The Animation Studies Reader
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The Animation Studies Reader
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Author : Nichola Dobson
language : en
Publisher: Bloomsbury Academic
Release Date : 2018-10-18
The Animation Studies Reader written by Nichola Dobson and has been published by Bloomsbury Academic this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-10-18 with Performing Arts categories.
The Animation Studies Reader brings together both key writings within animation studies and new material in emerging areas of the field. The collection provides readers with seminal texts that ground animation studies within the contexts of theory and aesthetics, form and genre, and issues of representation. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation. New material is also introduced in this section specifically addressing questions raised by the nature, style and materiality of animation. The second section outlines some of the main forms that animation takes, which includes discussions of genre. Although this section cannot be exhaustive, the material chosen is particularly useful as it provides samples of analysis that can illuminate some of the issues the first section of the book raises. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented. These representations can only be read through an understanding of the questions that the first two sections of the book raise; we can only decode these representations if we take into account form and genre, and theoretical conceptualisations such as visual pleasure, spectacle, the uncanny, realism etc.
The Animation Studies Reader
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Author : Nichola Dobson
language : en
Publisher:
Release Date : 2019
The Animation Studies Reader written by Nichola Dobson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Animated films categories.
"The Animation Studies Reader brings together both key writings within animation studies and new material in emerging areas of the field. The collection provides readers with seminal texts that ground animation studies within the contexts of theory and aesthetics, form and genre, and issues of representation. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation. New material is also introduced in this section specifically addressing questions raised by the nature, style and materiality of animation. The second section outlines some of the main forms that animation takes, which includes discussions of genre. Although this section cannot be exhaustive, the material chosen is particularly useful as it provides samples of analysis that can illuminate some of the issues the first section of the book raises. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented. These representations can only be read through an understanding of the questions that the first two sections of the book raise; we can only decode these representations if we take into account form and genre, and theoretical conceptualisations such as visual pleasure, spectacle, the uncanny, realism etc"--Bloomsbury Screen Studies.
The Animation Studies Reader
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Author : Nichola Dobson
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2018-10-18
The Animation Studies Reader written by Nichola Dobson and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-10-18 with Performing Arts categories.
The Animation Studies Reader brings together both key writings within animation studies and new material in emerging areas of the field. The collection provides readers with seminal texts that ground animation studies within the contexts of theory and aesthetics, form and genre, and issues of representation. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation. New material is also introduced in this section specifically addressing questions raised by the nature, style and materiality of animation. The second section outlines some of the main forms that animation takes, which includes discussions of genre. Although this section cannot be exhaustive, the material chosen is particularly useful as it provides samples of analysis that can illuminate some of the issues the first section of the book raises. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented. These representations can only be read through an understanding of the questions that the first two sections of the book raise; we can only decode these representations if we take into account form and genre, and theoretical conceptualisations such as visual pleasure, spectacle, the uncanny, realism etc.
Animating Film Theory
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Author : Karen Redrobe
language : en
Publisher: Duke University Press
Release Date : 2014-03-21
Animating Film Theory written by Karen Redrobe and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03-21 with Performing Arts categories.
Animating Film Theory provides an enriched understanding of the relationship between two of the most unwieldy and unstable organizing concepts in cinema and media studies: animation and film theory. For the most part, animation has been excluded from the purview of film theory. The contributors to this collection consider the reasons for this marginalization while also bringing attention to key historical contributions across a wide range of animation practices, geographic and linguistic terrains, and historical periods. They delve deep into questions of how animation might best be understood, as well as how it relates to concepts such as the still, the moving image, the frame, animism, and utopia. The contributors take on the kinds of theoretical questions that have remained underexplored because, as Karen Beckman argues, scholars of cinema and media studies have allowed themselves to be constrained by too narrow a sense of what cinema is. This collection reanimates and expands film studies by taking the concept of animation seriously. Contributors. Karen Beckman, Suzanne Buchan, Scott Bukatman, Alan Cholodenko, Yuriko Furuhata, Alexander R. Galloway, Oliver Gaycken, Bishnupriya Ghosh, Tom Gunning, Andrew R. Johnston, Hervé Joubert-Laurencin, Gertrud Koch, Thomas LaMarre, Christopher P. Lehman, Esther Leslie, John MacKay, Mihaela Mihailova, Marc Steinberg, Tess Takahashi
A Reader In Animation Studies
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Author : Jayne Pilling
language : en
Publisher: Indiana University Press
Release Date : 1998-05-22
A Reader In Animation Studies written by Jayne Pilling and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-05-22 with Performing Arts categories.
