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The Alfabeto Song In Print 1610 Ca 1665


The Alfabeto Song In Print 1610 Ca 1665
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The Alfabeto Song In Print 1610 Ca 1665


The Alfabeto Song In Print 1610 Ca 1665
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Author : Cory Michael Gavito
language : en
Publisher:
Release Date : 2006

The Alfabeto Song In Print 1610 Ca 1665 written by Cory Michael Gavito and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Musical notation categories.




Mathematics And Computation In Music


Mathematics And Computation In Music
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Author : Octavio A. Agustín-Aquino
language : en
Publisher: Springer
Release Date : 2017-11-17

Mathematics And Computation In Music written by Octavio A. Agustín-Aquino and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-17 with Computers categories.


This book constitutes the thoroughly refereed proceedings of the 6th International Conference on Mathematics and Computation in Music, MCM 2017, held in Mexico City, Mexico, in June 2017. The 26 full papers and 2 short papers presented were carefully reviewed and selected from 40 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on algebraic models, computer assisted performance, Fourier analysis, Gesture Theory, Graph Theory and Combinatorics, Machine Learning, and Probability and Statistics in Musical Analysis and Composition.



Music And Jewish Culture In Early Modern Italy


Music And Jewish Culture In Early Modern Italy
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Author : Lynette Bowring
language : en
Publisher: Indiana University Press
Release Date : 2022-03

Music And Jewish Culture In Early Modern Italy written by Lynette Bowring and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-03 with History categories.


Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music and Jewish Culture in Early Modern Italy evaluates the social, cultural, political, economic, and religious circumstances that shaped this community, especially in light of the need to recognize individual experiences within minority populations. Contributors draw from rich materials, topics, and approaches as they explore the inherently diverse understandings of music in daily life, the many ways that Jewish communities conceived of music, and the reception of and responses to Jewish musical culture. Highlighting the multifaceted experience of music within Jewish communities, Music and Jewish Culture in Early Modern Italy sheds new light on the place of music in complex, previously misunderstood environments.



Listening As Spiritual Practice In Early Modern Italy


Listening As Spiritual Practice In Early Modern Italy
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Author : Andrew Dell'Antonio
language : en
Publisher: Univ of California Press
Release Date : 2011-07-21

Listening As Spiritual Practice In Early Modern Italy written by Andrew Dell'Antonio and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-07-21 with Music categories.


The early seventeenth century, when the first operas were written and technical advances with far-reaching consequences—such as tonal music—began to develop, is also notable for another shift: the displacement of aristocratic music-makers by a new professional class of performers. In this book, Andrew Dell’Antonio looks at a related phenomenon: the rise of a cultivated audience whose skill involved listening rather than playing or singing. Drawing from contemporaneous discourses and other commentaries on music, the visual arts, and Church doctrine, Dell’Antonio links the new ideas about cultivated listening with other intellectual trends of the period: humanistic learning, contemplative listening (or watching) as an active spiritual practice, and musical mysticism as an ideal promoted by the Church as part of the Catholic Reformation.



Dissertation Abstracts International


Dissertation Abstracts International
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Author :
language : en
Publisher:
Release Date : 2008

Dissertation Abstracts International written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Dissertations, Academic categories.




The Guitar In Stuart England


The Guitar In Stuart England
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Author : Christopher Page
language : en
Publisher: Cambridge University Press
Release Date : 2017-11-16

The Guitar In Stuart England written by Christopher Page and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-16 with Music categories.


The guitar is the most played instrument in the West. This is the first account of its rise in Stuart England.



Arie A Voce Sola De Diversi Auttori Venice 1656


Arie A Voce Sola De Diversi Auttori Venice 1656
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Author : Paolo Alberto Rismondo
language : it
Publisher: A-R Editions, Inc.
Release Date : 2018-01-31

Arie A Voce Sola De Diversi Auttori Venice 1656 written by Paolo Alberto Rismondo and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-31 with Songs categories.


This edition of Arie a voce sola de diversi auttori (Venice: Alessandro Vincenti, 1656), a collection of secular monodies for voice and basso continuo, complements the edition of the exactly contemporaneous sacred collection Sacra Corona (Venice: Francesco Magni, 1656), already published by the same editor (B189). It contains short arie by various authors, some of whom had also contributed to Sacra Corona (Barbara Strozzi, Francesco Cavalli, Pietro Ziani, Orazio Tarditi, and Maurizio Cazzati) and some of whom did not (Giovanni Battista Chinelli, Francesco Lucio, Luigi Pozzi, and Giovanni Battista Agnelletti). As in Sacra Corona, distinct Venetian and non-Venetian groups of composers can be identified within Arie a voce sola, and the printers, compilers, and dedicatees of both anthologies occupied similar social and economic milieus. Furthermore, at least three of the “new” composers—Lucio, Pozzi, and Agnelletti—shared the patronage of families recently raised to Venetian nobility (e.g., the Widmann and the Savorgnan), who, like those composers, resided in Venice’s eastern Terraferma territories. Arie a voce sola can be seen not only as a continuation of the early seventeenth-century vogue for strophic arie, which were published in quantity in booklets during the first two decades of the seventeenth century (exemplified especially in the works by Chinelli, Strozzi, and Tarditi), and as the forerunner of the trend toward shorter operatic arie, observable in Venetia opera a few decades later (exemplified in the pieces by Lucio and Ziani).



Concerti Opus 7


Concerti Opus 7
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Author : Biagio Marini
language : it
Publisher: A-R Editions, Inc.
Release Date : 2017-01-01

Concerti Opus 7 written by Biagio Marini and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-01 with Madrigals, Italian categories.


Concerti, Opus 7 is the first of three ambitious collections (opp. 7–9) dedicated between 1624 and 1626 by Biagio Marini (1594–1663). Together they represent a watershed in his career: an ambitious tackling of multiple musical genres and an uncommon industriousness in producing a large, almost encyclopedic body of music. Opus 7 comprises thirteen works: seven for four to six voices and continuo, and six that include additional instrumental parts, whether optional (nos. 8 and 10) or obbligato (nos. 7, 11–13). Nos. 11–13 also share the structural feature of being based either on an ostinato (the romanesca) or dance form (gagliarda and corrente). Compared with Marini’s Madrigali et symfonie (1618), this collection demonstrates that, in the space of only a few years, the composer had made enormous strides in his handling of four or more voices and instruments.



Collected Works Part 1


Collected Works Part 1
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Author : Angelo Notari
language : la
Publisher: A-R Editions, Inc.
Release Date : 2022-08

Collected Works Part 1 written by Angelo Notari and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08 with Music categories.


These volumes bring together, for the first time in a critical edition, the complete music of Angelo Notari (1566/1573–1663), an Italian musician who worked in England from 1611. An important aspect of this edition is the inclusion of a large corpus of works newly attributed to Notari. This music appears in two surviving manuscripts (a score book and a fragmentary set of parts) copied by Notari and a set of manuscript parts copied by a London associate, Stephen Bing. The sources are examined in detail, and the reasoning for the attributions is made clear. The edition also includes a number of arrangements of music by other composers that appear in the Notari manuscripts; these range from ornamented versions and variant readings to reworkings that together represent the full gamut of compositional practice in the late sixteenth century and in the first half of the seventeenth century.



A Performer S Guide To Seventeenth Century Music


A Performer S Guide To Seventeenth Century Music
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Author : Stewart Carter
language : en
Publisher: Indiana University Press
Release Date : 2012-03-21

A Performer S Guide To Seventeenth Century Music written by Stewart Carter and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-03-21 with Music categories.


Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.