The Aching Joys Of The Romantic Genius
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The Aching Joys Of The Romantic Genius
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Author : Katharina Thomas
language : en
Publisher: GRIN Verlag
Release Date : 2011-06
The Aching Joys Of The Romantic Genius written by Katharina Thomas and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-06 with categories.
Seminar paper from the year 2009 in the subject English - Literature, Works, grade: 1,0 (A), The University of North Carolina at Chapel Hill, course: Chief British Romantic Writers, language: English, abstract: What do Goethe and Wordsworth have in common? Or more precisely, what does Tintern Abbey have to do with Goethe's Sturm und Drang poem The Eagle and the Dove? This paper will argue that while the poems may not share much at first glance, they voice similar feelings with respect to the experience of the Romantic Genius. The eagle's loss of freedom and forced subjugation under a situation constrained by authorities echo Wordsworth's description of the experience of his younger self. Similar to the eagle, the poet-figure in Tintern Abbey experiences a loss of that intensely emotional, unmediated engagement with the world. Wordsworth's insight that he has received "abundant recompense" for this loss is foreshadowed in its incipience also in Goethe's poem. In order to establish this thesis, the first part of the paper provides an in-depth analysis of The Eagle and the Dove, elaborating on the concept of the romantic genius advanced by Goethe in the figure of the eagle. This analysis will also take into account differences between the English translation by Edgar Alfred Bowring and the German original, as the translation is not always felicitous. Since it would be beyond the scope of this paper to do a close reading of both poems in their entirety, the following part concentrates on a few central passages from Tintern Abbey, delineating the similarities between both poems with respect to the experience of the poet figure. Finally, it will analyse how Wordsworth transcends the loss of his former experience in relation to a similar development implicit in Goethe's poem.
The Aching Joys Of The Romantic Genius The Loss And Transcendence Of Unmediated Experience In Wordsworth S Tintern Abbey And Goethe S The Eagle And The Dove
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Author : Katharina Thomas
language : en
Publisher: GRIN Verlag
Release Date : 2011-06-03
The Aching Joys Of The Romantic Genius The Loss And Transcendence Of Unmediated Experience In Wordsworth S Tintern Abbey And Goethe S The Eagle And The Dove written by Katharina Thomas and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-06-03 with Foreign Language Study categories.
Seminar paper from the year 2009 in the subject Didactics for the subject English - Literature, Works, grade: 1,0 (A), The University of North Carolina at Chapel Hill, course: Chief British Romantic Writers, language: English, abstract: What do Goethe and Wordsworth have in common? Or more precisely, what does Tintern Abbey have to do with Goethe’s Sturm und Drang poem The Eagle and the Dove? This paper will argue that while the poems may not share much at first glance, they voice similar feelings with respect to the experience of the Romantic Genius. The eagle’s loss of freedom and forced subjugation under a situation constrained by authorities echo Wordsworth’s description of the experience of his younger self. Similar to the eagle, the poet-figure in Tintern Abbey experiences a loss of that intensely emotional, unmediated engagement with the world. Wordsworth’s insight that he has received “abundant recompense” for this loss is foreshadowed in its incipience also in Goethe’s poem. In order to establish this thesis, the first part of the paper provides an in-depth analysis of The Eagle and the Dove, elaborating on the concept of the romantic genius advanced by Goethe in the figure of the eagle. This analysis will also take into account differences between the English translation by Edgar Alfred Bowring and the German original, as the translation is not always felicitous. Since it would be beyond the scope of this paper to do a close reading of both poems in their entirety, the following part concentrates on a few central passages from Tintern Abbey, delineating the similarities between both poems with respect to the experience of the poet figure. Finally, it will analyse how Wordsworth transcends the loss of his former experience in relation to a similar development implicit in Goethe’s poem.
Romantic Genius And The Literary Magazine
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Author : David Higgins
language : en
Publisher:
Release Date : 2012-06-28
Romantic Genius And The Literary Magazine written by David Higgins and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-06-28 with Literary Criticism categories.
