The Future Art Of Cinema
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The Future Art Of Cinema
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Author : Reto Andrea Savoldelli
language : en
Publisher: Temple Lodge Publishing
Release Date : 2020-05-06
The Future Art Of Cinema written by Reto Andrea Savoldelli and has been published by Temple Lodge Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-05-06 with Performing Arts categories.
From Joseph Vogelsang and his mysterious peep-box to Hollywood blockbusters and Netflix, R.A. Savoldelli’s survey of cinema and film is based on practical experience – he was once the enfant terrible of Swiss cinema – and years of contemplation and study. He examines the difference between film as the ‘hypnotic monster’ referred to by the Italian director Pier Paolo Pasolini, and the art of film that Rudolf Steiner aspired to. The author depicts the historical development of cinema from its origins, paying particular attention to science fiction – from Star Wars to The Matrix – and influential filmmakers such as Eric Rohmer, Andrei Tarkovsky and Pasolini. As a scholar of anthroposophy, Savoldelli gives a comprehensive assessment of Rudolf Steiner’s attitude to film. In addition to frequenting the silent cinema of his time, Steiner made several statements about the new artform in his lectures, letters and private discussions. The author examines and interprets these and complements them with commentary on Steiner’s attempt to produce a film on the theme of reincarnation and karma as well as his explorations with Jan Stuten of ‘light-show art’. Other topics in this penetrating study include: ‘Basic philosophical stances in the pioneer period of media studies’; ‘Steiner’s prophetic warnings about a technocratic form of civilization that will destroy humanity’; ‘Nostalgia for the art-house cinema that emerged in the 60s’; and ‘The project discussed by Alexander Kluge and Andrei Tarkovsky for a film based on Rudolf Steiner’s From the Akashic Records’. Anyone interested in the cinematic arts will find a treasure of stimulating ideas and new thought in this unique book.
The Death Rebirth Of Cinema Mastering The Art Of Cinematography In The Digital Cinema Age
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Author : Harry Mathias
language : en
Publisher: Waterfront Digital Press
Release Date : 2015-12-15
The Death Rebirth Of Cinema Mastering The Art Of Cinematography In The Digital Cinema Age written by Harry Mathias and has been published by Waterfront Digital Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-12-15 with Performing Arts categories.
"Simply put, Harry Mathias has done it again. "The Death & Rebirth of Cinema" solidifies Mathias's standing as THE great translator of film-to-digital imaging technology." The world's cinema has mostly left behind its 100-year tradition of cinematography on film, and begins its search for a new visual foundation. What is next for cinema, is what this book is about. This book discusses the big questions of the future of cinematography, in a cinema that is increasing preoccupied with technology and not with artistic moving images. "Just as he did with "Electronic Cinematography" 30 years ago, Mathias cuts through the web of misinformation and lays out a brilliant method to gain control over new and constantly changing imaging technologies without losing sight of the valuable lessons cinematographers have taught us for over 100 years. Harry Mathias has the professional experience, technological savvy, and artistic integrity to connect the rich, foundational knowledge of past photographic systems to today's rapidly changing "technology of the month" attitude. --William McDonald, UCLA Professor & Chair Department of Film, Television and Digital Media, said about this book. This book teaches the vital new cinematography skills that are needed to make great films in a digital cinema world. It covers lighting, lens selection, image control methods, and much more--whether using digital cinema or (photochemical) film with today's technology-driven cinema. Mathias is a very experienced film cinematographer, one who also is a pioneer of digital cinema cinematography. He outlines concrete plans to take the best path forward to a digital imaging future, without leaving behind the photographic skills and lighting arts of films of the past. Exploring the path from our past to the future, this book is not only for cinematographers; it is for anyone who cares about telling dramatic stories visually to film audiences. Film directors, producers, production designers, art directors, editors, colorists, and film critics are all concerned with communicating cinematic images effectively to a theatre audience. Often the issue today is not how can this be done effectively with digital cinema, but how can it be done in spite of all this new technology. In this book, Mathias boldly sets out the plan to reach that cinematography of the future. What is important to cinema is image quality and the art of cinematography--and that is why the major skills required are the same whether a Director of Photography is using film or digital cinema. This book is about making images the right way, regardless of the camera technology being used. Cinema is, after all, technology in the service of art, not the other way around... "
Creating Back To The Future The Art And Production Design Of The Movie Trilogy
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Author : Joe Walser
language : en
Publisher: Hero Collector
Release Date : 2020-10-13
Creating Back To The Future The Art And Production Design Of The Movie Trilogy written by Joe Walser and has been published by Hero Collector this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-13 with Performing Arts categories.
A behind-the-scenes look at one of the best-loved movies of all-time featuring concept, production, and post-production art of the Back to the Future trilogy. This book takes readers through the creative process from visualizing the characters and costumes, through to vehicles and sets. With concept art, storyboards and set designs, and commentary by Back to the Future authorities Joe Walser, Michael Klastorin and Rob Klein. PUBLISHED TO CELEBRATE THE 35th ANNIVERSARY OF THIS INTERNATIONAL MOVIE PHENOMENON!
The Future Of The Image
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Author : Jacques Rancière
language : en
Publisher: Verso Books
Release Date : 2019-09-03
The Future Of The Image written by Jacques Rancière and has been published by Verso Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-03 with Philosophy categories.
