The Development Of Mallarm S Prose Style
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The Development Of Mallarm S Prose Style
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Author : Norman Paxton
language : fr
Publisher: Librairie Droz
Release Date : 1968
The Development Of Mallarm S Prose Style written by Norman Paxton and has been published by Librairie Droz this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with categories.
The Prose Of Mallarm
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Author : Judy Kravis
language : en
Publisher: Cambridge University Press
Release Date : 2009-04-09
The Prose Of Mallarm written by Judy Kravis and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-04-09 with Literary Criticism categories.
This book was originally published in 1976. Mallarme's writings about the nature and purposes of art lie behind much modern critical theory. There is no sharp distinction between his poetry and his prose; in both he was exercising his art; and in both he was preoccupied by the same things. Yet the prose is little studied. Dr Kravis treats it under the headings of literary, music and dramatic criticism, translation, writing on fashion and on language. She shows the intellectual links between the various interests. More important, she shows how the prose is an art which does what it talks about. Quotation is in French, so this is primarily a book for the reader of French. But it is important for any serious reader of modern literature.
Mallarm Nd Wagner Music And Poetic Language
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Author : Heath Lees
language : en
Publisher: Routledge
Release Date : 2017-07-05
Mallarm Nd Wagner Music And Poetic Language written by Heath Lees and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
This book challenges and replaces the existing view of Mallarm? mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm? 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm? early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm? reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannh?er, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn?enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm?xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm? repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm? best-known texts, hitherto judged 'difficult' by those who have failed to
Mallarm Wagner Music And Poetic Language
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Author : Heath Lees
language : en
Publisher: Routledge
Release Date : 2017-07-05
Mallarm Wagner Music And Poetic Language written by Heath Lees and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
This book challenges and replaces the existing view of Mallarm mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannher, while the second arrived in the mid-1880s, and gave birth to the Revue Wagnenne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarmxhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm best-known texts, hitherto judged 'difficult' by those who have failed to
Symbolist Landscapes
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Author : James Kearns
language : en
Publisher: MHRA
Release Date : 1989
Symbolist Landscapes written by James Kearns and has been published by MHRA this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Art and literature categories.
French Symbolist Poetry And The Idea Of Music
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Author : Joseph Acquisto
language : en
Publisher: Routledge
Release Date : 2017-03-02
French Symbolist Poetry And The Idea Of Music written by Joseph Acquisto and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-02 with Literary Criticism categories.
What role did music play in the creation of a new aesthetics of poetry in French from the 1860s to the 1930s? How did music serve as an unassimilable 'other' against which the French symbolist poets crafted a new poetics? And why did music gradually disappear from early twentieth-century poetic discourse? These are among the questions Joseph Acquisto poses in his lively study of the ways in which Baudelaire, Mallarmé, Ghil, and Royère question the nature and function of the lyric through an ever-shifting set of intertextual and cultural contexts. Rather than focusing on 'musicality' in verse, the author addresses the consequences of choosing music as a site of dialogue with poetry. Acquisto argues that memory plays an under acknowledged yet vital role in these poets' rewriting of symbolist poetics. His reading of their interactions, and his focus on both major and neglected poets, exposes the myth of a small handful of 'great authors' shaping symbolism while a host of disciples propagated the tradition. Rather, Acquisto proposes, the multiplicity of authors writing and rewriting symbolism invites a dialogic approach to the poetics of the period. Moreover, music, as theorized rather than performed or heard, serves as a privileged mobile space of poetic creation and dialogue for these poet-critics; it is through engagement with music, supposedly the purest or most abstract of the arts, that one can retrace the textual and cultural transformations accomplished by the symbolist tradition. By extension, these poets' rethinking of poetics is an occasion for present-day critics to re-examine assumptions, not only about the intersections of music and poetry and our understanding of symbolist poetics but also about the role that the aesthetic implicitly plays in the creation, preservation, or reshaping of cultural memory.
The Crisis Of French Symbolism
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Author : Laurence Porter
language : en
Publisher: Cornell University Press
Release Date : 2019-05-15
The Crisis Of French Symbolism written by Laurence Porter and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-15 with History categories.
Challenging traditional histories of the nineteenth-century French lyric, Laurence Porter maintains that from 1851 to 1875 Symbolism constituted neither a movement nor a system, but rather represented a crisis of confidence in the powers of poetry as a communicative act. The Crisis of French Symbolism offers a provocative reinterpretation of the four acknowledged masters of Symbolist poetry: Baudelaire, Verlaine, Rimbaud, and Mallarmé.
Poetic Principles And Practice
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Author : Lloyd Austin
language : en
Publisher: Cambridge University Press
Release Date : 1987
Poetic Principles And Practice written by Lloyd Austin and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Literary Criticism categories.
The central theme here is the constant confrontation of theory and practice in the work of Baudelaire, Mallarmé and Valéry.
Architectures Of Poetry
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Author :
language : en
Publisher: BRILL
Release Date : 2021-09-06
Architectures Of Poetry written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-09-06 with Literary Criticism categories.
Architectures of Poetry is the first comprehensive accounting of the currently intense dialogue between the sister arts of poetry and architecture. Refusing to take either term in a metaphoric sense, the eleven essays collected in this volume exemplify an exciting methodological direction for work in the humanities: a literal wager that is willing to take the unintended suggestions of language as reality. At the same time, they also provide close readings of the work of a number of important writers. In addition to a suite of essays devoted to the team of Arakawa and Madeline Gins, chapters focus on figures as diverse as Francesco Borromini, Rainer Maria Rilke, Stéphane Mallarmé, Friedrich Achleitner, John Cage and Lyn Hejinian.
The Symbolist Movement In The Literature Of European Languages
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Author : Anna Balakian
language : en
Publisher: John Benjamins Publishing
Release Date : 1984-01-01
The Symbolist Movement In The Literature Of European Languages written by Anna Balakian and has been published by John Benjamins Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984-01-01 with Literary Criticism categories.
Edited by Anna Balakian, this volume marks the first attempt to discuss Symbolism in a full range of the literatures written in the European languages. The scope of these analyses, which explore Latin America, Scandinavia, Russia, Poland, Hungary, Serbia, Czechoslovakia, and Bulgaria as well as West European literatures, continues to make the volume a valuable reference today. As René Wellek suggests in his historiographic contribution, the fifty-one contributors not only make us think afresh about individual authors who are “giants,” but also draw us to reassess schools and movements in their local as well as international contexts. Reviewers comment that this “copious and intelligently structured” anthology, divided into eight parts, traces the conceptual bases and emergence of an international Symbolist movement, showing the spread of Symbolism to other national literatures from French sources, as well as the symbiotic transformations of Symbolism through appropriation and amalgamation with local literary trends. Several chapters deal with the relationships between literature and the other arts, pointing to Symbolism at work in painting, music, and theatre. Other chapters on the psychological aspects of the Symbolist method connect in interesting ways to a vision of metaphor and myth as virtually musical notation and an experimental emphasis on the play afforded by gaps between words. The volume is “a major contribution” to “the most significant exponents” and “essential themes” of Symbolism. The theoretical, historical, and typological sections of the volume help explain why the impact of this important movement of the fin-de-siècle is still felt today.