The Founding Of Aesthetics In The German Enlightenment
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The Founding Of Aesthetics In The German Enlightenment
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Author : Stefanie Buchenau
language : en
Publisher:
Release Date : 2014-05-14
The Founding Of Aesthetics In The German Enlightenment written by Stefanie Buchenau and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-05-14 with Aesthetics, German categories.
Stefanie Buchenau explores the philosophical and conceptual origins of aesthetics and the philosophy of art.
The Founding Of Aesthetics In The German Enlightenment
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Author : Stefanie Buchenau
language : en
Publisher: Cambridge University Press
Release Date : 2013-02-28
The Founding Of Aesthetics In The German Enlightenment written by Stefanie Buchenau and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-28 with History categories.
Stefanie Buchenau explores the philosophical and conceptual origins of aesthetics and the philosophy of art.
Aesthetics And The Art Of Musical Composition In The German Enlightenment
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Author : Johann Georg Sulzer
language : en
Publisher: Cambridge University Press
Release Date : 1995
Aesthetics And The Art Of Musical Composition In The German Enlightenment written by Johann Georg Sulzer and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Music categories.
Can an abstract theory of Empfindsamkeit aesthetics have any value to a musician wishing to study composition in the classical style? The eighteenth-century German theorist and pedagogue Heinrich Koch showed how this question could be answered with a resounding yes. Starting with the systematic aesthetic theory of the Swiss encyclopedist Johann Sulzer, Koch was creatively able to adapt Sulzer's conservative ideas on ethical mimesis and rhetoric to concrete problems of music analysis and composition. In this collaborative study, Thomas Christensen and Nancy Baker have translated and analysed selected writings of Sulzer and Koch respectively, bringing to life a little-known confluence of philosophical and musical thought from the German Enlightenment. Koch's appropriation of Sulzer's ideas to the service of music represents an important development in the evolution of Western musical thought.
Diotima S Children
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Author : Frederick C. Beiser
language : en
Publisher: OUP Oxford
Release Date : 2009-10-29
Diotima S Children written by Frederick C. Beiser and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-10-29 with Philosophy categories.
Diotima's Children is a re-examination of the rationalist tradition of aesthetics which prevailed in Germany in the late seventeenth and eighteenth century. It is partly an historical survey of the central figures and themes of this tradition But it is also a philosophical defense of some of its leading ideas, viz., that beauty plays an integral role in life, that aesthetic pleasure is the perception of perfection, that aesthetic rules are inevitable and valuable. It shows that the criticisms of Kant and Nietzsche of this tradition are largely unfounded. The rationalist tradition deserves re-examination because it is of great historical significance, marking the beginning of modern aesthetics, art criticism, and art history.
Beyond Autonomy In Eighteenth Century British And German Aesthetics
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Author : Karl Axelsson
language : en
Publisher: Routledge
Release Date : 2020-10-25
Beyond Autonomy In Eighteenth Century British And German Aesthetics written by Karl Axelsson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-25 with Philosophy categories.
This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic. The Introduction and Chapters 2, 10, and 12 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Reconstituting The Body Politic
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Author : Jonathan M. Hess
language : en
Publisher: Wayne State University Press
Release Date : 1999
Reconstituting The Body Politic written by Jonathan M. Hess and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Literary Criticism categories.
The concept that art must have no instrumental function is a doctrine traditionally traced back to Kant's Critique of Judgment. In Reconstituting the Body Politic, Jonathan Hess proposes that this concept of autonomous art marks not a withdrawal from the political realm but the ultimate embodiment of Enlightenment political culture, a response to a crisis in the institution idealized by Jurgen Habermas as the bourgeois public sphere. In Reconstituting the Body Politic, Hess explores the moment in late eighteenth-century Germany that witnessed the emergence of two concepts that marked the modern era: the political concept of the public sphere and the doctrine of aesthetic autonomy. By considering the extent to which, at its very inception, the concept of aesthetic autonomy is inextricably intertwined with the emergence of the concept of the public sphere, he offers both a historical study of the political conditions that produced this concept and a contribution to contemporary literary and political theory. Reading texts by Kant alongside the writings of contemporaries like Karl Philipp Moritz, Hess examines a wide variety of eighteenth-century texts, discourses, and institutions. He then enters into a critical dialogue with Walter Benjamin, Reinhart Koselleck, and Jurgen Habermas to articulate a political critique of this aesthetic. The aesthetic theory of Kant's Critique emerges not as a mere defense of the "disinterestedness" of aesthetic pleasure but as an engaged response to the political limitations of public culture during the Enlightenment. Hess argues for an understanding of these concepts as functionally interdependent, and he reflects on what this interdependence mightmean for the practice of literary and cultural criticism today. His work will interest not only Germanists and critical theorists but also art historians and historians of philosophy and political thought.
