The American Cinema
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The American Cinema
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Author : Andrew Sarris
language : en
Publisher: Plume Books
Release Date : 1968
The American Cinema written by Andrew Sarris and has been published by Plume Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Biography & Autobiography categories.
Contemporary American Cinema
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Author : Linda Williams
language : en
Publisher: McGraw-Hill Education (UK)
Release Date : 2006-05-16
Contemporary American Cinema written by Linda Williams and has been published by McGraw-Hill Education (UK) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-05-16 with Performing Arts categories.
“One of the rare collections I would recommend for use in undergraduate teaching – the chapters are lucid without being oversimplified and the contributors are adept at analyzing the key industrial, technological and ideological features of contemporary U.S. cinema.” Diane Negra, University of East Anglia, UK. “Contemporary American Cinema offers a fresh and sometimes revisionist look at developments in the American film industry from the 1960s to the present … Readers will find it lively and provocative.” Chuck Maland, University of Tennessee, USA. “Contemporary American Cinema is the book on the subject that undergraduate classes have been waiting for … Comprehensive, detailed, and intelligently organized [and] written in accessible and compelling prose … Contemporary American Cinema will be embraced by instructors and students alike.” Charlie Keil, Director, Cinema Studies Program, University of Toronto, Canada. “Contemporary American Cinema usefully gathers together a range of materials that provide a valuable resource for students and scholars. It is also a pleasure to read.” Hilary Radner, University of Otago, New Zealand. “Contemporary American Cinema deepens our knowledge of American cinema since the 1960s. … This is an important collection that will be widely used in university classrooms.” Lee Grieveson, University College London, UK. “Contemporary American Cinema is a clear-sighted and tremendously readable anthology, mapping the terrain of post-sixties US cinema with breadth and critical verve.” Paul Grainge, University of Nottingham, UK. “This collection of freshly written essays by leading specialists in the field will most likely be one of the most important works of reference for students and film scholars for years to come.” Liv Hausken, University of Oslo, Norway. Contemporary American Cinema is the first comprehensive introduction to American cinema since 1960. The book is unique in its treatment of both Hollywood, alternative and non-mainstream cinema. Critical essays from leading film scholars are supplemented by boxed profiles of key directors, producers and actors; key films and key genres; and statistics from the cinema industry. Illustrated in colour and black and white with film stills, posters and production images, the book has two tables of contents allowing students to use the book chronologically, decade-by-decade, or thematically by subject. Designed especially for courses in cinema studies and film studies, cultural studies and American studies, Contemporary American Cinema features a glossary of key terms, fully referenced resources and suggestions for further reading, questions for class discussion, and a comprehensive filmography. Individual chapters include: The decline of the studio system The rise of American new wave cinema The history of the blockbuster The parallel histories of independent and underground film Black cinema from blaxploitation to the 1990s Changing audiences The effects of new technology Comprehensive overview of US documentary from 1960 to the present Contributors include: Stephen Prince, Steve Neale, Susan Jeffords,Yvonne Tasker, Barbara Klinger, Jim Hillier, Peter Kramer, Mark Shiel,Sheldon Hall, Eithne Quinn, Michele Aaron, Jonathan Munby.
The New American Cinema
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Author : Jon Lewis
language : en
Publisher: Duke University Press
Release Date : 1998
The New American Cinema written by Jon Lewis and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Business & Economics categories.
Deliberately eclectic and panoramic, THE NEW AMERICAN CINEMA brings together thirteen leading film scholars who present a range of theoretical, critical, and historical perspectives on a rich and pivotal time in American cinema--that from the mid 1960s to the present. With its range of topics and breadth of critical approaches, this anthology illuminates the volatile mix of industrial process and artistic inspiration that comprises American moviemaking. 46 photos.
American Cinema
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Author : Jeanine Basinger
language : en
Publisher: Rizzoli International Publications
Release Date : 1994
American Cinema written by Jeanine Basinger and has been published by Rizzoli International Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Performing Arts categories.
This extraordinary book--published to commemorate the centennial celebration of the birth of American film and a 10-part PBS-TV series scheduled for the new year--surveys the phenomenon that is Hollywood, past and present. With more than 200 illustrations, 100 in full color, and including some never before published, this book celebrates the best of American films.
Sound Technology And The American Cinema
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Author : James Lastra
language : en
Publisher: Columbia University Press
Release Date : 2000-07-18
Sound Technology And The American Cinema written by James Lastra and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-07-18 with Performing Arts categories.
Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect. Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film. Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.
Boom And Bust
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Author : Thomas Schatz
language : en
Publisher: Univ of California Press
Release Date : 1999-11-23
Boom And Bust written by Thomas Schatz and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-11-23 with Business & Economics categories.
On the history of motion pictures
The Hollywood Renaissance
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Author : Yannis Tzioumakis
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2018-06-28
The Hollywood Renaissance written by Yannis Tzioumakis and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-06-28 with Performing Arts categories.
In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared that Hollywood cinema was undergoing a 'renaissance'. For the next few years, a wide range of formally and thematically challenging films were produced at the very centre of the American film industry, often (but by no means always) combining success at the box office with huge critical acclaim, both then and later. This collection brings together acknowledged experts on American cinema to examine thirteen key films from the years 1966 to 1974, starting with Who's Afraid of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood's Production Code and thus helped to liberate American filmmaking from (self-)censorship. Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and much else could now be broken, often in conjunction with extensive stylistic experimentation. Whereas most previous scholarship has examined these developments through the prism of auteurism, with its tight focus on film directors and their oeuvres, the contributors to this collection also carefully examine production histories and processes. In doing so they pay particular attention to the economic underpinnings and collaborative nature of filmmaking, the influence of European art cinema as well as of exploitation, experimental and underground films, and the connections between cinema and other media (notably publishing, music and theatre). Several chapters show how the innovations of the Hollywood Renaissance relate to further changes in American cinema from the mid-1970s onwards.
History Of The American Cinema
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Author :
language : en
Publisher:
Release Date : 1994
History Of The American Cinema written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Motion picture industry categories.
American Cinema In The Shadow Of 9 11
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Author : Terence McSweeney
language : en
Publisher: Edinburgh University Press
Release Date : 2016-12-05
American Cinema In The Shadow Of 9 11 written by Terence McSweeney and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-05 with Performing Arts categories.
American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.
American Cinema Of The 1920s
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Author : Lucy Fischer
language : en
Publisher: Rutgers University Press
Release Date : 2009-04-15
American Cinema Of The 1920s written by Lucy Fischer and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-04-15 with Performing Arts categories.
During the 1920s, sound revolutionized the motion picture industry and cinema continued as one of the most significant and popular forms of mass entertainment in the world. Film studios were transformed into major corporations, hiring a host of craftsmen and technicians including cinematographers, editors, screenwriters, and set designers. The birth of the star system supported the meteoric rise and celebrity status of actors including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino while black performers (relegated to "race films") appeared infrequently in mainstream movies. The classic Hollywood film style was perfected and significant film genres were established: the melodrama, western, historical epic, and romantic comedy, along with slapstick, science fiction, and fantasy. In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era.