The End Of The History Of Art

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The End Of The History Of Art
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Author : Hans Belting
language : en
Publisher:
Release Date :
The End Of The History Of Art written by Hans Belting and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
After The End Of Art
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Author : Arthur C. Danto
language : en
Publisher:
Release Date : 2014-09-21
After The End Of Art written by Arthur C. Danto and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-21 with ART categories.
Originally delivered as the prestigious Mellon Lectures on the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art’s irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art’s wide-open possibilities. This Princeton Classics edition includes a new foreword by philosopher Lydia Goehr.
The End Of Diversity In Art Historical Writing
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Author : James Elkins
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2020-12-07
The End Of Diversity In Art Historical Writing written by James Elkins and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-07 with Art categories.
The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing.
Arthur Danto And The End Of Art
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Author : Raquel Cascales
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2019-08-20
Arthur Danto And The End Of Art written by Raquel Cascales and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-08-20 with Art categories.
To get a comprehensive understanding of the core concept of “the end of art”, this book analyses the intellectual trajectory of Arthur Danto, highlighting his successive achievements in philosophy of action, philosophy of history and philosophy of art. If, as Danto says, everything is extensively associated with everything else, it is impossible to avoid putting the philosophy of art in relation with his whole philosophical system.
Art History After Modernism
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Author : Hans Belting
language : en
Publisher: University of Chicago Press
Release Date : 2003-08
Art History After Modernism written by Hans Belting and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-08 with Art categories.
"Art history after modernism" does not only mean that art looks different today; it also means that our discourse on art has taken a different direction, if it is safe to say it has taken a direction at all. So begins Hans Belting's brilliant, iconoclastic reconsideration of art and art history at the end of the millennium, which builds upon his earlier and highly successful volume, The End of the History of Art?. "Known for his striking and original theories about the nature of art," according to the Economist, Belting here examines how art is made, viewed, and interpreted today. Arguing that contemporary art has burst out of the frame that art history had built for it, Belting calls for an entirely new approach to thinking and writing about art. He moves effortlessly between contemporary issues—the rise of global and minority art and its consequences for Western art history, installation and video art, and the troubled institution of the art museum—and questions central to art history's definition of itself, such as the distinction between high and low culture, art criticism versus art history, and the invention of modernism in art history. Forty-eight black and white images illustrate the text, perfectly reflecting the state of contemporary art. With Art History after Modernism, Belting retains his place as one of the most original thinkers working in the visual arts today.
The End Of Art Theory
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Author : Victor Burgin
language : en
Publisher: Bloomsbury Publishing
Release Date : 1986-05-02
The End Of Art Theory written by Victor Burgin and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986-05-02 with Art categories.
Art theory', understood as those forms of aesthetics, art history and criticism which began in the Enlightenment and culminated in 'high modernism', is now at an end. These essays, examining the interdependencies of advertising, film, painting and photography, constitute a call for a 'new art theory' - a practice of writing whose end is to contribute to a general 'theory of representations': an understanding of the modes and means of symbolic articulation of our forms of sociality and subjectivity.
Representing The Past In The Art Of The Long Nineteenth Century
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Author : Matthew C. Potter
language : en
Publisher: Taylor & Francis
Release Date : 2021-09-30
Representing The Past In The Art Of The Long Nineteenth Century written by Matthew C. Potter and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-09-30 with Art categories.
This edited collection explores the intersection of historical studies and the artistic representation of the past in the long nineteenth century. The case studies provide not just an account of the pursuit of history in art within Western Europe but also examples from beyond that sphere. These cover canonical and conventional examples of history painting as well as more inclusive, ‘popular’ and vernacular visual cultural phenomena. General themes explored include the problematics internal to the theory and practice of academic history painting and historical genre painting, including compositional devices and the authenticity of artefacts depicted; relationships of power and purpose in historical art; the use of historical art for alternative Liberal and authoritarian ideals; the international cross-fertilisation of ideas about historical art; and exploration of the diverse influences of socioeconomic and geopolitical factors. This book will be of particular interest to scholars of the histories of nineteenth-century art and culture.
Beauty And The End Of Art
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Author : Sonia Sedivy
language : en
Publisher: Bloomsbury Publishing
Release Date : 2016-04-21
Beauty And The End Of Art written by Sonia Sedivy and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-21 with Philosophy categories.
Beauty and the End of Art shows how a resurgence of interest in beauty and a sense of ending in Western art are challenging us to rethink art, beauty and their relationship. By arguing that Wittgenstein's later work and contemporary theory of perception offer just what we need for a unified approach to art and beauty, Sonia Sedivy provides new answers to these contemporary challenges. These new accounts also provide support for the Wittgensteinian realism and theory of perception that make them possible. Wittgenstein's subtle form of realism explains artworks in terms of norm governed practices that have their own varied constitutive norms and values. Wittgensteinian realism also suggests that diverse beauties become available and compelling in different cultural eras and bring a shared 'higher-order' value into view. With this framework in place, Sedivy argues that perception is a form of engagement with the world that draws on our conceptual capacities. This approach explains how perceptual experience and the perceptible presence of the world are of value, helping to account for the diversity of beauties that are available in different historical contexts and why the many faces of beauty allow us to experience the value of the world's perceptible presence. Carefully examining contemporary debates about art, aesthetics and perception, Beauty and the End of Art presents an original approach. Insights from such diverse thinkers as Immanuel Kant, Hans-Georg Gadamer and Arthur Danto, Alexander Nehamas, Elaine Scarry and Dave Hickey are woven together to reveal how they make good sense if we bring contemporary theory of perception and Wittgensteinian realism into the conversation.
Confronting Images Questioning The Ends Of A Certain History Of Art
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Author :
language : en
Publisher: Penn State Press
Release Date :
Confronting Images Questioning The Ends Of A Certain History Of Art written by and has been published by Penn State Press this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
Art History 101 Without The Exams
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Author : Annie Montgomery Labatt
language : en
Publisher: Trinity University Press
Release Date : 2022-09-06
Art History 101 Without The Exams written by Annie Montgomery Labatt and has been published by Trinity University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-09-06 with Art categories.
Why is something a masterpiece? Art History 101 . . . Without the Exams is about revisiting famous works of art that we may have studied in an art history class or seen in a textbook. Each discussion delves into one great masterpiece and asks the questions that help us understand how it has shaped history. What is the piece about? How did the original owner look at this piece? Where was it originally placed? Why is it in this museum now? How did it get famous? From the sixth-century mosaics of Ravenna and the painted bulls of Altamira, Spain, dated 12,500 BCE, to an incense burner from twelfth-century Seljuk Iran, frescoes from a Late Byzantine funerary chapel, and masterworks by Botticelli, Caravaggio, Monet, and Sargent, this book shows readers how to look closely. It welcomes us to the joy of art history—but without the papers, notes, and exams.