The Essence Of Film Noir
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The Essence Of Film Noir
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Author : Diana Royer
language : en
Publisher: McFarland
Release Date : 2022-06-03
The Essence Of Film Noir written by Diana Royer and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-06-03 with Performing Arts categories.
American classic films noir, beginning with 1941's The Maltese Falcon and ending with 1950's Sunset Boulevard, and the neo-noir films made from the 1970s onward, share certain thematic aspects, stylistic qualities, and cultural contexts. Their concern with politics, their depiction of con artists, and the way their characters are shaped by America's puritanical religious roots show that these films are examples of a unique American genre, even when the films' directors are German emigres with artistic roots in European Expressionism. The films' psychological depth is revealed stylistically through complex narratives, with select directors generating visual poetry as they deal with sex, violence and betrayal. Some films are based on popular novels inspired by true crime cases. A unique approach to film noir scholarship, this book discusses the genre's thematic aspects, cultural contexts and stylistic qualities. For those films based upon novels, in-depth analysis of the fiction is provided alongside the film version, resulting in a fuller, more thorough understanding of the genre.
The Philosophy Of Film Noir
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Author : Mark T. Conard
language : en
Publisher: University Press of Kentucky
Release Date : 2007-08-17
The Philosophy Of Film Noir written by Mark T. Conard and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-08-17 with Performing Arts categories.
From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of paranoia. For critics and fans alike, these films defined an era. The Philosophy of Film Noir explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explore the philosophical underpinnings of classic films such as The Big Sleep (1946), Out of the Past (1947), and Pulp Fiction (1994). They show how existentialism and nihilism dominate the genre as they explore profound themes in a vital area of popular culture.
The Philosophy Of Film Noir
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Author : Mark T. Conard
language : en
Publisher: University Press of Kentucky
Release Date : 2006-01-01
The Philosophy Of Film Noir written by Mark T. Conard and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-01-01 with Reference categories.
Explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explores the philosophical underpinnings of classic films.
The Philosophy Of Film Noir
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Author : Mark T. Conard
language : en
Publisher: University Press of Kentucky
Release Date : 2007-08-17
The Philosophy Of Film Noir written by Mark T. Conard and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-08-17 with Performing Arts categories.
A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck becomes involved with a gang of criminals in pursuit of a priceless artifact. The stories are at once romantic, pessimistic, filled with anxiety and a sense of alienation, and they define the essence of film noir. Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles. The Philosophy of Film Noir is the first volume to focus exclusively on the philosophical underpinnings of these iconic films. Drawing on the work of diverse thinkers, from the French existentialist Albert Camus to the Frankurt school theorists Max Horkheimer and Theodor Adorno, the volume connects film noir to the philosophical questions of a modern, often nihilistic, world. Opening with an examination of what constitutes noir cinema, the book interprets the philosophical elements consistently present in the films -- themes such as moral ambiguity, reason versus passion, and pessimism. The contributors to the volume also argue that the essence and elements of noir have fundamentally influenced movies outside of the traditional noir period. Neo-noir films such as Pulp Fiction (1994), Fight Club (1999), and Memento (2000) have reintroduced the genre to a contemporary audience. As they assess the concepts present in individual films, the contributors also illuminate and explore the philosophical themes that surface in popular culture. A close examination of one of the most significant artistic movements of the twentieth century, The Philosophy of Film Noir reinvigorates an intellectual discussion at the intersection of popular culture and philosophy.
A Comprehensive Encyclopedia Of Film Noir
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Author : John Grant
language : en
Publisher: Limelight Editions
Release Date : 2013
A Comprehensive Encyclopedia Of Film Noir written by John Grant and has been published by Limelight Editions this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Performing Arts categories.
Offers a reference guide to film noir, extending from relevant films from before the genre was established to contemporary neonoirs and other types of film derived from the genre.
The Philosophy Of Neo Noir
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Author : Mark T. Conard
language : en
Publisher: University Press of Kentucky
Release Date : 2007-01-05
The Philosophy Of Neo Noir written by Mark T. Conard and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-05 with Performing Arts categories.
