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The Architectural Representation Of Islam


The Architectural Representation Of Islam
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The Architectural Representation Of Islam


The Architectural Representation Of Islam
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Author : Eric Roose
language : en
Publisher: Amsterdam University Press
Release Date : 2009

The Architectural Representation Of Islam written by Eric Roose and has been published by Amsterdam University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Architecture categories.


Study of Dutch mosque designs that shows that current designs do not oppose Dutch society but those versions of Islam they hold to be false.



In Between Architectural Drawing And Imaginative Knowledge In Islamic And Western Traditions


In Between Architectural Drawing And Imaginative Knowledge In Islamic And Western Traditions
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Author : Hooman Koliji
language : en
Publisher: Routledge
Release Date : 2016-03-09

In Between Architectural Drawing And Imaginative Knowledge In Islamic And Western Traditions written by Hooman Koliji and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-09 with Architecture categories.


Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer’s imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognized as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the 'Imaginal' as an intermediary between the invisible and visible is discussed, showing how architectural drawings lend themselves to this notion by performing as creative agents contributing not only to the physical world but also penetrating the realm of concepts. The book argues that this 'in-between' quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (for example, form, proportion, color), highly evocative, yet with no matter. Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. In doing so, this book not only makes important insights into the design process and act of architectural representation, but more broadly it adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.



Architecture In Continuity


Architecture In Continuity
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Author : Sherban Cantacuzino
language : en
Publisher:
Release Date : 1985

Architecture In Continuity written by Sherban Cantacuzino and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Architecture categories.


Architecture in Continuity celebrates recent projects throughout the Islamic world that most successfully preserve indigenous forms while providing for the future. It honors the insight, imagination, and skill that brought these projects into physical reality. The Aga Khan Awards Foundation's attention to the extraordinary effort required to develop an architecture both practical and spiritual is dramatically reflected in this volume ... The eleven projects-- found in nine countries from Mali to Pakistan, from Yugoslavia to Malaysia-- range from hotels to mosques, from housing to an impressive air terminal for pilgrims to Mecca ... The introduction and three essays, by distinguished architects and architectural historians, explore the projects in terms of the pressures confronting emerging Muslim countries, the influence of the Western postindustrial world and traditional Muslim forms and values.



In Between


In Between
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Author : Hooman Koliji
language : en
Publisher: Lund Humphries Publishers
Release Date : 2015-05-01

In Between written by Hooman Koliji and has been published by Lund Humphries Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-05-01 with Architecture categories.


Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer's imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognised as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the Imaginal as an intermediary between the invisible and visible is discussed, showing how architectural drawings lend themselves to this notion by performing as creative agents contributing not only to the physical world but also penetrating the realm of concepts. The book argues that this 'in-between' quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (e.g. form, proportion, colour), highly evocative, yet with no matter.Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. In doing so, this book not only makes important insights into the design process and act of architectural representation, but more broadly it adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.



Islamic Architecture In Iran


Islamic Architecture In Iran
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Author : Saeid Khaghani
language : en
Publisher: Bloomsbury Publishing
Release Date : 2012-07-30

Islamic Architecture In Iran written by Saeid Khaghani and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-30 with Social Science categories.


The architecture of the Islamic world is predominantly considered in terms of a dual division between 'tradition' and 'modernity' - a division which, Saeid Khaghani here argues, has shaped and limited the narrative applied to this architecture. Khaghani introduces and reconsiders the mosques of eighth- to fifteenth-century Iran in terms of poststructural theory and developments in historiography in order to develop a brand new dialectical framework. Using the examples of mosques such as the Friday Mosques in Isfahan and Yazd as well as the Imam mosque in Isfahan, Khaghani presents a new way of thinking about and discussing Islamic architecture, making this valuable reading for all interested in the study of the art, architecture and material culture of the Islamic world.



Architecture And The Question Of Identity


Architecture And The Question Of Identity
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Author : Wael Mohammad Al-Masri
language : en
Publisher:
Release Date : 1993

Architecture And The Question Of Identity written by Wael Mohammad Al-Masri and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with categories.


This study examines the opposed notions of architecture as an autonomous discipline and of architecture as a product of cultural politics. It also suggests that recent development in cultural critique, particularly regarding issues of identity and the representation of culture, can support architectural criticism and inform architectural production. The particular circumstances of Muslims living in America as a minority have contributed to the development of a sense of Muslim-American identity. This, while possessing a stable ideological core, can be seen as in reality a kind of hybrid identity, based on constant negotiation and shifting perspectives. Yet the reaction to certain aspects of these circumstances, as well as to the continuing East/W est confrontation, have contributed to a growing assertiveness of an exclusive sense of identity, which has generally surfaced in the character of the Islamic community centers in America In many cases this has perpetuated, through the use of architectural icons, long established Western stereotypes about Islam. There is a need, therefore, for the character of these buildings to be re-conceived on the basis of interaction and participation, rather than reaction or withdrawal; on inclusion instead of exclusion, and the articulation of a character that gives physical expression to shared values, as well as to those enriching differences that can contribute to the vitality of America. In an atmosphere of increasing multiculturalism, architecture can be viewed as a significant mediator, and as potentially capable of acting as an important vehicle of cross-cultural communication. By pointing to the implications of current architectural practices on the perception of Muslims in America, the study highlights the need to establish such a dialogue through architecture, and suggests ways of approaching a more positive architectural outlook.



