The Cambridge History Of Seventeenth Century Music


The Cambridge History Of Seventeenth Century Music
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The Cambridge History Of Seventeenth Century Music


The Cambridge History Of Seventeenth Century Music
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Author : Tim Carter
language : en
Publisher: Cambridge University Press
Release Date : 2005-12-22

The Cambridge History Of Seventeenth Century Music written by Tim Carter and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-12-22 with Music categories.


First published in 2005, this title provides extensive knowledge on seventeenth-century music.



The Cambridge History Of Nineteenth Century Music


The Cambridge History Of Nineteenth Century Music
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Author : Jim Samson
language : en
Publisher: Cambridge University Press
Release Date : 2001-12-03

The Cambridge History Of Nineteenth Century Music written by Jim Samson and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-12-03 with Music categories.


The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.



Music In The Seventeenth Century


Music In The Seventeenth Century
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Author : Lorenzo Bianconi
language : en
Publisher: Cambridge University Press
Release Date : 1987-11-26

Music In The Seventeenth Century written by Lorenzo Bianconi and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987-11-26 with Music categories.


Examines musical life in the seventeenth century, a period of profound change in the history of music.



The Cambridge History Of Sixteenth Century Music


The Cambridge History Of Sixteenth Century Music
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Author : Iain Fenlon
language : en
Publisher: Cambridge University Press
Release Date : 2022-12-15

The Cambridge History Of Sixteenth Century Music written by Iain Fenlon and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-12-15 with Music categories.


Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, it considers music as something primarily experienced by people in their daily lives, whether as musicians or listeners, and as something that happened in particular locations, and different intellectual and ideological contexts, rather than as a story of genres, individual counties, and composers and their works. Second, by constraining discussion within the limits of a 100-year timespan, the music culture of the sixteenth century is freed from its conventional (and tenuous) absorption within the abstraction of 'the Renaissance', and is understood in terms of recent developments in the broader narrative of this turbulent period of European history. Both an original take on a well-known period in early music and a key work of reference for scholars, this volume makes an important contribution to the history of music.



The Cambridge History Of Eighteenth Century Music


The Cambridge History Of Eighteenth Century Music
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Author : Simon P. Keefe
language : en
Publisher: Cambridge University Press
Release Date : 2014-07-31

The Cambridge History Of Eighteenth Century Music written by Simon P. Keefe and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-31 with Music categories.


The eighteenth century arguably boasts a more remarkable group of significant musical figures, and a more engaging combination of genres, styles and aesthetic orientations than any century before or since, yet huge swathes of its musical activity remain under-appreciated. This History provides a comprehensive survey of eighteenth-century music, examining little-known repertories, works and musical trends alongside more familiar ones. Rather than relying on temporal, periodic and composer-related phenomena to structure the volume, it is organized by genre; chapters are grouped according to the traditional distinctions of music for the church, music for the theatre and music for the concert room that conditioned so much thinking, activity and output in the eighteenth century. A valuable summation of current research in this area, the volume also encourages the readers to think of eighteenth-century music less in terms of overtly teleological developments than of interacting and mutually stimulating musical cultures and practices.



The Cambridge History Of Twentieth Century Music


The Cambridge History Of Twentieth Century Music
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Author : Nicholas Cook
language : en
Publisher: Cambridge University Press
Release Date : 2004-08-05

The Cambridge History Of Twentieth Century Music written by Nicholas Cook and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-08-05 with Music categories.


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The Cambridge History Of Western Music Theory


The Cambridge History Of Western Music Theory
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Author : Thomas Christensen
language : en
Publisher: Cambridge University Press
Release Date : 2006-04-20

The Cambridge History Of Western Music Theory written by Thomas Christensen and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-04-20 with Music categories.


The Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.



The Cambridge History Of Seventeenth Century Philosophy


The Cambridge History Of Seventeenth Century Philosophy
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Author : Daniel Garber
language : en
Publisher: Cambridge University Press
Release Date : 1998

The Cambridge History Of Seventeenth Century Philosophy written by Daniel Garber and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Philosophy categories.


Annotation. The Cambridge History of Seventeenth-Century Philosophy offers a uniquely comprehensive and authoritative overview of early-modern philosophy written by an international team of specialists. As with previous Cambridge Histories of Philosophy the subject is treated by topic and theme, and since history does not come packaged in neat bundles, the subject is also treated with great temporal flexibility, incorporating frequent reference to medieval and Renaissance ideas. The basic structure of the volumes corresponds to the way an educated seventeenth-century European might have organised the domain of philosophy. Thus, the history of science, religious doctrine, and politics feature very prominently.



The Cambridge Companion To Bach


The Cambridge Companion To Bach
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Author : John Butt
language : en
Publisher: Cambridge University Press
Release Date : 1997-06-26

The Cambridge Companion To Bach written by John Butt and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-06-26 with Music categories.


The Cambridge Companion to Bach, first published in 1997, goes beyond a basic life-and-works study to provide a late twentieth-century perspective on J. S. Bach the man and composer. The book is divided into three parts. Part One is concerned with the historical context, the society, beliefs and the world-view of Bach's age. The second part discusses the music and Bach's compositional style, while Part Three considers Bach's influence and the performance and reception of his music through the succeeding generations. This Companion benefits from the insights and research of some of the most distinguished Bach scholars, and from it the reader will gain a notion of the diversity of current thought on this great composer.



Desire And Pleasure In Seventeenth Century Music


Desire And Pleasure In Seventeenth Century Music
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Author : Susan McClary
language : en
Publisher: Univ of California Press
Release Date : 2012-03-06

Desire And Pleasure In Seventeenth Century Music written by Susan McClary and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-03-06 with Music categories.


In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.