Film noir is a classic genre characterized by visual elements such as tilted camera angles, skewed scene compositions, and an interplay between darkness and light. Common motifs include crime and punishment, the upheaval of traditional moral values, and a pessimistic stance on the meaning of life and on the place of humankind in the universe. Spanning the 1940s and 1950s, the classic film noir era saw the release of many of Hollywood's best-loved studies of shady characters and shadowy underworlds, including Double Indemnity, The Big Sleep, Touch of Evil, and The Maltese Falcon. Neo-noir is a somewhat loosely defined genre of films produced after the classic noir era that display the visual or thematic hallmarks of the noir sensibility. The essays collected in The Philosophy of Neo-Noir explore the philosophical implications of neo-noir touchstones such as Blade Runner, Chinatown, Reservoir Dogs, Memento, and the films of the Coen brothers. Through the lens of philosophy, Mark T. Conard and the contributors examine previously obscure layers of meaning in these challenging films. The contributors also consider these neo-noir films as a means of addressing philosophical questions about guilt, redemption, the essence of human nature, and problems of knowledge, memory and identity. In the neo-noir universe, the lines between right and wrong and good and evil are blurred, and the detective and the criminal frequently mirror each other's most debilitating personality traits. The neo-noir detective—more antihero than hero—is frequently a morally compromised and spiritually shaken individual whose pursuit of a criminal masks the search for lost or unattainable aspects of the self. Conard argues that the films discussed in The Philosophy of Neo-Noir convey ambiguity, disillusionment, and disorientation more effectively than even the most iconic films of the classic noir era. Able to self-consciously draw upon noir conventions and simultaneously subvert them, neo-noir directors push beyond the earlier genre's limitations and open new paths of cinematic and philosophical exploration.
Film Noir
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Author : Mark Bould
language : en
Publisher: Wallflower Press
Release Date : 2005
Film Noir written by Mark Bould and has been published by Wallflower Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Fiction categories.
"Film Noir explores the murky world of a genre responsible for many of film's most enduring images. Mark Bould discusses problems of definition and the often ambiguous nature of film noir and looks at contemporary 'neo-noir' films. Iconic and enduring, film noir attracted great stars (Bogart, Bacall, Mitchum, Lancaster), many of the best directors of the postwar period (Wilder, Lang, Preminger, Hawks, Siodmak, Welles) and in considering the history and continuing importance of noir, from Weimar Cinema to Sin City, this book is an indispensible guide to this still popular genre."--
Rainer On Film
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Author : Peter Rainer
language : en
Publisher:
Release Date : 2013
Rainer On Film written by Peter Rainer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Performing Arts categories.
FromAmerican Beauty (overrated) toThe Night of the Hunter (masterpiece), this collection of Peter Rainer's film criticism spans the course of his illustrious thirty-year career, which dates back to the early 1980s. It is drawn from a wide range of publications, including theChristian Science Monitor, theLos Angeles Herald Examiner,Los Angeles magazine, theLos Angeles Times, New Times, andNew York magazine, and is arranged thematically with chapters such as "Overrated, Underseen," "Some Masterpieces," "Documentaries," "Issues (Mostly Hot Button)," "Comedies (Intentional and Unintentional)," and "Literary and Theatrical Adaptations." Rainer covers films both well-known and obscure and writes in depth about many film auteurs--Stanley Kubrick, Alfred Hitchcock, Steven Spielberg, the Coen brothers, Mike Leigh--and New Generation icons, such as Sofia Coppola and Paul Thomas Anderson. The careers of actors ranging from Marlon Brando to Jessica Lange to Robert De Niro are also given an extensive examination. No film buff's collection is complete without this comprehensive compilation that showcases the best work from amaster contemporary film critic.
Film Noir A Very Short Introduction
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Author : James Naremore
language : en
Publisher: Oxford University Press
Release Date : 2019-02-21
Film Noir A Very Short Introduction written by James Naremore and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-02-21 with Art categories.
Film noir, one of the most intriguing yet difficult to define terms in cinema history, is usually associated with a series of darkly seductive Hollywood thrillers from the 1940s and 50s - shadowy, black-and-white pictures about private eyes, femme fatales, outlaw lovers, criminal heists, corrupt police, and doomed or endangered outsiders. But as this VSI demonstrates, film noir actually predates the 1940s and has never been confined to Hollywood. International in scope, its various manifestations have spread across generic categories, attracted the interest of the world's great directors, and continue to appear even today. In this Very Short Introduction James Naremore shows how the term film noir originated in in French literary and film criticism, and how later uses of the term travelled abroad, changing its implications. In the process, he comments on classic examples of the films and explores important aspects of their history: their critical reception, their major literary sources, their methods of dealing with censorship and budgets, their social and cultural politics, their variety of styles, and their future in a world of digital media and video streaming. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
A Panorama Of American Film Noir 1941 1953
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Author : Raymond Borde
language : en
Publisher: City Lights Books
Release Date : 2002
A Panorama Of American Film Noir 1941 1953 written by Raymond Borde and has been published by City Lights Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Performing Arts categories.
This first book published on film noir established the genre--a classic, at last in translation.