The Evolution Of Modern Indian Theatre The Indian People S Theatre Association And The Aura Of The Colonial Wound


The Evolution Of Modern Indian Theatre The Indian People S Theatre Association And The Aura Of The Colonial Wound
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The Evolution Of Modern Indian Theatre The Indian People S Theatre Association And The Aura Of The Colonial Wound


The Evolution Of Modern Indian Theatre The Indian People S Theatre Association And The Aura Of The Colonial Wound
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Author : Tulsi Gaddam
language : en
Publisher: GRIN Verlag
Release Date : 2020-09-10

The Evolution Of Modern Indian Theatre The Indian People S Theatre Association And The Aura Of The Colonial Wound written by Tulsi Gaddam and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-10 with Performing Arts categories.


Bachelor Thesis from the year 2020 in the subject Theater Studies, Dance, grade: 8.0 = 1,7, University of Groningen (Arts), course: Arts, Culture and Media, language: English, abstract: This thesis aims to answer the following questions: To what extent were the Indian People’s Theatre Association (IPTA) successful in diminishing the effect of the British colonial shadow in their post-colonial theatre explorations from 1943 to 1948 and how did this lead to the development of modern Indian theatre as an amalgamation of traditional and Western performance forms? In what ways did British colonialism influence the theatre of the IPTA? How did Western forms of theatre merge with pre-existing theatrical traditions in India to create new forms of theatre? With the achievement of political independence in 1947 and the end of British rule, India stepped on to a phase of massive reconstruction of the nation”. Despite IPTA’s mission to decolonize the stage and revive traditional forms of Indian theatre, the effect of the colonial shadow/ coloniality cannot be completely erased. This thesis intertwines post- colonial and decolonial perspectives to decipher the amalgamation of Indian and Western theatre traditions that resulted in the creation of new, more contemporary forms of theatre, evident in the work of The Indian People’s Theatre Association.



The Indian Theatre


The Indian Theatre
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Author : Mulk Raj Anand
language : en
Publisher: Read Books Ltd
Release Date : 2016-08-26

The Indian Theatre written by Mulk Raj Anand and has been published by Read Books Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-26 with Drama categories.


Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.



Theatre And National Identity In Colonial India


Theatre And National Identity In Colonial India
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Author : Sharmistha Saha
language : en
Publisher: Springer
Release Date : 2018-11-03

Theatre And National Identity In Colonial India written by Sharmistha Saha and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-11-03 with Performing Arts categories.


This book critically engages with the study of theatre and performance in colonial India, and relates it with colonial (and postcolonial) discussions on experience, freedom, institution-building, modernity, nation/subject not only as concepts but also as philosophical queries. It opens up with the discourse around ‘Indian theatre’ that was started by the orientalists in the late 18th century, and which continued till much later. The study specifically focuses on the two major urban centres of colonial India: Bombay and Calcutta of the 19th and early 20th centuries. It discusses different cultural practices in colonial India, including the initiation of ‘Indian theatre’ practices, which resulted in many forms of colonial-native ‘theatre’ by the 19th century; the challenges to this dominant discourse from the ‘swadeshi jatra’ (national jatra/theatre) in Bengal, which drew upon earlier folk and religious traditions and was used as a tool by the nationalist movement; and the Indian People’s Theatre Association (IPTA) that functioned from Bombay around the 1940s, which focused on the creation of one national subject – that of the ‘Indian’. The author contextualizes the relevance of the concept of ‘Indian theatre’ in today’s political atmosphere. She also critically analyses the post-Independence Drama Seminar organized by the Sangeet Natak Akademi in 1956 and its relevance to the subsequent organization of ‘Indian theatre’. Many theatre personalities who emerged as faces of smaller theatre committees were part of the seminar which envisioned a national cultural body. This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.



Theatres Of Independence


Theatres Of Independence
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Author : Aparna Bhargava Dharwadker
language : en
Publisher: University of Iowa Press
Release Date : 2009-11

Theatres Of Independence written by Aparna Bhargava Dharwadker and has been published by University of Iowa Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-11 with Drama categories.


Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.



A Poetics Of Modernity


A Poetics Of Modernity
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Author : Aparna Bhargava Dharwadker
language : en
Publisher: Oxford University Press
Release Date : 2018-10-16

A Poetics Of Modernity written by Aparna Bhargava Dharwadker and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-10-16 with Performing Arts categories.


The urban theatre which emerged under Anglo-European and local influences in colonial metropolises such as Calcutta and Bombay around the mid-nineteenth century marked the beginning of the ‘modern period’ in Indian theatre, distinct from classical, postclassical, and more proximate precolonial traditions. A Poetics of Modernity offers a unique selection of original, theoretically significant writings on theatre by playwrights, directors, actors, designers, activists, and policy–makers, to explore the full range of discursive positions that make these urban practitioners ‘modern’. The source-texts represent nine languages, including English, and about one-third of them have been translated into English for the first time; the volume thus retrieves a multilingual archive that so far had remained scattered in print and manuscript sources around the country. A comprehensive introduction by Dharwadker argues for historically precise definitions of theatrical modernity, outlines some of its constitutive features, and connects it to the foundational theoretical principles of urban theatre practice in modern India.