The Mosque


The Mosque
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Author : Ergün Erkoçu
language : en
Publisher: Nai010 Publishers
Release Date : 2009

The Mosque written by Ergün Erkoçu and has been published by Nai010 Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Architecture categories.


"Innocent houses of worship or bulwarks of fundamentalism? We all have our own ideas about mosques, and many of those ideas go beyond the domain of architecture. In Europe, mosques are a central issue in the debates about the integration of Muslims and the potential dangers of Islam. In recent years, such debates have often edged out serious architectural discussion of European mosques, and the domes and minarets of traditional mosque architecture have come to symbolize this entire field of controversy." "The aim of this book is to bring greater depth and nuance to the debate about mosques. Amongst others politician Frits Bolkestein, architect Wilfried van Winden, sociologist Willem Schinkel, theologist/philosopher Tariq Ramadan, anthropologist Eric Roose and Ole Bouman, director of the Netherlands Architecture Institute, share their interdisciplinary perspectives on the emergence of this new architectural typology and explain its narrow and broad social impact. With a visual presentation of the historical and general features of the mosque (Mosguide), as well as three intriguing pictorial essays and a range of politically and socially informed essays and opinion pieces, Erkocuen Budac rethink the meaning of mosques in the Western European context. Recent mosque designs serve to illustrate how rewarding this approach can be - in social, functional and architectural terms." --Book Jacket.



The Transnational Mosque


The Transnational Mosque
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Author : Kishwar Rizvi
language : en
Publisher: UNC Press Books
Release Date : 2015-10-08

The Transnational Mosque written by Kishwar Rizvi and has been published by UNC Press Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10-08 with Religion categories.


Kishwar Rizvi, drawing on the multifaceted history of the Middle East, offers a richly illustrated analysis of the role of transnational mosques in the construction of contemporary Muslim identity. As Rizvi explains, transnational mosques are structures built through the support of both government sponsorship, whether in the home country or abroad, and diverse transnational networks. By concentrating on mosques--especially those built at the turn of the twenty-first century--as the epitome of Islamic architecture, Rizvi elucidates their significance as sites for both the validation of religious praxis and the construction of national and religious ideologies. Rizvi delineates the transnational religious, political, economic, and architectural networks supporting mosques in Saudi Arabia, Iran, Turkey, and the United Arab Emirates, as well as in countries within their spheres of influence, such as Pakistan, Syria, and Turkmenistan. She discerns how the buildings feature architectural designs that traverse geographic and temporal distances, gesturing to far-flung places and times for inspiration. Digging deeper, however, Rizvi reveals significant diversity among the mosques--whether in a Wahabi-Sunni kingdom, a Shi&8219;i theocratic government, or a republic balancing secularism and moderate Islam--that repudiates representations of Islam as a monolith. Mosques reveal alliances and contests for influence among multinational corporations, nations, and communities of belief, Rizvi shows, and her work demonstrates how the built environment is a critical resource for understanding culture and politics in the contemporary Middle East and the Islamic world.



The Architectural Character Of Islamic Institutions In The West


The Architectural Character Of Islamic Institutions In The West
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Author : Hafiz-Ur-Rehman Sherali
language : en
Publisher:
Release Date : 1991

The Architectural Character Of Islamic Institutions In The West written by Hafiz-Ur-Rehman Sherali and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with categories.


This thesis stems from an awareness, reinforced by personal design experience, of a dilemma which exists about character, in terms of appropriateness of and the representation of Islam, in the Institutions built for Muslim immigrants in the West. While architects building in Islamic nations are fighting their own battles against modernism in architecture in order to maintain continuity within the context of their traditional and contemporary cities, architects building for Muslim communities overseas are searching for appropriate images for their Institutions in cultures which historically have been unaware of the true nature of Islamic civilizations in the world. This study attempts to understand the complexities involved in designing for such building programs, which include mediating between the clients' insistence on the re-creation of the architectural traditions which have been left behind, and the immediate urbanistic, symbolic, social and political forces of the contexts which weave and knit the buildings in their surroundings. Within the limited scope of this endeavor, emphasis is placed on consideration of the architectural character of these religious institutions. However, one cannot completely ignore other aspects of the histories of these buildings, which illustrate the process of their making. These buildings are often loaded with self-conscious and fully acknowledged historical references, taken from the so called generic tradition of 'Islamic Architecture', and are collaged to impress upon the believer or non-believer alike, with recognizable imagery and form, the religious and ideological associations of their functions. However, this method of orchestrating often leaves an unstable territory, within which a critical evaluation of them reveals the inherent contradictions. The theoretical discourse of the thesis will deal with, on one hand, a wide range of general issues, such as the image of Islam in the eyes of the West, the human need for continuity and the use of typology in architecture, and on other hand, the distillation of arguments on specific topics such as the iconography of Islamic architecture and the various interpretations put forward to explain its extensive use of geometry and ornament. The case studies of the Friday Mosques in London and Rome and the Jamatkhanas in London and Burnaby extend and demonstrate the above dialogue with the past and will form the basis of formulation of design principles which might be utilized in future building programs.



Art And Architecture In The Islamic Tradition


Art And Architecture In The Islamic Tradition
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Author : Mohammed Hamdouni Alami
language : en
Publisher: Bloomsbury Publishing
Release Date : 2013-12-20

Art And Architecture In The Islamic Tradition written by Mohammed Hamdouni Alami and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-20 with Architecture categories.


What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.