In early nineteenth-century Britain, there was unprecedented interest in the subject of genius, as well as in the personalities and private lives of creative artists. This was also a period in which literary magazines were powerful arbiters of taste, helping to shape the ideological consciousness of their middle-class readers. Romantic Genius and the Literary Magazine considers how these magazines debated the nature of genius and how and why they constructed particular creative artists as geniuses. Romantic writers often imagined genius to be a force that transcended the realms of politics and economics. David Higgins, however, shows in this text that representations of genius played an important role in ideological and commercial conflicts within early nineteenth-century literary culture. Furthermore, Romantic Genius and the Literary Magazine bridges the gap between Romantic and Victorian literary history by considering the ways in which Romanticism was understood and sometimes challenged by writers in the 1830s. It not only discusses a wide range of canonical and non-canonical authors, but also examines the various structures in which these authors had to operate, making it an interesting and important book for anyone working on Romantic literature.
Bodily Pain In Romantic Literature
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Author : Jeremy Davies
language : en
Publisher: Routledge
Release Date : 2014-03-14
Bodily Pain In Romantic Literature written by Jeremy Davies and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03-14 with Literary Criticism categories.
Shortlisted for the University English Early Career Book Prize 2016 Shortlisted for the British Association for Romantic Studies First Book Prize 2015 When writers of the late eighteenth and early nineteenth centuries explored the implications of organic and emotional sensitivity, the pain of the body gave rise to unsettling but irresistible questions. Urged on by some of their most deeply felt preoccupations – and in the case of figures like Coleridge and P. B. Shelley, by their own experiences of chronic pain – many writers found themselves drawn to the imaginative scrutiny of bodies in extremis. Bodily Pain in Romantic Literature reveals the significance of physical hurt for the poetry, philosophy, and medicine of the Romantic period. This study looks back to eighteenth-century medical controversies that made pain central to discussions about the nature of life, and forward to the birth of surgical anaesthesia in 1846. It examines why Jeremy Bentham wrote in defence of torture, and how pain sparked the imagination of thinkers from Adam Smith to the Marquis de Sade. Jeremy Davies brings to bear on Romantic studies the fascinating recent work in the medical humanities that offers a fresh understanding of bodily hurt, and shows how pain could prompt new ways of thinking about politics, ethics, and identity.
Consumption And Literature
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Author : C. Lawlor
language : en
Publisher: Springer
Release Date : 2006-10-31
Consumption And Literature written by C. Lawlor and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-10-31 with Literary Criticism categories.
This book seeks to explain how consumption - a horrible disease - came to be the glamorous and artistic Romantic malady. It tries to explain the disparity between literary myth and bodily reality, by examining literature and medicine from the Renaissance to the late Victorian period, covering a wide range of authors and characters.
Romanticism And Film
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Author : Will Kitchen
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2020-11-26
Romanticism And Film written by Will Kitchen and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-26 with Music categories.
The relationship between Romanticism and film remains one of the most neglected topics in film theory and history, with analysis often focusing on the proto-cinematic significance of Richard Wagner's music-dramas. One new and interesting way of examining this relationship is by looking beyond Wagner, and developing a concept of audio-visual explanation rooted in Romantic philosophical aesthetics, and employing it in the analysis of film discourse and representation. Using this concept of audio-visual explanation, the cultural image of the Hungarian pianist and composer Franz Liszt, a contemporary of Wagner and another significant practitioner of Romantic audio-visual aesthetics, is examined in reference to specific case studies, including the rarely-explored films Song Without End (1960) and Lisztomania (1975). This multifaceted study of film discourse and representation employs Liszt as a guiding-thread, structuring a general exploration of the concept of Romanticism and its relationship with film more generally. This exploration is supported by new theories of representation based on schematic cognition, the philosophy of explanation, and the recently-developed film theory of Jacques Rancière. Individual chapters address the historical background of audio-visual explanation in Romantic philosophical aesthetics, Liszt's role in the historical discourses of film and film music, and various filmic representations of Liszt and his compositions. Throughout these investigations, Will Kitchen explores the various ways that films explain, or 'make sense' of things, through a 'Romantic' aesthetic combination of sound and vision.
Writing For Immortality
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Author : Anne E. Boyd
language : en
Publisher: JHU Press
Release Date : 2010-01-01
Writing For Immortality written by Anne E. Boyd and has been published by JHU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-01-01 with Literary Criticism categories.