Art And Resistance Studies In Modern Indian Theatres


Art And Resistance Studies In Modern Indian Theatres
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Author : Dorothy Figueira
language : en
Publisher: P.I.E-Peter Lang S.A., Editions Scientifiques Internationales
Release Date : 2019

Art And Resistance Studies In Modern Indian Theatres written by Dorothy Figueira and has been published by P.I.E-Peter Lang S.A., Editions Scientifiques Internationales this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Language and culture categories.


This volume explores a possible framework with which one might theoretically locate the issues inherent in the terms "modern Indian theatre" and looks at how modernity in Indian theatre entails attempts of various Indian language groups to adjust to the forced cohabitation with both foreign and indigenous traditions.



Acts Of Authority Acts Of Resistance


Acts Of Authority Acts Of Resistance
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Author : Nandi Bhatia
language : en
Publisher: University of Michigan Press
Release Date : 2010-02-01

Acts Of Authority Acts Of Resistance written by Nandi Bhatia and has been published by University of Michigan Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-02-01 with Performing Arts categories.


Despite its importance to literary and cultural texts of resistance, theater has been largely overlooked as a field of analysis in colonial and postcolonial studies. Acts of Authority/Acts of Resistance seeks to address that absence, as it uniquely views drama and performance as central to the practice of nationalism and anti-colonial resistance. Nandi Bhatia argues that Indian theater was a significant force in the struggle against oppressive colonial and postcolonial structures, as it sought to undo various schemes of political and cultural power through its engagement with subjects derived from mythology, history, and available colonial models such as Shakespeare. Bhatia's attention to local histories within a postcolonial framework places performance in a global and transcultural context. Drawing connections between art and politics, between performance and everyday experience, Bhatia shows how performance often intervened in political debates and even changed the course of politics. One of the first Western studies of Indian theater to link the aesthetics and the politics of that theater, Acts of Authority/Acts of Resistance combines in-depth archival research with close readings of dramatic texts performed at critical moments in history. Each chapter amplifies its themes against the backdrop of specific social conditions as it examines particular dramatic productions, from The Indigo Mirror to adaptations of Shakespeare plays by Indian theater companies, illustrating the role of theater in bringing nationalist, anticolonial, and gendered struggles into the public sphere. Nandi Bhatia is Associate Professor of English at the University of Western Ontario.



History Of Indian Theatre


History Of Indian Theatre
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Author : Manohar Laxman Varadpande
language : en
Publisher: Abhinav Publications
Release Date : 1987

History Of Indian Theatre written by Manohar Laxman Varadpande and has been published by Abhinav Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Folk drama, Indic categories.


This volume of the HISTORY OF INDIAN THEATRE presents most enhanting and colourful panorama of folk and traditional theatre flourishing in India since time immemorial. Utilising various sources the author meticulously and systematically builds up the theatre history, which spans over several centuries. It is for the first time an elaborate account of dramatic rituals associated with the Bhuta or the Cult of Spirits is given here. This will enable the students of theatre understand and relationship of ritual and dramatic performance in its correct perspective. Various ritualistic theatre forms such as Teyyam are described and discussed. The book also tells us how the teachnique of ballad singing was dramatized and finally evolved into full-fledged drama in the course of time. The history of narrative forms is traced from the Vedic times to the present. With the emergence of Bhakti cult the spics were dramatized. This gave rise to the Leela Theatre which dedicated itself to portraying the divine acts of incarnations such as Krishna and Rama. Various forms of Leela Theatre are described in the book. Audiences turn to theatre for entertainment. A class of folk theatre arose in India whose main function was secular entertainment. Swang, Tamasha, Nautanki, Khyal entertained the people with dance, music and song, as well as with humour and pathos, love and war. Their enchanting story is narrated here.



Theatre Of Roots


Theatre Of Roots
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Author : Erin B. Mee
language : en
Publisher: Seagull Books
Release Date : 2008

Theatre Of Roots written by Erin B. Mee and has been published by Seagull Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Theater categories.


After Independence, in 1947, in their efforts to create an 'Indian' theatre that was different from the Westernized, colonial theatre, Indian theatre practitioners began returning to their 'roots' in classical dance, religious ritual, martial arts, popular entertainment and aesthetic theory. The Theatre of Roots - as this movement was known - was the first conscious effort at creating a body of work for urban audiences combining modern European theatre with traditional Indian performance while maintaining its distinction from both. By addressing the politics of aesthetics and by challenging the visual practices, performer/spectator relationships, dramaturgical structures and aesthetic goals of colonial performance, the movement offered a strategy for reassessing colonial ideology and culture and for articulating and defining a newly emerging 'India'. Theatre of Roots presents an in-depth analysis of this movement: its innovations, theories, goals, accomplishments, problems and legacies.



Indian Theatre


Indian Theatre
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Author : Farley P. Richmond
language : en
Publisher: Motilal Banarsidass Publ.
Release Date : 1993

Indian Theatre written by Farley P. Richmond and has been published by Motilal Banarsidass Publ. this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Folklore categories.


Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.