The Distortion Of Narrative Techniques In Modern Hollywood
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The Distortion Of Narrative Techniques In Modern Hollywood
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Author : Christian Schlütter
language : de
Publisher: GRIN Verlag
Release Date : 2009-08-03
The Distortion Of Narrative Techniques In Modern Hollywood written by Christian Schlütter and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-08-03 with Performing Arts categories.
Bachelorarbeit aus dem Jahr 2006 im Fachbereich Medien / Kommunikation - Film und Fernsehen, Note: 1,3, Universität Siegen (Fachbereich 3), Sprache: Deutsch, Abstract: Hollywood has a sense of self-rejuvenation that has helped it survive for over a hundred years, through two world wars and against the competition of the television. In every threatening situation, Hollywood found a way to change and to implement new ways of storytelling. In this essay I will try to outline that the late 90ies and the early new millennium saw such a threatening and changing situation and that the new way of storytelling invented in this time, the cinema of distorted narration, aims at a revising and misinforming narrational structure that creates a new spectacular sensation using the viewer’s knowledge of Hollywood against himself. Themes of this essay span from Luis Bunuel's Un Chien Andalou to asian cinema, gaming narration and the cinema of distorted narration with examples such as Memento, 12 Monkeys, Fight Club and The Sixth Sense.
The Distortion Of Classical Narrative Techniques In Modern Film Using The Example Of Vanilla Sky
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Author : Christian Schlütter
language : en
Publisher: GRIN Verlag
Release Date : 2005-05-21
The Distortion Of Classical Narrative Techniques In Modern Film Using The Example Of Vanilla Sky written by Christian Schlütter and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-05-21 with Performing Arts categories.
Seminar paper from the year 2005 in the subject Communications - Movies and Television, grade: 1,3, University of Siegen (Forschungskolleg 615), course: Narration and Film, language: English, abstract: For a long time, most Hollywood directors stuck to a certain kind of narrative strategies to convey their view of the world to the recipient. Movie-conventions were therefore set from the beginning of profitable movie making and were fastened by the rise of big movie studios. In recent modern movies however, some directors have laid extreme interest on not sticking to the conventions and established a kind of non-narrative technique. As a result some of the most astonishing movies of the 90ies and the new millennium were created. The success of some of these movies can be explained by two facts. First of all, the abolishing of movie conventions resulted in the filmic reproduction of stories that had before been said to be unfit for filmic expression. Secondly the movies created drew their fascination from a non-understanding. With no classical movie conventions aligned, these movies seemed disturbing and frightening but it is also this disturbance that mesmerizes the viewer. In this essay I will try to outline in which way narrative conventions are abolished in modern productions and what effect this has on the spectator. To reduce the amount of information and to exemplify certain points I will stick to Cameron Crowe’s movie Vanilla Sky (2001) which is based on the motion picture Arbre los Ojos (1997) by Alejandro Amenabar. The choice is justified by a rather confusing structure of the film which corresponds perfectly to the new way of moviemaking and also by the roots of the motion picture in an Off-Hollywood production area. These roots show that, although many non-classical movies have earned a lot of reputation, most moviemakers stick to conventions and that inventions are still entrenched in alternative cinema.
Storytelling In The New Hollywood
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Author : Kristin Thompson
language : en
Publisher: Harvard University Press
Release Date : 1999-11-05
Storytelling In The New Hollywood written by Kristin Thompson and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-11-05 with Language Arts & Disciplines categories.
Drawing on a wide range of films from the 1920s to the 1990s—from Keaton’s Our Hospitality to Casablanca to Terminator 2, Kristin Thompson offers the first in-depth analysis of Hollywood’s storytelling techniques and how they are used to make complex, easily comprehensible, entertaining films.
Style And Form In The Hollywood Slasher Film
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Author : Wickham Clayton
language : en
Publisher: Springer
Release Date : 2015-10-12
Style And Form In The Hollywood Slasher Film written by Wickham Clayton and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10-12 with Performing Arts categories.
Style and Form in the Hollywood Slasher Film fills a broad scholastic gap by analysing the elements of narrative and stylistic construction of films in the slasher subgenre of horror that have been produced and/or distributed in the Hollywood studio system from its initial boom in the late 1970s to the present.
