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The Do It Yourself Handbook For Keyboard Playing

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The Do It Yourself Handbook For Keyboard Playing

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Author : Edward J. Shanaphy
language : en
Publisher: Shacor, Inc.
Release Date : 1982

The Do It Yourself Handbook For Keyboard Playing written by Edward J. Shanaphy and has been published by Shacor, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Music categories.

Keyboard Tricks Of The Trade

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Author : Edward J. Shanaphy
language : en
Publisher: Ekay Music
Release Date : 1984

Keyboard Tricks Of The Trade written by Edward J. Shanaphy and has been published by Ekay Music this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with Music categories.

Theatre Organ

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Author :
language : en
Publisher:
Release Date : 1982

Theatre Organ written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Organ (Musical instrument) categories.

How To Harmonize Chords To Melody

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Author : Lawrence A. Buckler
language : en
Publisher: Xlibris Corporation
Release Date : 2012-02-28

How To Harmonize Chords To Melody written by Lawrence A. Buckler and has been published by Xlibris Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-02-28 with Music categories.

Any musician who composes or transcribes music or who plays accompaniment to a soloist will have a need to know what the chords are for the accompaniment. There are also occasions when the published chords to a piece are in error, and there is a need to know how to recognize and correct them. Simply put, the process of harmonizing chords to melody is all about identifying chord tones and intervals in a melody and determining the chords they imply. The decision to survey the literature on harmonizing chords was made because no single textbook on harmony could be found that extensively treated the subject. Of the scores of textbooks referenced herein, each one would touch upon or tell only part of the story. What was obviously needed was a book that gathered all the relevant materials in one place and outlined a practical procedure for harmonizing a melody. This document attempts to do this. The word harmonization as used here refers to the process of finding appropriate chords to accompany a melody. Hence, when we harmonize a melody, we create a chord accompaniment for it. The most beautiful melody may be ruined by a poor and inappropriate chord accompaniment, or a poor melody can be made interesting by an apt chord accompaniment. The intended purpose of this work is to provide suitable accompaniment chords only to a given melody in lead sheet format. The piece could then be performed by musicians playing the melody and chords together. This could be done either by two musicians, a soloist, and an accompanist or by a keyboard player who would play both melody and chords. It is not intended that a harmonizing bass line or other harmonizing voices be added to the given melody. It is also a primary purpose of this work to enable the transformation of raw melody into diatonic music by harmonizing only diatonic chords to it.

Keyboard

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Author :
language : en
Publisher:
Release Date : 2002

Keyboard written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Electronic musical instruments categories.

Jazz From Detroit

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Author : Mark Stryker
language : en
Publisher: University of Michigan Press
Release Date : 2019-07-08

Jazz From Detroit written by Mark Stryker and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-08 with Music categories.

Jazz from Detroit explores the city’s pivotal role in shaping the course of modern and contemporary jazz. With more than two dozen in-depth profiles of remarkable Detroit-bred musicians, complemented by a generous selection of photographs, Mark Stryker makes Detroit jazz come alive as he draws out significant connections between the players, eras, styles, and Detroit’s distinctive history. Stryker’s story starts in the 1940s and ’50s, when the auto industry created a thriving black working and middle class in Detroit that supported a vibrant nightlife, and exceptional public school music programs and mentors in the community like pianist Barry Harris transformed the city into a jazz juggernaut. This golden age nurtured many legendary musicians—Hank, Thad, and Elvin Jones, Gerald Wilson, Milt Jackson, Yusef Lateef, Donald Byrd, Tommy Flanagan, Kenny Burrell, Ron Carter, Joe Henderson, and others. As the city’s fortunes change, Stryker turns his spotlight toward often overlooked but prescient musician-run cooperatives and self-determination groups of the 1960s and ’70s, such as the Strata Corporation and Tribe. In more recent decades, the city’s culture of mentorship, embodied by trumpeter and teacher Marcus Belgrave, ensured that Detroit continued to incubate world-class talent; Belgrave protégés like Geri Allen, Kenny Garrett, Robert Hurst, Regina Carter, Gerald Cleaver, and Karriem Riggins helped define contemporary jazz. The resilience of Detroit’s jazz tradition provides a powerful symbol of the city’s lasting cultural influence. Stryker’s 21 years as an arts reporter and critic at the Detroit Free Press are evident in his vivid storytelling and insightful criticism. Jazz from Detroit will appeal to jazz aficionados, casual fans, and anyone interested in the vibrant and complex history of cultural life in Detroit.