The Critical Reception Of Japanese Art In Late Nineteenth Century Europe
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The Critical Reception Of Japanese Art In Late Nineteenth Century Europe
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Author : Elisa Evett
language : en
Publisher:
Release Date : 1982
The Critical Reception Of Japanese Art In Late Nineteenth Century Europe written by Elisa Evett and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Art categories.
Challenging Past And Present
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Author : Ellen P. Conant
language : en
Publisher: University of Hawaii Press
Release Date : 2006-02-28
Challenging Past And Present written by Ellen P. Conant and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-02-28 with Art categories.
The complex and coherent development of Japanese art during the course of the nineteenth century was inadvertently disrupted by a political event: the Meiji Restoration of 1868. Scholars of both the preceding Edo (1615–1868) and the succeeding Meiji (1868–1912) eras have shunned the decades bordering this arbitrary divide, thus creating an art-historical void that the former view as a period of waning technical and creative inventiveness and the latter as one threatened by Meiji reforms and indiscriminate westernization and modernization. Challenging Past and Present, to the contrary, demonstrates that the period 1840–1890, as seen progressively rather than retrospectively, experienced a dramatic transformation in the visual arts, which in turn made possible the creative achievements of the twentieth century. The first group of chapters takes as its theme the diverse cultural currents of the transitional period, particularly as they applied to art.The second section deals with the inconsistent yet determinedly pragmatic courses pursed by artists, entrepreneurs, and patrons to achieve a secure footing in the uncertain terrain of early Meiji. Further chapters look at how painters and sculptors sought to absorb and integrate foreign influences and reinterpret their own stylistic mediums.
The Critical Reception Of Japanese Art In Europe In The Late Nineteenth Century
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Author : Elisa Evett
language : en
Publisher:
Release Date : 1980
The Critical Reception Of Japanese Art In Europe In The Late Nineteenth Century written by Elisa Evett and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Art criticism categories.
Reframing Japonisme
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Author : Elizabeth Emery
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2020-09-17
Reframing Japonisme written by Elizabeth Emery and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-17 with Art categories.
Japonisme, the nineteenth-century fascination for Japanese art, has generated an enormous body of scholarship since the beginning of the twenty-first century, but most of it neglects the women who acquired objects from the Far East and sold them to clients or displayed them in their homes before bequeathing them to museums. The stories of women shopkeepers, collectors, and artists rarely appear in memoirs left by those associated with the japoniste movement. This volume brings to light the culturally important, yet largely forgotten activities of women such as Clémence d'Ennery (18231898), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s, and bequeathed the Musée d'Ennery to the state as a free public museum in 1893. A friend of the Goncourt brothers and a fifty-year patron of Parisian dealers of Asian art, d'Ennery's struggles to gain recognition as a collector and curator serve as a lens through which to examine the collecting and display practices of other women of her day. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand- Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d'Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did well-known art dealers Madame Desoye, Madame Malinet, Madame Hatty, and Madame Langweil. Writers, actresses, and artists-Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt, to name just a few- took inspiration from the Japanese material in circulation to create their own unique works of art. Largely absent from the history of Japonisme, these women-and many others-actively collected Japanese art, interacted with auction houses and art dealers, and formed collections now at the heart of museums such as the Louvre, the Musée Guimet, the Musée Cernuschi, the Musée Unterlinden, and the Metropolitan Museum of Art.
The Getty Research Journal No 1
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Author : Thomas W. Gaehtgens
language : en
Publisher: Getty Publications
Release Date : 2009-03-24
The Getty Research Journal No 1 written by Thomas W. Gaehtgens and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-03-24 with Art categories.
The "Getty Research Journal" showcases the remarkable original research underway at the Getty. Articles explore the rich collections of the J. Paul Getty Museum and Research Institute, as well as the Research Institute s research projects and annual theme of its scholar program. Shorter texts highlight new acquisitions and discoveries in the collections, and focus on the diverse tools for scholarship being developed at the Research Institute. The inaugural issue of the "Getty Research Journal "features essays by Olivier Debroise, Chelsea Foxwell, Karen Lang, Annette Leddy, Riccardo Marchi, Marc J. Neveu, Spyros Papapetros, Lorenzo Pericolo, Charles G. Salas, and Irene Small; the short texts examine materials at the Getty related to Nicolas de Nicolay, Pietro Millini, Gian Lorenzo Bernini, painting in nature around 1800, Yona Friedman, Alfred Schmela, Allan Kaprow, and African-American avant-garde artists in Los Angeles."
Japonisme In Britain
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Author : Ayako Ono
language : en
Publisher: Routledge
Release Date : 2013-11-05
Japonisme In Britain written by Ayako Ono and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-11-05 with History categories.
Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation, some have said westernisation. The mastery of western art was included in the programme. This book examines the nineteenth century art world against this background and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes, and the 'Glasgow boys' George Henry and Edward Atkinson Hornel. Japonisme in Britian is richly illustrated throughout.
The Reception Of Bodin
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Author :
language : en
Publisher: BRILL
Release Date : 2013-09-12
The Reception Of Bodin written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-12 with History categories.
