The European Digital Cinema Report
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The European Digital Cinema Report
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Author : Elisabetta Brunella
language : en
Publisher: Council of Europe
Release Date : 2011
The European Digital Cinema Report written by Elisabetta Brunella and has been published by Council of Europe this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Digital media categories.
Accompanied by: "Addendum, full digital screen data 2011" ([3] p.).
Digital Cinema
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Author : European Audiovisual Observatory
language : en
Publisher:
Release Date : 2010
Digital Cinema written by European Audiovisual Observatory and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Digital cinematography categories.
Where we stand now with digital cinema? The lead article takes a look at the legal questions raised by public support mechanisms aimed at facilitating the digitisation of cinema's. The related reporting supplements the information contained in the lead article and compares EU policy with the reality of promoting digital cinema in various countries. The zoom section gives concrete figures of commercial digital cinema on their developments in Europe and country by country.
The Edcf Guide To Digital Cinema Production
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Author : Lars Svanberg
language : en
Publisher: Taylor & Francis
Release Date : 2013-06-26
The Edcf Guide To Digital Cinema Production written by Lars Svanberg and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-06-26 with Language Arts & Disciplines categories.
A professional introduction to the end-to-end process of digital filmmaking! The EDCF Guide to Digital Cinema Production sheds light on the ongoing and confusing transition from analog to digital technology in film production. In addition to a complete analysis of technical concerns, this text deals with a number of issues where European and Hollywood priorities differ. It adds fuel to the discussion on "Photo-Chemical Fundamentalism" and the future of traditional film-based cinematography. With special emphasis on new HD production techniques for the big cinema screen, this guide is the one and only resource available from a European perspective. The EDCF Guide to Digital Cinema Production provides film professionals and decisions-makers in European cinema with an excellent basis for discussions on how to handle the transition from analog to digital technology. Look no further for: * Several production case studies, among them Ingmar Bergman's last film "Saraband" (2003) and Lars von Trier's "Dogville" (2003). * Surveys of HD Systems & Cameras and "The 37 MFAQ on HD Production." * Expert reports on Audio Recording for HD and the Digital Intermediate Process. * Detailed European initiatives in Digital Cinema. * An up-to-date survey of the problematic standards situation for Digital Cinema. * A comprehensive look at archiving - the "Achilles Heel" of digital production. * The pros and cons of producing feature films digitally - a unique and professional view of "the agony and ecstacy." Editor-in-Chief Lasse Svanberg is a founding member of EDCF. He was DoP on 14 feature films 1966-81, founded TM (Technolgy & Man) Magazine at the Swedish Film Institute in 1968 and was its Chief Editor until 1998 He was elected Fellow of BKSTS 1979, Fellow of SMPTE 1995 and granted Professor's title by the Swedish Government 2002. He is the author of six books on the history and possible future of film, video and television. The European Digital Digital Cinema Forum (EDCF) was constituted in June 2001 as joint Swedish-British-French effort to establish a European forum for discussions, information exchange and industrial activities in the field of Digital Cinema. This project was initiated because digital production, digital distribution and digital exhibition of film is the most radical technical change facing the film industry since sound film was introduced.
The Edcf Guide To Digital Cinema Production
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Author : Lars Svanberg
language : en
Publisher:
Release Date : 2013
The Edcf Guide To Digital Cinema Production written by Lars Svanberg and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Digital video categories.
