The End Of Cinema As We Know It
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The End Of Cinema As We Know It
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Author : Jon Lewis
language : en
Publisher: Pluto Press
Release Date : 2002
The End Of Cinema As We Know It written by Jon Lewis and has been published by Pluto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Business & Economics categories.
In The End of Cinema As We Know It, contributors well known in the 'movie' field talk about the movie industry and look at the variety of new ways we are viewing films. They query whether or not we are getting different, better movies?
Cinema Expanded
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Author : Jonathan Walley
language : en
Publisher: Oxford University Press
Release Date : 2020-07-01
Cinema Expanded written by Jonathan Walley and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-07-01 with Performing Arts categories.
Expanded cinema: avant-garde moving image works that claim new territory for the cinematic, beyond the bounds of familiar filmmaking practices and the traditional theatrical exhibition space. First emerging in the 1960s amidst seismic shifts in the arts, multi-screen films, live cinematic performance, light art, kinetic art, video, and computer-generated imagery - all placed under expanded cinema's umbrella - re-emerged at the dawn of the 2000s, opening a vast new horizon of possibility for the moving image, and perhaps even heralding the end of cinema as we know it. Cinema Expanded: Avant-Garde Film in the Age of Intermedia offers a bold new account of its subject, breaking from previous studies and from larger trends in film and art scholarship. Author Jonathan Walley argues that expanded cinema's apparent departure from the traditions and forms of cinema as we know it actually radically asserts cinema's nature and artistic autonomy. Walley also resituates expanded cinema within the context of avant-garde film history, linking it to a mode of filmmaking that has historically investigated and challenged the nature and limits of cinematic form. As an outgrowth of this tradition, expanded cinema offered a means for filmmakers within the avant-garde, regardless of their differing styles, formal concerns, and politics, to stake out cinema's unique aesthetic terrain - its ontology, its independence, its identity. In addition to reconsidering the better-known expanded cinema works of the 1960s and 70s by artists like Andy Warhol, Robert Whitman, and Nam June Paik, Cinema Expanded also provides the first scholarly accounts of scores of lesser-known works across more than 50 years. Making new arguments about avant-garde cinema in general and its complex meditations on the nature of cinema, it urgently addresses current and crucial debates about the fate of the moving image amidst a digital age of near-constant technological change.
The End Of Cinema
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Author : André Gaudreault
language : en
Publisher: Columbia University Press
Release Date : 2015-04-14
The End Of Cinema written by André Gaudreault and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-14 with Performing Arts categories.
Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landscape. The authors begin with an overview of the extreme positions held by opposing camps in the debate over cinema: the "digitalphobes" who lament the implosion of cinema and the "digitalphiles" who celebrate its new, vital incarnation. Throughout, they remind readers that cinema has never been a static medium but a series of processes and transformations powering a dynamic art. From their perspective, the digital revolution is the eighth major crisis in the history of motion pictures, with more disruptions to come. Brokering a peace among all sides, Gaudreault and Marion emphasize the cultural practice of cinema over rigid claims on its identity, moving toward a common conception of cinema to better understand where it is headed next.
American Film
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Author : Jon Lewis
language : en
Publisher: W. W. Norton & Company
Release Date : 2007-11-07
American Film written by Jon Lewis and has been published by W. W. Norton & Company this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-11-07 with Performing Arts categories.
A beautiful book and a brisk read, American Film is the most enjoyable and interesting overview of the history of American filmmaking available. Focused on aspects of the film business that are of perennial interest to undergraduates, this book will engage students from beginning to end.
Essential Cinema
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Author : Jon Lewis
language : en
Publisher: Wadsworth Publishing
Release Date : 2017-01-10
Essential Cinema written by Jon Lewis and has been published by Wadsworth Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-10 with Art categories.
Succinct, lively, and affordable, ESSENTIAL CINEMA: AN INTRODUCTION TO FILM ANALYSIS vividly illustrates principles in action as it helps you develop effective skills in close analysis. The book is packed with frame captures you can readily relate to, and it also features interviews with film practitioners throughout, giving you insight into real-world practice. In addition, unique screening questions at the end of each chapter help you apply chapter concepts to any film you watch, while the running glossary and end-of-text illustrated glossary offer easy access to full explanations of concepts. This edition includes an updated card reflecting the new guidelines from the 2016 MLA HANDBOOK, Eighth Edition.
American Film
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Author : Jon Lewis
language : en
Publisher: W. W. Norton
Release Date : 2018-12
American Film written by Jon Lewis and has been published by W. W. Norton this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-12 with categories.
A closer look at the captivating history of American cinema
Exploring Movie Construction And Production
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Author : John Reich
language : en
Publisher: Open SUNY Textbooks
Release Date : 2017-07-10
Exploring Movie Construction And Production written by John Reich and has been published by Open SUNY Textbooks this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-10 with categories.
Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.
Digital Disruption
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Author : Dina Iordanova
language : en
Publisher:
Release Date : 2012
Digital Disruption written by Dina Iordanova and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Motion picture industry categories.