Before the Civil War, American writers such as Catharine Maria Sedgwick and Harriet Beecher Stowe had established authorship as a respectable profession for women. But though they had written some of the most popular and influential novels of the century, they accepted the taboo against female writers, regarding themselves as educators and businesswomen. During and after the Civil War, some women writers began to challenge this view, seeing themselves as artists writing for themselves and for posterity. Writing for Immortality studies the lives and works of four prominent members of the first generation of American women who strived for recognition as serious literary artists: Louisa May Alcott, Elizabeth Stuart Phelps, Elizabeth Stoddard, and Constance Fenimore Woolson. Combining literary criticism and cultural history, Anne E. Boyd examines how these authors negotiated the masculine connotation of "artist," imagining a space for themselves in the literary pantheon. Redrawing the boundaries between male and female literary spheres, and between American and British literary traditions, Boyd shows how these writers rejected the didacticism of the previous generation of women writers and instead drew their inspiration from the most prominent "literary" writers of their day: Emerson, James, Barrett Browning, and Eliot. Placing the works and experiences of Alcott, Phelps, Stoddard, and Woolson within contemporary discussions about "genius" and the "American artist," Boyd reaches a sobering conclusion. Although these women were encouraged by the democratic ideals implicit in such concepts, they were equally discouraged by lingering prejudices about their applicability to women.
Uncanonical Women
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Author : Wendy Greenberg
language : en
Publisher: BRILL
Release Date : 2023-12-14
Uncanonical Women written by Wendy Greenberg and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-12-14 with Law categories.
In English here is presented for the first time an examination of the text and context of five nineteenth-century French women poets: Elisa Mercoeur (1808-1835), Marceline Desbordes-Valmore (1786-1859), Louisa Siefert (1845-1877), Louise Ackermann (1813-1890) and Louise Michel (1830-1905) will demonstrate that in spite of mentoring by various literary, historic or even family figures, these writers found their own voices. A striking example is Louisa Siefert, who in spite of bold intertextuality, displays an unmistakably feminine persona, whose originality poignantly draws the reader's attention. These poets had many obstacles of overcome as woman-identified poets. For example, Louise Ackermann's own husband did not want her to write, and for this reason, she remained silent during her who years of marriage. Louise Michel is a different case as an analysis of the short poem Bouche close (Le Livre du Bagne, 1873-1880) will demonstrate. In short, Uncanonical Women, explores a crescendo of poetic voice, from the initial timid solicitations of Elisa Mercoeur, to the bold, self-sufficient defiance of Louise Michel. The implication of my original findings that uncanonical poets can surpass cultural marginalization is that the book will target both a traditional and modern readership. Major these and clear language and tools that delineate identifiably personal style of true writers and the poetic persona of each is unique: Mercoeur in ambition, Desbordes-Valmore in domesticity, Siefert, in anguish, Ackermann in pessimism and Michel in leadership.
Poetic Madness And The Romantic Imagination
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Author : Frederick Burwick
language : en
Publisher: Penn State Press
Release Date : 2010-11-01
Poetic Madness And The Romantic Imagination written by Frederick Burwick and has been published by Penn State Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-11-01 with Literary Criticism categories.
Written In Water
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Author : Rochelle Gurstein
language : en
Publisher: Yale University Press
Release Date : 2024-05-28
Written In Water written by Rochelle Gurstein and has been published by Yale University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-05-28 with History categories.
A deeply personal yet broadly relevant exploration of the ephemeral life of the classic in art, from the eighteenth century to our own day Is there such a thing as a timeless classic? More than a decade ago, Rochelle Gurstein set out to explore and establish a solid foundation for the classic in the history of taste. To her surprise, that history instead revealed repeated episodes of soaring and falling reputations, rediscoveries of long-forgotten artists, and radical shifts in the canon, all of which went so completely against common knowledge that it was hard to believe it was true. Where does the idea of the timeless classic come from? And how has it become so fiercely contested? By recovering disputes about works of art from the eighteenth century to the close of the twentieth, Gurstein takes us into unfamiliar aesthetic and moral terrain, providing a richly imagined historical alternative to accounts offered by both cultural theorists advancing attacks on the politics of taste and those who continue to cling to the ideal of universal values embodied in the classic. As Gurstein brings to life the competing responses of generations of artists, art lovers, and critics to specific works of art, she makes us see the same object vividly and directly through their eyes and feel, in all its enlarging intensity, what they felt.