The Founding Of Aesthetics In The German Enlightenment


The Founding Of Aesthetics In The German Enlightenment
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The Founding Of Aesthetics In The German Enlightenment


The Founding Of Aesthetics In The German Enlightenment
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Author : Stefanie Buchenau
language : en
Publisher: Cambridge University Press
Release Date : 2013-02-28

The Founding Of Aesthetics In The German Enlightenment written by Stefanie Buchenau and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-28 with History categories.


Stefanie Buchenau explores the philosophical and conceptual origins of aesthetics and the philosophy of art.



Aesthetics And The Art Of Musical Composition In The German Enlightenment


Aesthetics And The Art Of Musical Composition In The German Enlightenment
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Author : Johann Georg Sulzer
language : en
Publisher: Cambridge University Press
Release Date : 1995

Aesthetics And The Art Of Musical Composition In The German Enlightenment written by Johann Georg Sulzer and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Music categories.


Can an abstract theory of Empfindsamkeit aesthetics have any value to a musician wishing to study composition in the classical style? The eighteenth-century German theorist and pedagogue Heinrich Koch showed how this question could be answered with a resounding yes. Starting with the systematic aesthetic theory of the Swiss encyclopedist Johann Sulzer, Koch was creatively able to adapt Sulzer's conservative ideas on ethical mimesis and rhetoric to concrete problems of music analysis and composition. In this collaborative study, Thomas Christensen and Nancy Baker have translated and analysed selected writings of Sulzer and Koch respectively, bringing to life a little-known confluence of philosophical and musical thought from the German Enlightenment. Koch's appropriation of Sulzer's ideas to the service of music represents an important development in the evolution of Western musical thought.



The Emergence Of Modern Aesthetic Theory


The Emergence Of Modern Aesthetic Theory
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Author : Simon Grote
language : en
Publisher: Cambridge University Press
Release Date : 2017-10-26

The Emergence Of Modern Aesthetic Theory written by Simon Grote and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-10-26 with History categories.


This new study of eighteenth-century aesthetic theory situates it in theological contexts that are crucial to explaining why it arose.



Aesthetics And Semiotics In The German Enlightenment


Aesthetics And Semiotics In The German Enlightenment
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Author : David Edward Wellbery
language : en
Publisher:
Release Date : 1983

Aesthetics And Semiotics In The German Enlightenment written by David Edward Wellbery and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1983 with Aesthetics categories.




The Practices Of The Enlightenment


The Practices Of The Enlightenment
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Author : Dorothea E. von Mücke
language : en
Publisher: Columbia University Press
Release Date : 2015-06-02

The Practices Of The Enlightenment written by Dorothea E. von Mücke and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-02 with Philosophy categories.


Rethinking the relationship between eighteenth-century Pietist traditions and Enlightenment thought and practice, The Practices of Enlightenment unravels the complex and often neglected religious origins of modern secular discourse. Mapping surprising routes of exchange between the religious and aesthetic writings of the period and recentering concerns of authorship and audience, this book revitalizes scholarship on the Enlightenment. By engaging with three critical categories—aesthetics, authorship, and the public sphere—The Practices of Enlightenment illuminates the relationship between religious and aesthetic modes of reflective contemplation, autobiography and the hermeneutics of the self, and the discursive creation of the public sphere. Focusing largely on German intellectual life, this critical engagement also extends to France through Rousseau and to England through Shaftesbury. Rereading canonical works and lesser-known texts by Goethe, Lessing, and Herder, the book challenges common narratives recounting the rise of empiricist philosophy, the idea of the "sensible" individual, and the notion of the modern author as celebrity, bringing new perspective to the Enlightenment concepts of instinct, drive, genius, and the public sphere.



Herder S Aesthetics And The European Enlightenment


Herder S Aesthetics And The European Enlightenment
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Author : Robert Edward Norton
language : en
Publisher: Cornell University Press
Release Date : 1991

Herder S Aesthetics And The European Enlightenment written by Robert Edward Norton and has been published by Cornell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Aesthetics, Modern categories.




The German Enlightenment And The Rise Of Historicism


The German Enlightenment And The Rise Of Historicism
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Author : Peter H. Reill
language : en
Publisher: Univ of California Press
Release Date : 2024-07-26

The German Enlightenment And The Rise Of Historicism written by Peter H. Reill and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-07-26 with History categories.


The German Enlightenment and the Rise of Historicism traces the thought of a large and neglected group of German thinkers and their encounter with the ideas and ideal of the Enlightenment from 1740 to 1790. Concentrating on the nature of their historical consciousness, Peter Hanns Reill addresses two basic issues in the interpretation of the Enlightenment: to what degree can one speak of the unity of the Enlightenment and to what extent can the Enlightenment be characterized as “modern”? Reill attempts to revise the traditional interpretation of the Enlightenment as an age insensitive to the postulates of modern historical thought and to dissolve the alleged opposition of the Enlightenment to later intellectual developments such as Idealism. He argues that German Enlightened thinkers generated the general presuppositions upon which modern historical thought is founded. Asserting that the Enlightenment was not a unitary movement, Reill shows how each phase of it had unique elements and made contributions to Enlightenment thought as a whole. Exploring the forms of thought, the mental climate, and the different intellectual milieus in which the German thinkers operated, Reill demonstrates that they were confronted by two opposing intellectual traditions: German Pietism and rationalism. In attempting to reconcile both without submerging one into the other, these Enlightenment thinkers turned to historical speculation and learning. They discussed the relation between religious and rationalistic assumptions, the transformation of the concepts of religion and law, the interaction between aesthetic and historical thought, the creation of a theory of understanding to support the new idea of history, the use of causation in historical analysis, and the rediscovery of the Middle Ages. Reill reveals how they anticipated the work of more famous thinkers of the nineteenth century and establishes the conceptual similarities between thinkers generally thought to be more different than alike. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1975.



Beyond Autonomy In Eighteenth Century British And German Aesthetics


Beyond Autonomy In Eighteenth Century British And German Aesthetics
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Author : Karl Axelsson
language : en
Publisher: Routledge
Release Date : 2020-10-25

Beyond Autonomy In Eighteenth Century British And German Aesthetics written by Karl Axelsson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-25 with Philosophy categories.


This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.



The Aesthetics Of Fear In German Romanticism


The Aesthetics Of Fear In German Romanticism
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Author : Paola Mayer
language : en
Publisher: McGill-Queen's Press - MQUP
Release Date : 2020-02-13

The Aesthetics Of Fear In German Romanticism written by Paola Mayer and has been published by McGill-Queen's Press - MQUP this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-13 with Literary Criticism categories.


Enlightenment – both the phenomenon specific to the eighteenth century and the continuing trend in Western thought – is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann – the father of the modern fantastic – with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought.



The Anxiety Of Autonomy And The Aesthetics Of German Orientalism


The Anxiety Of Autonomy And The Aesthetics Of German Orientalism
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Author : Nicholas A. Germana
language : en
Publisher: Boydell & Brewer
Release Date : 2017

The Anxiety Of Autonomy And The Aesthetics Of German Orientalism written by Nicholas A. Germana and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with East and West categories.


A history of Kantian and post-Kantian thought and of a foundational stage of German orientalism.