Cartoons—both from the classic Hollywood era and from more contemporary feature films and television series—offer a rich field for detailed investigation and analysis. Contributors draw on theories and methodology from film, television, and media studies, art history and criticism, and feminism and gender studies.
Animated Documentary
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Author : Annabelle Honess Roe
language : en
Publisher: Springer
Release Date : 2013-06-11
Animated Documentary written by Annabelle Honess Roe and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-06-11 with Performing Arts categories.
Animated Documentary, the first book to be published on this fascinating topic, considers how animation is used as a representational strategy in nonfiction film and television and explores the ways animation expands the range and depth of what documentary can show us about the world. On behalf of the Society for Animation Studies(SAS), the Chair of the Jury announced the book as the winner of the delayed 2015 SAS McLaren-Lambart Award with the following words: 'Animated Documentary is a vital addition to both animation scholarship and film studies scholarship more broadly, expertly achieving the tricky challenge of synthesising these two scholarly traditions to provide a compelling and brilliantly coherent account of the animated documentary form. At the heart of Roe’s book is the conviction that animated documentary “has the capacity to represent temporally, geographically, and psychologically distal aspects of life beyond the reach of live action” (p. 22). As a representational strategy, Roe details how animated documentary can be seen to adopt techniques of “mimetic substitution, non-mimetic substitution and evocation” in response to the limitations of live action material (p. 26). Animated Documentary will without doubt become an essential resource for many years to come for anyone interested in the intersection of animation and documentary.'
Reading The Rabbit
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Author : Kevin S. Sandler
language : en
Publisher: Rutgers University Press
Release Date : 1998
Reading The Rabbit written by Kevin S. Sandler and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Art categories.
On cartoon animation
Animating The Unconscious
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Author : Jayne Pilling
language : en
Publisher: Columbia University Press
Release Date : 2012-05-29
Animating The Unconscious written by Jayne Pilling and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-05-29 with Performing Arts categories.
As critical interest has grown in the unique ways in which art animation explores and depicts subjective experience – particularly in relation to desire, sexuality, social constructions of gender, confessional modes, fantasy, and the animated documentary – this volume offers detailed analysis of both the process and practice of key contemporary filmmakers, while also raising more general issues around the specificities of animation. Combining critical essays with interview material, visual mapping of the creative process, consideration of the neglected issue of how the use of sound differs from that of conventional live-action, and filmmakers' critiques of each others' work, this unique collection aims to both provoke and illuminate via an insightful multi-faceted approach.
The Anime Companion 2
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Author : Gilles Poitras
language : en
Publisher: Stone Bridge Press
Release Date : 2005-06-01
The Anime Companion 2 written by Gilles Poitras and has been published by Stone Bridge Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-06-01 with Performing Arts categories.
Become an expert on cultural details commonly seen in Japanese animation, movies, comics and TV shows.
Animation And Memory
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Author : Maarten van Gageldonk
language : en
Publisher: Springer Nature
Release Date : 2020-08-20
Animation And Memory written by Maarten van Gageldonk and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-08-20 with Performing Arts categories.
This book examines the role of memory in animation, as well as the ways in which the medium of animation can function as a technology of remembering and forgetting. By doing so, it establishes a platform for the cross-fertilization between the burgeoning fields of animation studies and memory studies. By analyzing a wide range of different animation types, from stop motion to computer animation, and from cell animated cartoons to painted animation, this book explores the ways in which animation can function as a representational medium. The five parts of the book discuss the interrelation of animation and memory through the lens of materiality, corporeality, animation techniques, the city, and animated documentaries. These discussions raise a number of questions: how do animation films bring forth personal and collective pasts? What is the role of found footage, objects, and sound in the material and affective dimensions of animation? How does animation serve political ends? The essays in this volume offer answers to these questions through a wide variety of case studies and contexts. The book will appeal to both a broad academic and a more general readership with an interest in animation studies, memory studies, cultural studies, comparative visual arts, and media studies. Chapter “Introduction” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.