The Brancusi Effect
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The Brancusi Effect
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Author : Paola Mola
language : en
Publisher:
Release Date : 2015
The Brancusi Effect written by Paola Mola and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Sculpture, Romanian categories.
Presents archival documents of Brancusi's second solo exhibition at Brummer Gallery, New York, which opened on November 17, 1933.
Brancusi
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Author : Alexandra Croitoru
language : en
Publisher:
Release Date : 2015
Brancusi written by Alexandra Croitoru and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with categories.
Brancusi New York
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Author : Jerome Neutres
language : en
Publisher: Editions Assouline
Release Date : 2013-10-31
Brancusi New York written by Jerome Neutres and has been published by Editions Assouline this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-31 with Art categories.
The pure, abstract sculptures made by Constantin Brancusi have had a large and enthusiastic audience in New York ever since they were first shown on American soil at the 1913 Armory Show. The numerous American collectors, muses, friends, and exhibitions that enabled his success had a profound influence on the eccentric Romanian artist who lived in Paris. And the feeling was definitely reciprocated. From the trial concerning his Bird in Space--which helped define modern art--to his first museum retrospective, and his dream of a skyscraper sculpture, New York was the place where Brancusi's career unfolded. Over the last one hundred years his effect on the city's art scene has never waned. Through stunning archival images and text by Brancusi authority Jérôme Neutres, Brancusi New York tells the story of the mutually beneficial relationship between the sculptor and the Big Apple. The book also features gorgeous new photographs of the five bronze sculptures on display at the Paul Kasmin Gallery in New York for the exhibition Brancusi in New York: 1913-2013.
I M Isa Genzken The Only Female Fool
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Author : Nicolaus Schafhausen
language : en
Publisher:
Release Date : 2014
I M Isa Genzken The Only Female Fool written by Nicolaus Schafhausen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Installations (Art) categories.
X93;The Only Female Fool” is how Isa Genzken describes herself in the self-chosen title of her exhibition at the Kunsthalle Wien. This statement is typical of the fluid boundaries between deep seriousness and the exuberant, eccentric spirit that pervades her work. Genzken’s artistic practice is characterized by a wide spectrum of media and forms, although her roots in sculpture always remain visible. The exhibition and catalogue focus on specific aspects of her oeuvre, including the mirror motif, the examination of architecture, and space as a social sphere; where early works are juxtaposed with series from later creative periods. Genzken’s collaboration with other artists and her admiration for certain artistic positions is also brought into focus, and selected works by Dan Graham, Gordon Matta-Clark, Jasper Johns, Gerhard Richter, Wolfgang Tillmans, and Lawrence Weiner are presented in dialogue with Genzken’s multilayered work. 00Exhibition: Kunsthalle Wien, Vienna, Austria (28.05-07.09.2014).
Brancusi Rosso Man Ray Framing Sculpture
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Author : Peter van der Coelen
language : en
Publisher:
Release Date : 2014
Brancusi Rosso Man Ray Framing Sculpture written by Peter van der Coelen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Art and photography categories.
This catalogue is published to accompany the exhibition of the same name in Museum Boijmans Van Beuningen, Rotterdam (8 February-11 May 2014). The exhibition is a unique meeting of the work of three of the most influential artists of the twentieth century: Constantin Brancusi (1876-1957), Medardo Rosso (1858-1928) and Man Ray (1890-1976). The works exhibited and discussed in the catalogue, forty-five sculptures and some hundred photographs they took of them, offer a glimpse over the shoulders of these artists.Not only were Brancusi, Rosso and Man Ray all crucial in the development of modern sculpture, they were innovators in the way they involved photography in their work-not so much for recording it, but as a means of explaining how viewers should look at and interpret their sculptures. They played with the possibilities of the medium-experimental for the time-using overexposure, innovative camera angles and blurring the foreground or background.
A Moment S Monument
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Author : Sharon Hecker
language : en
Publisher: Univ of California Press
Release Date : 2017-06-13
A Moment S Monument written by Sharon Hecker and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-06-13 with Art categories.
