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The Courtiers Manual Oracle


The Courtiers Manual Oracle
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The Courtiers Manual Oracle


The Courtiers Manual Oracle
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Author : Baltasar Gracián y Morales
language : en
Publisher:
Release Date : 1685

The Courtiers Manual Oracle written by Baltasar Gracián y Morales and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1685 with Courts and courtiers categories.




The Courtiers Manual Oracle Or The Art Of Prudence Now Done Into English


The Courtiers Manual Oracle Or The Art Of Prudence Now Done Into English
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Author : Baltasar Gracián y Morales
language : en
Publisher:
Release Date : 1685

The Courtiers Manual Oracle Or The Art Of Prudence Now Done Into English written by Baltasar Gracián y Morales and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1685 with categories.




The Courtiers Manual Oracle


The Courtiers Manual Oracle
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Author : Baltasar Gracián y Morales
language : en
Publisher:
Release Date : 1685

The Courtiers Manual Oracle written by Baltasar Gracián y Morales and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1685 with categories.




The Courtiers Manual Oracle


The Courtiers Manual Oracle
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Author : Baltasar Gracián y Morales
language : en
Publisher:
Release Date : 1685

The Courtiers Manual Oracle written by Baltasar Gracián y Morales and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1685 with categories.




The Courtiers Manual Oracle Or The Art Of Prudence


The Courtiers Manual Oracle Or The Art Of Prudence
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Author : Baltasar Gracian Y Morales
language : en
Publisher: Theclassics.Us
Release Date : 2013-09

The Courtiers Manual Oracle Or The Art Of Prudence written by Baltasar Gracian Y Morales and has been published by Theclassics.Us this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09 with categories.


Dieses historische Buch kann zahlreiche Tippfehler und fehlende Textpassagen aufweisen. Kaufer konnen in der Regel eine kostenlose eingescannte Kopie des originalen Buches vom Verleger herunterladen (ohne Tippfehler). Ohne Indizes. Nicht dargestellt. 1685 edition. Auszug: ... one sticks to the best, and the other to the worst. In all things there is somewhat that is good, and especially in a book, which commonly is made with study. Some are of so aukward a mind, that amongst a thousand perfections, they'll hit upon the onely fault that is to be found, and speak of nothing else, as if they were onely cut out for common sewers of the filth of the will and wit of others: and for keeping a Register of all the faults which they fee. That is rather the punilhment of their bad discerning, than the exercise of their subtiky. They spend their life ill, because they onely feed on naughty things. Happier are they, who amongst a thousand.faults at first discover a perfection that happened to be there by chance. MAXIME CXLI. Not to listen to ones self. It's worth little to be satisfied with ones self, if one content not others. Commonly self-esteem is punished by universal contempt. He that pays himself, remains a debtor to all others. It is misbecoming for one to speak, that he may hear himself. If it be folly to speak to ones self, it is doubly so to listen to himself before others. It is a fault in great men to speak with an imperious tone: and that which stuns those who hear them; at every word they fay, their ears importunately beg applause or flattery. The presumptuous speak also by echo: and since the conversation moves upon the stilts of Pride, every word comes guarded with this impertinent exclamation: Rarely well said! Ah that's a sweet faying. MAXIME CXLII. Never to espouse a bad party in spight to an Adversary yoho bath taken the letter. He that does it, is half overcome, and at length will be constrained wholly to yield. That is never a good way to be...



The Courtier S Oracle


The Courtier S Oracle
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Author : Baltasar Gracián y Morales
language : en
Publisher:
Release Date : 1694

The Courtier S Oracle written by Baltasar Gracián y Morales and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1694 with Courts and courtiers categories.




Won In Translation


Won In Translation
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Author : Roger Chartier
language : en
Publisher: University of Pennsylvania Press
Release Date : 2022-05-24

Won In Translation written by Roger Chartier and has been published by University of Pennsylvania Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-05-24 with Language Arts & Disciplines categories.


