The Animal Metaphor In Art Spiegelman S Maus


The Animal Metaphor In Art Spiegelman S Maus
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The Animal Metaphor In Art Spiegelman S Maus


The Animal Metaphor In Art Spiegelman S Maus
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Author : Simon Essig
language : en
Publisher: GRIN Verlag
Release Date : 2014-08-19

The Animal Metaphor In Art Spiegelman S Maus written by Simon Essig and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-08-19 with Foreign Language Study categories.


Seminar paper from the year 2013 in the subject Didactics for the subject English - Literature, Works, grade: 1,0, University of Tubingen (Philosophische Fakultät), course: Popular Culture, language: English, abstract: Representing the Holocaust in a comic book is a daring enterprise; doing it with animal figures is even bolder. Spiegelman's work Maus braves many conventions of dealing with the Holocaust but reconstructs it in an unprecedented and unique manner. By exceeding literary boundaries and generic expectations, it is thus an essential addition to Holocaust literature. [...] This paper analyzes the animal metaphor in Spiegelman's Maus. It examines and discusses the different spheres in which the functions of the animal metaphor become evident. First, this paper traces back to the origins of using animals in literature. After a brief historical introduction of the sources and the development of animal figures, chapter 2 explains their literary function and their significance in comic books. Chapter 3 delivers a brief overview of Maus. It includes a synopsis of the comic's plot as well as a summary of its reception. Chapter 4, the main part of this paper, investigates the various functions and receptions of the animal metaphor in Maus from different perspectives. In chapter 4.1, Spiegelman's personal explanations reveal how Maus's animal characters function for him as a second generation witness. Chapter 4.2 focuses upon these implications brought into play with the use of the mask. A further subject, discussed in chapter 4.3, is how the animal imagery serves as a distancing and defamiliarizing device in order to deal with the horror of the Holocaust. Chapter 4.4 discusses the interconnection between both features. In chapter 4.5, the examination tries further to comprehend how the animal metaphor contributes to the reconstruction of ethnicity and identity in Maus. Since any analysis of a comic book must not neglect its visual dimension, chapter 4.6 considers Maus's drawing style and the significance of its visual representation. Maus has attracted many critics and its reception has been diverse and manifold. Target of the criticism has been especially the use of animals as substitutes for human beings. Chapter 4.7 examines and discusses Maus's animal device from a critical point of view regarding its incongruities and problems brought into play with the association of human beings and animals. The last chapter summarizes the insights of the analysis and discusses in what way Maus's animal metaphor strikes a new path in the conception and reconstruction of the Holocaust.



Why Animals Are Used In Literature And Comics The Thought Behind Art Spiegelman S Cat And Mouse Game


Why Animals Are Used In Literature And Comics The Thought Behind Art Spiegelman S Cat And Mouse Game
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Author : Ahmet Deniz
language : en
Publisher: GRIN Verlag
Release Date : 2021-02-03

Why Animals Are Used In Literature And Comics The Thought Behind Art Spiegelman S Cat And Mouse Game written by Ahmet Deniz and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-02-03 with Foreign Language Study categories.


Seminar paper from the year 2020 in the subject Didactics for the subject English - Literature, Works, University of Passau, language: English, abstract: The aim of this paper is to find out the reason why animal characters are so common in graphic novels and also if there is a deeper meaning behind the concrete chosen animals. Because it would go beyond the scope of this papers purpose I will just pick the animal metaphor in Spiegelman’s work ,,Maus“ as an example, as it is best suited for this topic in my opinion. After trying to find a definition of the medium comic at the beginning, a brief overview of the animal metaphor in literature is given. In the next step, the meaning and history of animals in comics is clarified and it is also briefly explained why comic authors decide to choose animal characters in their works that symbolically replace people. Last but not least, the main part of this homework follows, in which the animal metaphor in Art Spiegelman’s "Maus“ is taken apart. First the reader is given a brief overview of the content of the comic, then some concrete examples from the work are given. The next one explains why Art Spiegelman exactly chose the animals that represent the different nations of the world that appear in his comic. Since the work was discussed very controversially in public, its reception is quickly discussed too. The seminar paper is rounded off with a summarizing conclusion.



Characterization And Symbolism In Maus


Characterization And Symbolism In Maus
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Author : Patrick Spieß
language : en
Publisher: GRIN Verlag
Release Date : 2011-04-04

Characterization And Symbolism In Maus written by Patrick Spieß and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-04-04 with Literary Criticism categories.


Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 2,3, Martin Luther University, language: English, abstract: This seminar paper deals with the graphic novel “Maus” by Art Spiegelman. The book was published in two volumes. The first volume with the subtitle: “My Father Bleeds History”(1986) and the second volume had the subtitle: “And Here My Troubles Began” (1991). The novel is about the genocide of European Jews. The action is centered on the Holocaust survivor Vladek Spiegelman, who was imprisoned in Auschwitz. His son Art Spiegelman reconstructs the story of his father by interviewing him and taking notes. During the novel the author Art Spiegelman informs the reader also about his mother Anja and himself. First of all, there is the question of how to deal with the medium comic, because comics represent actually funny stories but the Holocaust is anything but funny thus they are extreme opposites. However, Spiegelman started a new era of comics, because he showed which opportunities exist in this medium and introduced the genre to a mass audience. He was able to do this, because he does not want to tell the complete history of the Holocaust but only a story of a survivor. The book includes three different time levels. The first one is the tale of woe of his father, who survives the Holocaust, the second one is where Art interviews his father about his experiences and memories and the third time level acts after Vladek's death and shows Art working on the second volume of “Maus”. Due to the jumping between the time levels emerges close connection between present and past, thereby the story appears truer. The exact title of this seminar paper is Characterization and symbolism in “Maus” and will deal with the question of what happens with stereotypes of nationalism and how Spiegelman reflect personalities. First, the genre of the book will be examined by characteristics of fables and allegories. Furthermore, the question will be why Spiegelman decided to choose animal figures and how he characterized them and which advantages the choice of animals in correspondence with the medium comic has. The characterization and symbolism will be mostly checked on the basis of the primary literature. Critical voices will be obtained by secondary literature. Moreover, this seminar paper will amplify several symbols and metaphors and ultimately, the last chapter will try to read out a moral and a massage. Questions whether “Maus” is a biography or an autobiography, yiddishkeit and parenthood will be left out, because it would go beyond the scope of this paper.



The Mouse Metaphor Walt Disney S Mickey Mouse And Art Spiegelman S Maus


The Mouse Metaphor Walt Disney S Mickey Mouse And Art Spiegelman S Maus
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Author : Elena Andreya Bel
language : en
Publisher: GRIN Verlag
Release Date : 2023-10-02

The Mouse Metaphor Walt Disney S Mickey Mouse And Art Spiegelman S Maus written by Elena Andreya Bel and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-10-02 with History categories.


Master's Thesis from the year 2019 in the subject Cultural Studies - Holocaust Studies, grade: 1.7, College of Jewish Studies Heidelberg, language: English, abstract: This thesis contributes to a comprehensive exploration of the anthropomorphic mouse image in Art Spiegelman's graphic novel "Maus" as a reaction to Walt Disney's iconic Mickey Mouse. The discussion delves into the potential motivations and ideologies behind both characters, including Disney's hidden anti-Semitic tendencies. The thesis aims to scrutinize the intentions of these cartoonists and the historical context in which their creations emerged. It employs a comparative approach, examining early sketches and illustrations, and utilizes primary sources, such as "Maus" and MetaMaus, as well as audio materials like interviews with Art Spiegelman. The structure of the thesis comprises chapters dedicated to the cultural significance of the mouse metaphor, Walt Disney's biography, the history of comics, Art Spiegelman's background and intentions, and concludes with a synthesis of research findings and hypothesis evaluation. This study seeks to shed light on the complex relationship between these two mouse images and their cultural implications. In this thesis, I am attempting to enter a discussion regarding the anthropomorphic protagonist image in Art Spiegelman’s graphic novel "Maus" as a reaction to Walt Disney’s Mickey Mouse. For these purposes, I will examine the mouse image of Art Spiegelman along with Walt Disney’s mouse. Answering gradually the following questions: What leaded Walt Disney to use an image of a mouse to create Mickey Mouse cartoon? Did Walt Disney had any hidden ideology behind this specific character? What contributed to the presence of an anti-semitic factor in Disney's biography? Could Art Spiegelman’s representation in "Maus" graphic novel be considered as a mirror reaction towards Walt Disney’s depiction? What were the intentions of the cartoonists? I will also provide an overview of the history of the comics, in order to specify Art Spiegelman's background as the cartoonist of a comics medium. Before entering the discussion some preparatory work is necessary to observe, along with the critical materials and methodology which are applied for this dissertation. The methods used for this thesis requires close reading of the "Maus" and MetaMaus10, which are the primary sources for the chapter concerning Art Spiegelman. The examination of the audio material, such as interview collections with Art Spiegelman provides additional information regarding the creation of the graphic novel "Maus" and the cartoonist’s biographical aspect.



