The Complete Libretti In Eleven Volumes German Operas 2 Ein Feldlager In Schlesien Vielka


The Complete Libretti In Eleven Volumes German Operas 2 Ein Feldlager In Schlesien Vielka
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The Complete Libretti In Eleven Volumes German Operas 2 Ein Feldlager In Schlesien Vielka


The Complete Libretti In Eleven Volumes German Operas 2 Ein Feldlager In Schlesien Vielka
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Author : Giacomo Meyerbeer
language : en
Publisher:
Release Date : 2008

The Complete Libretti In Eleven Volumes German Operas 2 Ein Feldlager In Schlesien Vielka written by Giacomo Meyerbeer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Operas categories.




The Meyerbeer Libretti German Operas 2 Ein Feldlager In Schlesien Vielka


The Meyerbeer Libretti German Operas 2 Ein Feldlager In Schlesien Vielka
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Author : Giacomo Meyerbeer
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2008

The Meyerbeer Libretti German Operas 2 Ein Feldlager In Schlesien Vielka written by Giacomo Meyerbeer and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Operas categories.


Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeerâ (TM)s grands opÃ(c)ras, and his final work. By 1860 long-imposed labor had started to tell upon the composerâ (TM)s health: he knew that he must concentrate on the â oenavigator projectâ which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and CÃ(c)sar-Victor Perrin, the director of the OpÃ(c)ra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph FÃ(c)tis, while the libretto was revised by MÃ(c)lesville. The original title of Lâ (TM)Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. Lâ (TM)Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.



Operas In German


Operas In German
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Author : Margaret Ross Griffel
language : en
Publisher: Rowman & Littlefield
Release Date : 2018-01-23

Operas In German written by Margaret Ross Griffel and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-23 with Music categories.


With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.



The Meyerbeer Libretti


The Meyerbeer Libretti
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Author : Robert Ignatius Letellier
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2013-02-21

The Meyerbeer Libretti written by Robert Ignatius Letellier and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-21 with Music categories.


Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeer’s grands opéras, and his final work. By 1860 long-imposed labor had started to tell upon the composer’s health: he knew that he must concentrate on the “navigator project” which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and César-Victor Perrin, the director of the Opéra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph Fétis, while the libretto was revised by Mélesville. The original title of L’Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. L’Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.



The Meyerbeer Libretti German Operas 2


The Meyerbeer Libretti German Operas 2
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Author : Giacomo Meyerbeer
language : en
Publisher:
Release Date : 2009

The Meyerbeer Libretti German Operas 2 written by Giacomo Meyerbeer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Operas categories.




The Complete Libretti In Eleven Volumes German Operas 1 Jephtas Gel Bde Wirt Und Gast Das Branderburger Tor


The Complete Libretti In Eleven Volumes German Operas 1 Jephtas Gel Bde Wirt Und Gast Das Branderburger Tor
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Author : Giacomo Meyerbeer
language : en
Publisher:
Release Date : 2008

The Complete Libretti In Eleven Volumes German Operas 1 Jephtas Gel Bde Wirt Und Gast Das Branderburger Tor written by Giacomo Meyerbeer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Operas categories.




The Cambridge Companion To Music And Romanticism


The Cambridge Companion To Music And Romanticism
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Author : Benedict Taylor
language : en
Publisher: Cambridge University Press
Release Date : 2021-08-26

The Cambridge Companion To Music And Romanticism written by Benedict Taylor and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-08-26 with History categories.


A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.



Cyclopedia Of Music And Musicians Abaco Dyne


Cyclopedia Of Music And Musicians Abaco Dyne
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Author : John Denison Champlin
language : en
Publisher:
Release Date : 1888

Cyclopedia Of Music And Musicians Abaco Dyne written by John Denison Champlin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1888 with Music categories.




Giacomo Meyerbeer


Giacomo Meyerbeer
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Author : Robert Ignatius Letellier
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2019-01-31

Giacomo Meyerbeer written by Robert Ignatius Letellier and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-31 with Music categories.


Giacomo Meyerbeer was once one of the most famous of all opera composers, enjoying into the twentieth century the same universal admiration and performance as a composer like Puccini does today. Through a series of adverse factors, his reputation was seriously damaged with the resurgence of nationalism and the growing ant-Semitism in France and Germany at the end of the nineteenth century, the propagation of a Wagnerian operatic aesthetic, the decline of the bel canto vocal tradition, and the disfavour manifested towards the heroism of French grand opera. All these factors, and especially the ban on his music in Nazi Germany, meant that Meyerbeer’s reputation was seriously overshadowed in the years after the Second World War. During the 1960s and 1970s, a tentative interest began to manifest itself, and with the advent of the new millennium, a growing rediscovery of his operas has been apparent. Not least in this process has been the recovery of all the composer’s private papers and their scholarly editing. His life and work have been the subject of a growing number of informed studies which have enabled radical reassessment. This volume takes a fresh look at this process of rediscovery by considering the composer in terms of the primary sources (diaries and letters) now available for forming a more complete and detailed biography unclouded by prejudicial or uninformed opinions. The extraordinary nature of Meyerbeer’s Jewish background and the role of this family in Prussian emancipation are also considered. Most importantly, however, his life and works are presented in a critical chronology that is fundamentally based on his own private papers, with testimony (both positive and negative) from many contemporary sources. A detailed iconography is integral to this process, and helps to bring Meyerbeer's story and music more vividly to life.



The Operas Of Giacomo Meyerbeer


The Operas Of Giacomo Meyerbeer
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Author : Robert Ignatius Letellier
language : en
Publisher: Fairleigh Dickinson Univ Press
Release Date : 2006

The Operas Of Giacomo Meyerbeer written by Robert Ignatius Letellier and has been published by Fairleigh Dickinson Univ Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Music categories.


But these operas are far more than imitations: they show an apprehension of convention and genre that is nothing less than a dismantling of accepted formulas, and a highly original reconstruction of them."--Jacket.