism And Global Theatres written by L. Nielsen and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-24 with Performing Arts categories.
How do theatre and performance transmit and dispute ideologies of neoliberalism? The essays in this anthology examine the mechanisms and rhetorics of contemporary multinational and transnational organizations, artists, and communities that produce theatre and performance for global audiences.
After The Long Silence
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Author : Claudia Tatinge Nascimento
language : en
Publisher: Routledge
Release Date : 2019-07-23
After The Long Silence written by Claudia Tatinge Nascimento and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-23 with Performing Arts categories.
After the Long Silence offers a ground-breaking, meticulously researched criticism of Brazilian contemporary performance created by its post-dictatorship generation, whose work expresses the consequences of decades of state-imposed censorship. By offering an in-depth examination of key artists and their works, Cláudia Tatinge Nascimento highlights Brazil’s political trajectory while never allowing the weight of historical events to offset key aesthetic trends. Brazilian theater artists born around the time of the nation’s 1964 military coup experienced the oppressive rule of dictatorship throughout their formative years, but came of age as Brazil re-entered democracy some two decades later. This book showcases how the post-dictatorship generation developed performances that mapped the uncharted territories of Brazil’s political trauma with new dramaturgies, site-specific and street productions, and aesthetic experimentation. The author’s in-depth research into a wide array of archival materials and publications in both Portuguese and English demonstrates how the artistic practices of significant post-dictatorship artists such as Cia. dos Atores, Teatro da Vertigem, Grupo Galpão, Os Fofos Encenam, and Newton Moreno were driven by critical thinking and a postcolonial sentiment, proving symptomatic of the nation’s shift from an ethos of half-truth telling into a transitional justice that fell short in affirming citizenship. Ideal for scholars of the intersection of theatre and politics, After the Long Silence: The Theater of Brazil’s Post-Dictatorship Generation offers insight into the function of theater in times of political turmoil and artmaking practices that emerge in response to oppressive regimes.
Brazilian Collaborative Theater
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Author : Aleksandar Dundjerović
language : en
Publisher: McFarland
Release Date : 2017-10-13
Brazilian Collaborative Theater written by Aleksandar Dundjerović and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-10-13 with Performing Arts categories.
Brazil has one of the most vibrant theater cultures in the world, home to a wide variety of theatrical expression. This collection of 15 interviews includes some of the country's most prolific creative minds--Ze Celso (Teatro Oficina), Antunes Filho, Gerald Thomas, Nos do Morro, Rudolfo Vasquez (Os Satyros), Antonio Araujo (Teatro Vertigem), Enrique Diaz (Cia do Atores) and Lia Rodrigues, to name a few--discussing their approaches to the collaborative theater process. They describe a collective creative environment in which practitioners are concerned with fundamental questions about social, cultural and artistic contexts in which productions are staged, and the interdisciplinary climate that predominated from the beginning of the 1980s.
Teatro Oficina
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Author : Lenise Pinheiro
language : pt-BR
Publisher:
Release Date : 2014
Teatro Oficina written by Lenise Pinheiro and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Theaters categories.
Oficina 1980
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Author : Teatro Oficina (São Paulo, Brésil).
language : pt-BR
Publisher:
Release Date : 1980
Oficina 1980 written by Teatro Oficina (São Paulo, Brésil). and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with categories.
Teatro Oficina
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Author : Itala Nandi
language : pt-BR
Publisher:
Release Date : 1998
Teatro Oficina written by Itala Nandi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Actors categories.
The Modern Brazilian Stage
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Author : David George
language : en
Publisher: University of Texas Press
Release Date : 2014-07-03
The Modern Brazilian Stage written by David George and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-03 with Performing Arts categories.
Reading a play and watching it performed onstage are quite different experiences. Likewise, studying a country's theatrical tradition with reference only to playtexts overlooks the vital impact of a play's performance on the audience and on the whole artistic community. In this performance-centered approach to Brazilian theatre since the 1940s, David George explores a total theatrical language—the plays, the companies that produced them, and the performances that set a standard for all future stagings. George structures the discussion around several important companies. He begins with Os Comediantes, whose revolutionary 1943 staging of Nelson Rodrigues' Vestido de Noiva (Bridal Gown) broke with the outmoded comedy-of-manners formula that had dominated the national stage since the nineteenth century. He considers three companies of the 1950s and 1960s—Teatro Brasileiro de Comédia, Teatro de Arena, and Teatro Oficina—along with the 1967 production of O Rei da Vela (The Candle King) by Teatro Oficina. The 1970s represented a wasteland for Brazilian theatre, George finds, in which a repressive military dictatorship muzzled artistic expression. The Grupo Macunaíma brought theatre alive again in the 1980s, with its productions of Macunaíma and Nelson 2 Rodrigues. Common to all theatrical companies, George concludes, was the desire to establish a national aesthetic, free from European and United States models. The creative tension this generated and the successes of modern Brazilian theatre make lively reading for all students of Brazilian and world drama.