The Complete Motets 13
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The Complete Motets 4
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Author : Orlando di Lasso
language : la
Publisher: A-R Editions, Inc.
Release Date : 1996-01-01
The Complete Motets 4 written by Orlando di Lasso and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-01-01 with categories.
The Complete Motets 13
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Author : Orlando di Lasso
language : la
Publisher: A-R Editions, Inc.
Release Date : 2005-01-01
The Complete Motets 13 written by Orlando di Lasso and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-01-01 with Music categories.
Pagination: xxvii + 160 pp.
The Complete Motets
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Author : Peter Bergquist
language : en
Publisher: A-R Editions, Inc.
Release Date : 2007-01-01
The Complete Motets written by Peter Bergquist and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-01 with Music categories.
Pagination: vii + 106 pp.
A Medieval Motet Book
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Author : Hans Tischler
language : en
Publisher:
Release Date : 1973
A Medieval Motet Book written by Hans Tischler and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1973 with Choruses (Mixed voices) categories.
The Motet In The Late Middle Ages
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Author : Margaret Bent
language : en
Publisher: Oxford University Press
Release Date : 2023-11-03
The Motet In The Late Middle Ages written by Margaret Bent and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-11-03 with Music categories.
A unique capacity of measured polyphony is to give precisely fixed places not only to musical notes, but also to individual words in relation to them and each other. The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond, showcasing the imaginative opportunities afforded by this literal kind of intertextuality, and yielding a very different narrative from the common complaint that different simultaneous texts make motets incomprehensible. As leading musicologist Margaret Bent asserts, they simply require a different approach to preparation and listening. In this book, Bent examines the words and music of motets from many different angles: foundational verbal quotations and pre-existent chant excerpts and their contexts, citations both of words and music from other compositions, function, dating, structure, theory, and number symbolism. Individual studies of these original creations tease out a range of strategies, ingenuity, playfulness, striking juxtapositions, and even subversion. Half of the thirty-two chapters consist of new material; the other half are substantially revised and updated versions of previously published articles and chapters, organized into seven Parts. With new analyses of text and music together, new datings, new attributions, and new hypotheses about origins and interrelationships, Bent uncovers little-explored dimensions, provides a window into the craft and thought processes of medieval composers, and opens up many directions for future work.
Fugue In The Sixteenth Century
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Author : Paul Walker
language : en
Publisher: Oxford University Press
Release Date : 2020-11-17
Fugue In The Sixteenth Century written by Paul Walker and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-17 with Music categories.
Examining the roots of the classical fugue and the early history of non-canonic fugal writing, Paul Walker's Fugue in the Sixteenth Century explores the three principal fugal genres of the period: motet, ricercar, and canonza. The volume treats each genre in turn, tracing the fugue's development throughout the century and highlighting important moments and trends along the way. Taking a two-tiered approach, Walker, on one level, examines fugue from the perspective of contemporary musicians, and on another level, takes into account fugue's later history and the elements that came to play a significant role in its formation. Walker is the first scholar to successfully tie together the various strands of the "pre-Bach fugue" thanks to the growing availability of editions of the repertories involved. He also takes account of recent work elucidating the change in compositional approach around 1500 from a basis in cantus firmus and canon to one favoring non-canonical, fugal imitation. Featuring well-chosen musical examples to illustrate the compositional developments of the sixteenth century, Fugue in the Sixteenth Century is a definitive study for both specialist musicologists and organists and harpsichordists alike.
French And English Polyphony Of The 13th And 14th Centuries
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Author : Ernest H. Sanders
language : en
Publisher: Routledge
Release Date : 2019-05-29
French And English Polyphony Of The 13th And 14th Centuries written by Ernest H. Sanders and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-29 with Music categories.
First published in 1998, this volume brings together the most part of the author’s work on medieval polyphony. The most significant advance in music during the period in the High Gothic was the development of a system of rhythm and of its notation, the modern understanding of which was to a considerable extent obscured by an undue emphasis on the so-called rhythmic modes. The investigation of this topic forms the centre of this book, and a related essay deals with rhythmic Latin poetry. Other pieces survey the accomplishments of Europe’s first great composer and the flourishing of the medieval motet, whose rise he stimulated, while several essays focus on English polyphony, and on what remains of the motets of Philippe de Vitry, a major figure in Parisian intellectual circles of the 14th century.
A Critical Companion To Medieval Motets
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Author : Jared C. Hartt
language : en
Publisher: Boydell & Brewer
Release Date : 2018
A Critical Companion To Medieval Motets written by Jared C. Hartt and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with BUSINESS & ECONOMICS categories.
First full comprehensive guide to one of the most important genres of music in the Middle Ages.
Cantus Firmus In Mass And Motet 1420 1520
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Author : Edgar H. Sparks
language : en
Publisher: Univ of California Press
Release Date : 1963
Cantus Firmus In Mass And Motet 1420 1520 written by Edgar H. Sparks and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1963 with Composition (Music) categories.
Upper Voice Structures And Compositional Process In The Ars Nova Motet
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Author : Anna Zayaruznaya
language : en
Publisher: Routledge
Release Date : 2018-05-11
Upper Voice Structures And Compositional Process In The Ars Nova Motet written by Anna Zayaruznaya and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-11 with Music categories.
In the motets of Philippe de Vitry, Guillaume de Machaut, and their contemporaries, tenors have often been characterized as the primary shaping forces, prior in conception as well as in construction to the upper voices. Tenors are shaped by the interaction of talea and color, medieval terms now used to refer to the independent repetition of rhythms and pitches, respectively. The presence in the upper voices of the periodically repeating rhythmic patterns, often referred to as "isorhythm," has been characterized as an amplification of tenor structure. But a fresh look at the medieval treatises suggests a revised analytical vocabulary: for many fourteenth- and fifteenth-century writers, both color and talea involved rhythmic repetition, the latter in the upper voices specifically. And attention to upper-voice taleae independently of tenor structures brings renewed emphasis to the significant portion of the repertory in which upper voices evince formal schemes that differ from those in the tenors. These structures in turn suggest a revision of the presumed compositional process for motets, implying that in some cases upper-voice text and forms may have preceded the selection and organization of tenors. Such revisions have implications for hermeneutic endeavors, since not only the forms of motet voices but the meanings of their texts change, depending on whether analysis proceeds from the tenor up, or from the top down. Where the presumed compositional and structural primacy afforded to tenors has encouraged a strand of interpretation that reads the upper-voice poetry as conforming to, and amplifying, the tenor text snippets and their liturgical contexts, a "bottom-down" view casts tenors in a supporting role and reveals the poetic impulse of the upper voices as the organizing principle of motets.