The Aesthetics Of Fear In German Romanticism
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Author : Paola Mayer
language : en
Publisher: McGill-Queen's Press - MQUP
Release Date : 2020-02-13
The Aesthetics Of Fear In German Romanticism written by Paola Mayer and has been published by McGill-Queen's Press - MQUP this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-13 with Literary Criticism categories.
Enlightenment – both the phenomenon specific to the eighteenth century and the continuing trend in Western thought – is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann – the father of the modern fantastic – with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought.
The Origins Of Kant S Aesthetics
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Author : Robert R. Clewis
language : en
Publisher: Cambridge University Press
Release Date : 2023-01-26
The Origins Of Kant S Aesthetics written by Robert R. Clewis and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-01-26 with Philosophy categories.
Organized around eight themes central to aesthetic theory today, this book examines the sources and development of Kant's aesthetics by mining his publications, correspondence, handwritten notes, and university lectures. Each chapter explores one of eight themes: aesthetic judgment and normativity, formal beauty, partly conceptual beauty, artistic creativity or genius, the fine arts, the sublime, ugliness and disgust, and humor. Robert R. Clewis considers how Kant's thought was shaped by authors such as Christian Wolff, Alexander Baumgarten, Georg Meier, Moses Mendelssohn, Johann Sulzer, Johann Herder, Francis Hutcheson, David Hume, Edmund Burke, Henry Home, Charles Batteux, Jean-Jacques Rousseau, and Voltaire. His resulting study uncovers and illuminates the complex development of Kant's aesthetic theory and will be useful to advanced students and scholars in fields across the humanities and studies of the arts.
The Practices Of The Enlightenment
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Author : Dorothea E. von Mücke
language : en
Publisher: Columbia University Press
Release Date : 2015-06-02
The Practices Of The Enlightenment written by Dorothea E. von Mücke and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-02 with Philosophy categories.
Rethinking the relationship between eighteenth-century Pietist traditions and Enlightenment thought and practice, The Practices of Enlightenment unravels the complex and often neglected religious origins of modern secular discourse. Mapping surprising routes of exchange between the religious and aesthetic writings of the period and recentering concerns of authorship and audience, this book revitalizes scholarship on the Enlightenment. By engaging with three critical categories—aesthetics, authorship, and the public sphere—The Practices of Enlightenment illuminates the relationship between religious and aesthetic modes of reflective contemplation, autobiography and the hermeneutics of the self, and the discursive creation of the public sphere. Focusing largely on German intellectual life, this critical engagement also extends to France through Rousseau and to England through Shaftesbury. Rereading canonical works and lesser-known texts by Goethe, Lessing, and Herder, the book challenges common narratives recounting the rise of empiricist philosophy, the idea of the "sensible" individual, and the notion of the modern author as celebrity, bringing new perspective to the Enlightenment concepts of instinct, drive, genius, and the public sphere.
The Dialectics Of Aesthetic Agency
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Author : Ayon Maharaj
language : en
Publisher: A&C Black
Release Date : 2013-01-03
The Dialectics Of Aesthetic Agency written by Ayon Maharaj and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-01-03 with Philosophy categories.
This study examines how key figures in the German aesthetic tradition - Kant, Schelling, Friedrich Schlegel, Hegel, and Adorno - attempted to think through the powers and limits of art in post-Enlightenment modernity. Ayon Maharaj argues that the aesthetic speculations of these thinkers provide the conceptual resources for a timely dialectical defense of “aesthetic agency”- art's capacity to make available uniquely valuable modes of experience that escape the purview of Enlightenment scientific rationality. Blending careful philosophical analysis with an intellectual historian's attention to the broader cultural resonance of philosophical arguments, Maharaj has two interrelated aims. He provides challenging new interpretations of the aesthetic philosophies of Kant, Schelling, Schlegel, Hegel, and Adorno by focusing on aspects of their thought that have been neglected or misunderstood in Anglo-American and German scholarship. He demonstrates that their subtle investigations into the nature and scope of aesthetic agency have far-reaching implications for contemporary discourse on the arts. The Dialectics of Aesthetic Agency is an important and original contribution to scholarship on the German aesthetic tradition and to the broader field of aesthetics.