The Complete Maus


The Complete Maus
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Author : Art Spiegelman
language : en
Publisher: Viking
Release Date : 2011

The Complete Maus written by Art Spiegelman and has been published by Viking this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Children of Holocaust survivors categories.


Maus I: A Survivor's Tale and Maus II - the complete story of Vladek Spiegelman and his wife, living and surviving in Hitler's Europe. By addressing the horror of the Holocaust through cartoons, the author captures the everyday reality of fear and is able to explore the guilt, relief and extraordinary sensation of survival - and how the children of survivors are in their own way affected by the trials of their parents. A contemporary classic of immeasurable significance.



The Holocaust A Literary Inspiration


The Holocaust A Literary Inspiration
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Author : Sarah Ruhnau
language : en
Publisher: GRIN Verlag
Release Date : 2010-04-30

The Holocaust A Literary Inspiration written by Sarah Ruhnau and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-04-30 with Literary Criticism categories.


Seminar paper from the year 2009 in the subject English Language and Literature Studies - Literature, grade: 1,7, Ruhr-University of Bochum (Englisches Seminar), course: Jewish American Literature, language: English, abstract: In the following paper I would like to examine to what extent the Holocaust is appropriate as a literary inspiration. I will cite Art Spiegelman’s comic strips MAUS I and MAUS II (with focus on the latter) as examples since they are two of the most extraordinary works among Holocaust literature and art. In general I want to demonstrate that Adorno’s thesis about the impossibility of writing about the Holocaust is not true. By giving the example of Spiegelman’s MAUS it should be made clear that it is even possible to use the Holocaust as some kind of inspiration in a fairly unusual way.



Comic Books As History


Comic Books As History
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Author : Joseph Witek
language : en
Publisher: Univ. Press of Mississippi
Release Date : 1989

Comic Books As History written by Joseph Witek and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Antiques & Collectibles categories.


This first full-length scholarly study of comic books as a narrative form attempts to explain why comic books, traditionally considered to be juvenile trash literature, have in the 1980s been used by serious artists to tell realistic stories for adults



The Painted Bird


The Painted Bird
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Author : Jerzy Kosinski
language : en
Publisher: Transaction Large Print
Release Date : 2000

The Painted Bird written by Jerzy Kosinski and has been published by Transaction Large Print this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Fiction categories.


Winner of the National Book Award The Painted Bird is one of the most shocking indictments of Nazi madness and terrors of the Holocaust during World War II. It is a story about the proximity of terror and savagery to innocence and love. It is a vivid and graphic portrayal of the hellish Nazi occupation of Eastern Europe as seen through the eyes of a boy struggling for survival, an alien child lost in a world gone mad.



Metamaus W Dvd


Metamaus W Dvd
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Author :
language : en
Publisher:
Release Date : 2011

Metamaus W Dvd written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with categories.




Reading Art Spiegelman


Reading Art Spiegelman
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Author : Philip Smith
language : en
Publisher: Routledge
Release Date : 2015-12-07

Reading Art Spiegelman written by Philip Smith and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-12-07 with Social Science categories.


The horror of the Holocaust lies not only in its brutality but in its scale and logistics; it depended upon the machinery and logic of a rational, industrialised, and empirically organised modern society. The central thesis of this book is that Art Spiegelman’s comics all identify deeply-rooted madness in post-Enlightenment society. Spiegelman maintains, in other words, that the Holocaust was not an aberration, but an inevitable consequence of modernisation. In service of this argument, Smith offers a reading of Spiegelman’s comics, with a particular focus on his three main collections: Breakdowns (1977 and 2008), Maus (1980 and 1991), and In the Shadow of No Towers (2004). He draws upon a taxonomy of terms from comic book scholarship, attempts to theorize madness (including literary portrayals of trauma), and critical works on Holocaust literature.