'Nobody knows anything', said William Goldman of studio filmmaking. This statement is proving increasingly apt as we begin to survey the radical changes that digital distribution, together with the digitisation of production and exhibition, is wreaking on global film circulation. Will digital dissemination produce a massive disruption to the film industry, as it did to mail delivery services, bookselling and music distribution? Is cinema about to move on-line? Digital Disruption: Cinema Moves On-line helps to make sense of what has happened in the short but turbulent history of on-line distribution. It provides a realistic assessment of the disruptions that moving from 'analogue dollars' to 'digital cents' has provoked in the film industry. Looking closely at how the majors have dealt - often unsuccessfully - with these challenges it also pays equal attention to innovations and practices outside the mainstream. Throughout, it is alive to important entrepreneurial innovations, showcasing the work of Mubi, Jaman, Withoutabox and IMDb. Written by leading academic commentators who have followed the fortunes of world cinema closely and with passion, together with experienced writers close to the fluctuating fortunes of the industry, Digital Disruption: Cinema Moves On-line is an indispensable guide to the dramatic changes that film is currently experiencing. 'It's hard to overstate the importance of this collection of essays. Ever since digital technology began to transform the media landscape, various self-appointed pundits - myself included - have been predicting the final outcome, with results that have ranged from a utopian belief that film is finally being democratised to various versions of the end-of-the-cinema-as-we-know-it scenario. Now, at last, we have what we needed: some rigorous academic thinking on the subject combined with detailed analysis of what exactly is going on in the fast-developing world of downloads, streaming video and Swedish pirates. The people who really need to read this book - the Hollywood studios - probably won't. But anyone else remotely interested in the future of cinema should do so.' (Nick Roddick, Sight & Sound's 'Mr Busy') 'Digital Disruption is a must read for all researchers and practitioners interested in the changing shape and circulation of filmed content. This book amounts to much more than the sum of its parts by addressing compelling and highly relevant areas of enquiry and employing fine research delivered in a transparent and accessible writing style. Digital Disruption enables the reader to leap onto a fast moving train without being knocked off balance by the rush of the wind. Highly recommended.' (Angus Finney, consultant and industry executive, Film Business Academy, London and author of The International Film Business: A Market Guide beyond Hollywood)
Goodbye Cinema Hello Cinephilia
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Author : Jonathan Rosenbaum
language : en
Publisher: University of Chicago Press
Release Date : 2010-10-15
Goodbye Cinema Hello Cinephilia written by Jonathan Rosenbaum and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-10-15 with Performing Arts categories.
The esteemed film critic Jonathan Rosenbaum has brought global cinema to American audiences for the last four decades. His incisive writings on individual filmmakers define film culture as a diverse and ever-evolving practice, unpredictable yet subject to analyses just as diversified as his own discriminating tastes. For Rosenbaum, there is no high or low cinema, only more interesting or less interesting films, and the pieces collected here, from an appreciation of Marilyn Monroe’s intelligence to a classic discussion on and with Jean-Luc Godard, amply testify to his broad intellect and multi-faceted talent. Goodbye Cinema, Hello Cinephilia gathers together over fifty examples of Rosenbaum’s criticism from the past four decades, each of which demonstrates his passion for the way we view movies, as well as how we write about them. Charting our changing concerns with the interconnected issues that surround video, DVDs, the Internet, and new media, the writings collected here also highlight Rosenbaum’s polemics concerning the digital age. From the rediscovery and recirculation of classic films, to the social and aesthetic impact of technological changes, Rosenbaum doesn’t disappoint in assembling a magisterial cast of little-known filmmakers as well as the familiar faces and iconic names that have helped to define our era. As we move into this new decade of moviegoing—one in which Hollywood will continue to feel the shockwaves of the digital age—Jonathan Rosenbaum remains a valuable guide. Goodbye Cinema, Hello Cinephilia is a consummate collection of his work, not simply for fans of this seminal critic, but for all those open to the wide variety of films he embraces and helps us to elucidate.
The End
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Author : Richard John Neupert
language : en
Publisher: Wayne State University Press
Release Date : 1995
The End written by Richard John Neupert and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Literary Criticism categories.
Given the importance that spectators grant to the final moments of a motion picture, it is surprising to find so little written on how films end and how audiences interpret those closing moments. This study investigates endings in film and the lively role they play in how and why viewers make sense of movies. Relying upon contemporary literary criticism and film theory, the author analyses narrative strategies in films ranging from the classical Hollywood motion picture to the more modern European art cinema. To assist readers in understanding the various functions of endings, the films are divided into four critical categories: the "Closed Text" film, typical of classical works; the "Open Story" films; the "Open Discourse" film; and the "Open Text" film which struggles to defy story resolution. Detailed textual analysis of sample films reveal how all of the devices of filmic narration - from "mise-en-scene" to soundtracks - direct a viewer's perception, comprehension and interpretation of closure in films. Among the sample films that are featured as test cases for studying endings are "The Quiet Man" (Ford, 1950), "The 400 Blows" (Truffaut, 1959), "Weekend" (Godard, 1967), "Tout va bien" (Godard, 1972), and "Earth" (Dovzhenko, 1930). To round out his informative study of endings in films, Neupert also examines a host of diverse titles, including "Do the Right Thing" (Lee, 1989), "Open City" (Rossellini, 1945) and "The Graduate" (Nichols, 1967).