Hindi Film Songs And The Cinema
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Author : Anna Morcom
language : en
Publisher: Routledge
Release Date : 2017-07-05
Hindi Film Songs And The Cinema written by Anna Morcom and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
Since their beginnings in the 1930s, Hindi films and film songs have dominated Indian public culture in India, and have also made their presence felt strongly in many global contexts. Hindi film songs have been described on the one hand as highly standardized and on the other as highly eclectic. Anna Morcom addresses many of the paradoxes eccentricities and myths of not just Hindi film songs but also of Hindi cinema by analysing film songs in cinematic context. While the presence of songs in Hindi films is commonly dismissed as ?purely commercial?, this book demonstrates that in terms of the production process, musical style, and commercial life, it is most powerfully the parent film that shapes and defines the film songs and their success rather than the other way round. While they constitute India?s still foremost genre of popular music, film songs are also situational, dramatic sequences, inherently multi-media in style and conception. This book is uniquely grounded in detailed musical and visual analysis of Hindi film songs, song sequences and films as well as a wealth of ethnographic material from the Hindi film and music industries. Its findings lead to highly novel ways of viewing Hindi film songs, their key role in Hindi cinema, and how this affects their wider life in India and across the globe. It will be indispensable to scholars seeking to understand both Hindi film songs and Hindi cinema. It also forms a major contribution to popular music, popular culture, film music studies and ethnomusicology, tackling pertinent issues of cultural production, (multi-)media, and the cross-cultural use of music in Hindi cinema. The book caters for both music specialists as well as a wider audience.
The Classical Hollywood Cinema
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Author : David Bordwell
language : en
Publisher: Routledge
Release Date : 2003-09-02
The Classical Hollywood Cinema written by David Bordwell and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-09-02 with Social Science categories.
'A dense, challenging and important book.' Philip French Observer 'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' Paul Kerr City Limits 'Persuasively argued, the book is also packed with facts, figures and photographs.' Nigel Andrews Financial Times Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations. Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing. The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system. The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty. Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.
The Way Hollywood Tells It
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Author : David Bordwell
language : en
Publisher: Univ of California Press
Release Date : 2006-04-10
The Way Hollywood Tells It written by David Bordwell and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-04-10 with Performing Arts categories.
Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today’s bloated blockbusters. American filmmakers have created a durable tradition—one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960, from romantic comedies like Jerry Maguire and Love Actually to more imposing efforts like A Beautiful Mind. He also draws upon testimony from writers, directors, and editors who are acutely conscious of employing proven principles of plot and visual style. Within the limits of the "classical" approach, innovation can flourish. Bordwell examines how imaginative filmmakers have pushed the premises of the system in films such as JFK, Memento, and Magnolia. He discusses generational, technological, and economic factors leading to stability and change in Hollywood cinema and includes close analyses of selected shots and sequences. As it ranges across four decades, examining classics like American Graffiti and The Godfather as well as recent success like The Lord of the Rings: The Two Towers, this book provides a vivid and engaging interpretation of how Hollywood moviemakers have created a vigorous, resourceful tradition of cinematic storytelling that continues to engage audiences around the world.
Death In Classical Hollywood Cinema
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Author : B. Hagin
language : en
Publisher: Springer
Release Date : 2010-04-09
Death In Classical Hollywood Cinema written by B. Hagin and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-04-09 with Performing Arts categories.
Boaz Hagin carries out a philosophical examination of the issue of death as it is represented and problematized in Hollywood cinema of the classical era (1920s-1950s) and in later mainstream films, looking at four major genres: the Western, the gangster film, melodrama and the war film.
The Science Fiction Film In Contemporary Hollywood
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Author : Evdokia Stefanopoulou
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2023-07-27
The Science Fiction Film In Contemporary Hollywood written by Evdokia Stefanopoulou and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-27 with Performing Arts categories.
The Science Fiction Film in Contemporary Hollywood focuses on the American science fiction (SF) film during the period 2001-2020, in order to provide a theoretical mapping of the genre in the context of Conglomerate Hollywood. Using a social semiotics approach in a systematic corpus of films, the book argues that the SF film can be delineated by two semiotic squares -the first one centering on the genre's more-than-human ontologies (SF bodies), and the second one focusing on its imaginative worlds (SF worlds). Based on this theoretical framework, the book examines the genre in six cycles, which are placed in their historical context, and are analyzed in relation to cultural discourses, such as technological embodiment, race, animal-human relations, environmentalism, global capitalism, and the techno-scientific Empire. By considering these cycles -which include superhero films, creature films, space operas, among others-as expressions of the genre's basic oppositions, the book facilitates the comparison and juxtaposition of films that have rarely been discussed in tandem, offering a new perspective on the multiple articulations of the SF film in the new millennium.
The Palgrave Handbook Of The Philosophy Of Film And Motion Pictures
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Author : Noël Carroll
language : en
Publisher: Springer Nature
Release Date : 2019-10-30
The Palgrave Handbook Of The Philosophy Of Film And Motion Pictures written by Noël Carroll and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-30 with Philosophy categories.
This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.