Medardo Rosso (1858–1928) is one of the most original and influential figures in the history of modern art, and this book is the first historically substantiated critical account of his life and work. An innovative sculptor, photographer, and draftsman, Rosso was vital in paving the way for the transition from the academic forms of sculpture that persisted in the nineteenth century to the development of new and experimental forms in the twentieth. His antimonumental, antiheroic work reflected alienation in the modern experience yet also showed deep feeling for interactions between self and other. Rosso’s art was also transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits. In this book, Sharon Hecker develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator. Offering an original way to comprehend Rosso, A Moment’s Monument negotiates the competing cultural imperatives of nationalism and internationalism that shaped the European art world at the fin de siècle.
Sherrie Levine
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Author : Howard Singerman
language : en
Publisher: MIT Press
Release Date : 2018-09-04
Sherrie Levine written by Howard Singerman and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-04 with Art categories.
Texts—including essays, reviews, and statements by the artist—on the work of Sherrie Levine. The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and “after” artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts—most notably as it emerged in the pages of October magazine. It challenged authorial sovereignty and aesthetic autonomy and invited readings that opened onto gender, history, and the economic and discursive processes of the art world. This collection gathers writings on Levine from art magazines, exhibition catalogs, and academic journals, spanning much of her career. The volume begins with texts by Douglas Crimp, Rosalind Krauss, and Craig Owens that situate Levine in postmodernist discourse and link her early work to October. The essays that follow draw on these first critical forays and complicate them, at once deepening and resisting them, as Levine's own work has done. All the essays attempt to understand the relationship between Levine and the artists she cites and the objects that she recasts. In these pages, Levine's oddly doubled works appear as chimeras, taxidermy, fandom, pratfalls, even Poussin's Blind Orion. Contributors Michel Assenmaker, Douglas Crimp, Erich Franz, Catherine Ingraham, David Joselit, Susan Kandel, Rosalind Krauss, Sylvia Lavin, Sherrie Levine, Maria Loh, Stephen Melville, Craig Owens, Howard Singerman
Art And Subjecthood
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Author : Isabelle Graw
language : en
Publisher:
Release Date : 2011
Art And Subjecthood written by Isabelle Graw and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Anthropomorphism in art categories.
"This book is based on the conference 'Art and subjecthood: the return of the human figure in semiocapitalism' ... organized by the Institut f'ur Kunstkritik on July 1, 2011, at the Staatliche Hochschule f'ur Bildende K'unste/St'adelschule in Frankfurt am Main"--P. 6.
Mara Marietta
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Author : Richard Jonathan
language : en
Publisher: Richard Jonathan
Release Date : 2017-04-24
Mara Marietta written by Richard Jonathan and has been published by Richard Jonathan this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-04-24 with Fiction categories.
Constantin Brancusi
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Author : Sanda Miller
language : en
Publisher: Reaktion Books
Release Date : 2010-05-15
Constantin Brancusi written by Sanda Miller and has been published by Reaktion Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-05-15 with Biography & Autobiography categories.
Acknowledged as one of the major sculptors and avant-garde artists of the twentieth century, Constantin Brancusi (1876–1957) was also one of the most elusive, despite his fame. His mysterious nature was not only due to his upbringing in Romania—which, at the time, was still regarded by much of Europe as a backward country haunted by vampires and werewolves—but also because Brancusi was aware that myth and an aura of otherness appealed to the public. His self-mythology remained intact until the publication of Brancusi in 1986 by Romanian artists Alexandre Istrati and Natalia Dumitresco, who made available a small selection of the archive of Brancusi’s correspondence. And in 2003, a comprehensive catalogue, which made the bulk of Brancusi’s private correspondence public for the first time, was published by the Centre Pompidou to accompany a retrospective on Brancusi’s work. In Constantin Brancusi, Sanda Miller employs these extensive new resources to better assess Brancusi’s life and work in relationship to each other, providing valuable and innovative insights into his relationships with friends, collectors, dealers and lovers. Miller’s perceptive book allows Brancusi to finally take his rightful place among the most important of the intellectual personalities who shaped twentieth-century modernism.