A professional introduction to the end-to-end process of digital filmmaking! The EDCF Guide to Digital Cinema Production sheds light on the ongoing and confusing transition from analog to digital technology in film production. In addition to a complete analysis of technical concerns, this text deals with a number of issues where European and Hollywood priorities differ. It adds fuel to the discussion on "Photo-Chemical Fundamentalism" and the future of traditional film-based cinematography. With special emphasis on new HD production techniques for the big cinema screen, this guide is the one and only resource available from a European perspective. The EDCF Guide to Digital Cinema Production provides film professionals and decisions-makers in European cinema with an excellent basis for discussions on how to handle the transition from analog to digital technology. Look no further for: * Several production case studies, among them Ingmar Bergman's last film "Saraband" (2003) and Lars von Trier's "Dogville" (2003). * Surveys of HD Systems & Cameras and "The 37 MFAQ on HD Production." * Expert reports on Audio Recording for HD and the Digital Intermediate Process. * Detailed European initiatives in Digital Cinema. * An up-to-date survey of the problematic standards situation for Digital Cinema. * A comprehensive look at archiving - the "Achilles Heel" of digital production. * The pros and cons of producing feature films digitally - a unique and professional view of "the agony and ecstasy." Editor-in-Chief Lasse Svanberg is a founding member of EDCF. He was DoP on 14 feature films 1966-81, founded TM (Technolgy & Man) Magazine at the Swedish Film Institute in 1968 and was its Chief Editor until 1998 He was elected Fellow of BKSTS 1979, Fellow of SMPTE 1995 and granted Professor's title by the Swedish Government 2002. He is the author of six books on the history and possible future of film, video and television. The European Digital Digital Cinema Forum (EDCF) was constituted in June 2001 as joint Swedish-British-French effort to establish a European forum for discussions, information exchange and industrial activities in the field of Digital Cinema. This project was initiated because digital production, digital distribution and digital exhibition of film is the most radical technical change facing the film industry since sound film was introduced.
The European Digital Cinema Report
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Author : Elisabetta Brunella
language : en
Publisher: Council of Europe
Release Date : 2011
The European Digital Cinema Report written by Elisabetta Brunella and has been published by Council of Europe this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Digital media categories.
Accompanied by: "Addendum, full digital screen data 2011" ([3] p.).
European Digital Cinema Security White Book
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Author : EDCINE Consortium
language : en
Publisher: Presses univ. de Louvain
Release Date : 2007
European Digital Cinema Security White Book written by EDCINE Consortium and has been published by Presses univ. de Louvain this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Computers categories.
This book results from the work of the Enhanced Digital Cinema (EDcine) project established by the European Commission in the context of the Networked Audio Visual line of the 6th framework of IST (Information Society and Technology). The worl
The New Cinema Communication
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Author : Council of Europe
language : en
Publisher:
Release Date : 2014
The New Cinema Communication written by Council of Europe and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Law categories.
The European Commission adopted its much disputed new-look Cinema Communication in November 2013. This re-vamped legal instrument lays down the rules by which the EU judges whether or not European film funds comply with EU state aid rules. It finally saw the light of day following an uphill consultation process with the industry and decision-makers. Many stakeholders feared that new rules on territorial spending and the so-called subsidy race would scupper public film funding schemes. In its brand new IRIS plus report, the European Audiovisual Observatory looks at the contents of this new 2013 Cinema Communication while re-treading the road which led to its latest re-write. The Related Reporting section offers short articles on recent developments in European cinema legislation. The final Zoom section provides the Observatory's latest facts and figures on the cinema industry in Europe, including digital roll-out data.
Handbook Of State Aid For Film
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Author : Paul Clemens Murschetz
language : en
Publisher: Springer
Release Date : 2018-04-01
Handbook Of State Aid For Film written by Paul Clemens Murschetz and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-04-01 with Business & Economics categories.
This book is an analysis of the specificities of public film funding on an international scale. It shows how public funding schemes add value to film-making and other audio-visual productions and provides a comprehensive analysis of today’s global challenges in the film industry such as industry change, digital transformation, and shifting audience tastes. Based on insights from fields such as cultural economics, media economics, media management and media governance studies, the authors illustrate how public spending shapes the financial fitness of national and international film industries. This highly informative book will help both scholars and practitioners in the film industry to understand the complexity of issues and the requirements necessary to preserve the social benefits of film as an important cultural good.
Besides The Screen
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Author : V. Crisp
language : en
Publisher: Springer
Release Date : 2015-01-16
Besides The Screen written by V. Crisp and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-16 with Social Science categories.
New media technologies impact cinema well beyond the screen. This volume speculates about the changes in modes of accessing, distributing, storing and promoting moving images and how they might affect cinematographic experience, economy and historiography.
European Film And Television Co Production
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Author : Julia Hammett-Jamart
language : en
Publisher: Springer
Release Date : 2019-01-28
European Film And Television Co Production written by Julia Hammett-Jamart and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-28 with Performing Arts categories.
This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media landscape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions—Eurimages, the European Audiovisual Observatory and the European Commission—and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production that is information-rich, complex and stimulating, making this volume a valuable companion for students, scholars, and industry professionals.