In Won in Translation Roger Chartier, one of the world's leading historians of books, publishing, and reading, considers the mobility of the early modern text and the plurality of circulating versions of the same work. The agent for both is translation, for through their lexical, aesthetic, and cultural decisions, translators always assign new meaning or new status to what they translate. Won in Translation proceeds by way of four case studies, three dedicated to works originally in Spanish, the fourth to a Portuguese dramatic adaptation of Don Quixote. Bartolomé de Las Casas' Brevísima relación de la destrucción de las Indias, first printed in 1552, was a powerful instrument for the construction of what was later called the "black legend" of Spanish monarchy. Baltasar Gracián's Oráculo Manual, published in 1647, became the most famous courtier's manual in Europe. Both traveled more widely and were translated more often than any other books of their era. For Chartier they illustrate the great power of translation, which allowed Las Casas' account to be placed in multiple and successive contexts and enabled Gracián's book to take on a range of meanings it had not originally had. Chartier's next two chapters are devoted to plays, one by Lope de Vega, the other by Antônio José da Silva. In the case of Lope's Fuente Ovejuna, the "translation" was one from historical chronicle to dramatic performance. In Antônio José da Silva's Vida do Grande D. Quixote, the textual migration is twofold, as Cervantes' hero moves from Spanish to Portuguese and from novel to play. In an Epilogue, Chartier moves three centuries forward to consider the paradox that it is the absolute immobility of the text, "reinvented" word for word, that creates its mobility in Jorge Luis Borges' fiction "Pierre Menard, Author of the Quixote." Works are transformed through changes of genre or language, to be sure; but even when the texts remain fixed, their readers give them different or inverted meaning.



The Temporality Of Taste In Eighteenth Century British Writing


The Temporality Of Taste In Eighteenth Century British Writing
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Author : James Noggle
language : en
Publisher: Oxford University Press
Release Date : 2012-02-09

The Temporality Of Taste In Eighteenth Century British Writing written by James Noggle and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-02-09 with Literary Criticism categories.


Is taste a quick, momentary experience in the individual mind? Or something durable, shaped by slow, historical processes, affecting groups of people at different times and places? British writers in the eighteenth century believed that it was both, and the tension between these temporal poles shaped the meaning of taste in the period and set a course for aesthetics in following centuries. Focusing on works in many genres-Alexander Pope's poems, David Hume's historiography, essays by Hannah More and Anna Barbauld, and novels by Frances Burney and William Beckford-this book sees the divided temporality of taste as an unpredictable force in British writing. The eighteenth century was the age of taste. Writers considered its intense effects on individual minds as especially characteristic of the collective present of British modernity, whilst they also recognized the disturbing tendency of taste's immediacy and its historical roles to interrupt and foreclose on each other. While noting how taste's two temporal flavours may be made to agree in order to consolidate various national, social, and gendered identities, this book also demonstrates that taste's dual temporality makes it more disruptive than scholars usually think. As such, taste models a kind of critical practice that this book itself endeavours to inherit: the insistent testing of the moment of discernment and on-going patterns of thinking and feeling against each other.



The Oxford Handbook Of The Baroque


The Oxford Handbook Of The Baroque
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Author : John D. Lyons
language : en
Publisher: Oxford University Press, USA
Release Date : 2019

The Oxford Handbook Of The Baroque written by John D. Lyons and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with History categories.


This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.



Political Aesthetics


Political Aesthetics
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Author : Karl Axelsson
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-08-22

Political Aesthetics written by Karl Axelsson and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-08-22 with Philosophy categories.


Providing a gateway to a new history of modern aesthetics, this book challenges conventional views of how art's significance developed in society. The 18th century is often said to have involved a radical transformation in the concept of art: from the understanding that it has a practical purpose to the modern belief that it is intrinsically valuable. By exploring the ground between these notions of art's function, Karl Axelsson reveals how scholars of culture made taste, morals and a politically stable society integral to their claims about the experience of nature and art. Focusing on writings by two of the most prolific men of letters in the 18th century, Joseph Addison (1672–1719) and the third Earl of Shaftesbury (1671–1713), Axelsson contests the conviction that modern aesthetic autonomy reoriented the criticism and philosophy originally prompted by these two key figures in the history of aesthetics. By re-examining the political relevance of Addison and Shaftesbury's theories of taste, Axelsson shows that first and foremost they sought to fortify a natural link between aesthetic experience and modern political society.