In The Reception of Bodin an international and interdisciplinary team of seventeen scholars considers one of the most remarkable figures in European intellectual history, the sixteenth-century jurist and philosopher Jean Bodin, as a ‘prismatic agent’ in the transmission of ideas. The subject is approached in the light of reception theory coupled with critical evaluation of key texts as well as features of Bodin’s own career. Bodin is treated as recipient of knowledge gleaned from multifarious sources, and his readers as receivers responding diversely to his work in various contexts and from various standpoints. The volume provides searching insights both into Bodin’s mental world and into processes that served to cross-fertilise European intellectual life from the Renaissance to the Enlightenment. Contributors include Ann Blair, Harald E. Braun, Glenn Burgess, Peter Burke, Vittor Ivo Comparato, Marie-Dominique Couzinet, Luc Foisneau, Robert von Friedeburg, Mark Greengrass, Virginia Krause, Johannes Machielsen, Christian Martin, Sara Miglietti, Diego Quaglioni, Jonathan Schüz, Michaela Valente.
Nature And The Nation In Fin De Si Cle France
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Author : Jessica M. Dandona
language : en
Publisher: Taylor & Francis
Release Date : 2017-06-14
Nature And The Nation In Fin De Si Cle France written by Jessica M. Dandona and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-06-14 with Art categories.
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- List of figures -- Acknowledgments -- Introduction: Object nation: The role of the decorative arts in defining a modern style for France -- 1 Carved into the flesh of France : Gallé and the Franco-Prussian War -- 2 Clear water: Japonisme, nature, and the formation of a national style -- 3 Gallé and Dreyfus: A Republican vision -- 4 One for all or all for one? Gallé and the Ecole de Nancy -- Conclusion: A fragile legacy -- Works cited -- Index
Japanese Art
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Author : Morgan Pitelka
language : en
Publisher: Bloomsbury Publishing
Release Date : 2018
Japanese Art written by Morgan Pitelka and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Art, Japanese categories.
This four-volumes reference work offers a critical overview of the history and culture of Japanese art. Drawing up English-language texts from art history, history and anthropology, the volumes explore the diverse and changing material and visual cultures of Japan from the pre-modern period to the present day. 0 0Over 80 essays from Asia, North America and Europe are assembled in this set and they address four major themes ? material cultures (ceramics, textiles, sculpture), visual cultures (painting, calligraphy, decorated screens), printed matter (wood-block prints, books) and the context for Japan?s art history (networks of patronage, sites of artistic production and consumption). Each volume is separately introduced and the selected materials are presented chronologically within the four major themes. 0.
East Meets West
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Author : Chae Ryung Kim
language : en
Publisher:
Release Date : 2012
East Meets West written by Chae Ryung Kim and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with categories.
The influence of Japanese art in the late nineteenth century in Europe is inspirational and influential. In the works of Realists, Impressionists, Post-Impressionists, and Symbolists, there are many traces of Japanese art, such as coloration, composition, space, and form as well as the presence of Japanese artifacts, clothes, prints, and their materiality. In the late nineteenth century, Western art was confronted with a moment of rapid change, driven by the development of technology, industry, and Haussmann's modernization. Since the Western artistic style confronts with its crisis of representation, patron system, development of dealer and critic system, they need something new for the art market and its crisis. The Japanese artistic vision was very new to the Westerner and it could be a part of the solution of the Western artistic crisis and its search for novelty. The West adopts the Japanese style of art in order to supplement a cultural crisis and achieve the newness/novelty.^Many art historians focus on the stylistic influence of Japonisme, ignoring the social, political, and cultural context. It is important to note the power relations, the misconceptions and repressions of discourse, and hegemony behind the phenomenon of Japonisme. By exploring the causations of the rapid dissemination, adoption, interpretation, and representation of Japanese art, and further applying the theory of Jacques Derrida's conception of differance, Edward Said's notion of Orientalism, and Antonio Gramsci's cultural hegemony to Japonisme, this paper seeks to reveal the hidden discourse and hegemony of European consciousness in the late nineteenth century.^Through the investigation of the history of the contact between the West and Japan (history of modern Japan), the dissemination of Japonisme, the representation of Japan in European paintings, and the similar cultural trajectory between the Europe and Japan in the late nineteenth century, it supports Japonisme was used as cultural hegemony. It also reveals that although the Japanese style of art functioned as a cultural engine, the West considered Japonisme as a secondary, supplement, and inferior to their artistic tradition. However, as Jacques Derrida points out, the process of supplement and a binary opposition do not have starting and ending point and hierarchical relationship, which is the undecidability and equality. By supplementing the Japanese artistic style, the West demonstrates its lack of fullness and unity.^Similar to the Orientalism of the Near East and North Africa, Japonisme is marked by the unmarked Western consciousness, voices, and gaze, in order to establish the West's superiority, rationality, power, and authority over the Occident. Ultimately, revealing the cultural hegemony and hidden discourse of Japonisme in the paintings, this paper seeks to demonstrate the West is not full in itself, it could be fulfilled by the East.