In The Future of the Image, Jacques Rancire develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. He argues that there is a stark political choice in art: it can either reinforce a radical democracy or create a new reactionary mysticism. For Rancire there is never a pure art: the aesthetic revolution must always embrace egalitarian ideals.
The Orientation Of Future Cinema
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Author : Bruce Isaacs
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2013-02-14
The Orientation Of Future Cinema written by Bruce Isaacs and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-14 with Performing Arts categories.
What is the fate of cinema in an age of new technologies, new aesthetic styles, new modes of cultural production and consumption? What becomes of cinema and a century-long history of the moving image when the theatre is outmoded as a social and aesthetic space, as celluloid gives over to digital technology, as the art-house and multiplex are overtaken by a proliferation of home entertainment systems? The Orientation of Future Cinema offers an ambitious and compelling argument for the continued life of cinema as image, narrative and experience. Commencing with Lumière's Arrival of a Train at a Station, Bruce Isaacs confronts the threat of contemporary digital technologies and processes by returning to cinema's complex history as a technological and industrial phenomenon. The technology of moving images has profoundly changed; and yet cinema materialises ever more forcefully in digital capture and augmentation, 3-D perception and affect, High Frame Rate cinema, and the evolution of spectacle as the dominant aesthetic mode in contemporary studio production.
The Age Of New Waves
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Author : James Tweedie
language : en
Publisher: Oxford University Press on Demand
Release Date : 2013-09-19
The Age Of New Waves written by James Tweedie and has been published by Oxford University Press on Demand this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-19 with History categories.
The Age of New Waves is a global and comparative study of new wave cinemas, from the French nouvelle vague to films from Taiwan and mainland China in the late twentieth century, that focuses on the relationships among art cinema, youth, and cities during the era of globalization.
Fast Forward
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Author : Holly Willis
language : en
Publisher: Columbia University Press
Release Date : 2016-08-16
Fast Forward written by Holly Willis and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-16 with Performing Arts categories.
Cinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured by new media in the twenty-first. Terms such as "worldbuilding," "virtual reality," and "transmedia" introduce new methods for constructing a screenplay and experiencing and sharing a story. Similarly, 3D cinematography, hypercinema, and visual effects require different modes for composing an image, and virtual technology, motion capture, and previsualization completely rearrange the traditional flow of cinematic production. What does this mean for telling stories? Fast Forward answers this question by investigating a full range of contemporary creative practices dedicated to the future of mediated storytelling and by connecting with a new generation of filmmakers, screenwriters, technologists, media artists, and designers to discover how they work now, and toward what end. From Chris Milk and Aaron Koblin's exploration of VR spherical filmmaking to Rebeca Méndez's projection and installation work exploring climate change to the richly mediated interactive live performances of the collective Cloud Eye Control, this volume captures a moment of creative evolution and sets the stage for imagining the future of the cinematic arts.
The Art Of Pure Cinema
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Author : Bruce Isaacs
language : en
Publisher: Oxford University Press
Release Date : 2020-03-13
The Art Of Pure Cinema written by Bruce Isaacs and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-13 with Performing Arts categories.
In a now-famous interview with François Truffaut in 1962, Alfred Hitchcock described his masterpiece Rear Window (1954) as "the purest expression of a cinematic idea." But what, precisely, did Hitchcock mean by pure cinema? Was pure cinema a function of mise en scène, or composition within the frame? Was it a function of montage, "of pieces of film assembled"? This notion of pure cinema has intrigued and perplexed critics, theorists, and filmmakers alike in the decades following this discussion. And even across his 40-year career, Hitchcock's own ideas about pure cinema remained mired in a lack of detail, clarity, and analytical precision. The Art of Pure Cinema is the first book-length study to examine the historical foundations and stylistic mechanics of pure cinema. Author Bruce Isaacs explores the potential of a philosophical and artistic approach most explicitly demonstrated by Hitchcock in his later films, beginning with Hitchcock's contact with the European avant-garde film movement in the mid-1920s. Tracing the evolution of a philosophy of pure cinema across Hitchcock's most experimental works - Rear Window, Vertigo, North by Northwest, Psycho, The Birds, Marnie, and Frenzy - Isaacs rereads these works in a new and vital context. In addition to this historical account, the book presents the first examination of pure cinema as an integrated stylistics of mise en scène, montage, and sound design. The films of so-called Hitchcockian imitators like Mario Bava, Dario Argento, and Brian De Palma are also examined in light of a provocative claim: that the art of pure cinema is only fully realized after Hitchcock.
Exhibiting Cinema In Contemporary Art
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Author : Erika Balsom
language : en
Publisher:
Release Date : 2013
Exhibiting Cinema In Contemporary Art written by Erika Balsom and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with categories.
Whether it involves remaking an old Hollywood movie, projecting a quiet 16mm film, or constructing a bombastic multi-screen environment, cinema now takes place not just in the movie theatre and the home, but also in the art gallery and the museum. The author of this engaging study takes stock of this development, offering an in-depth inquiry into its genesis, its defining features, and the ramifications it has for art and cinema alike. Through the lens of contemporary art history, she examines cinema studies' great disciplinary obsession - namely, what cinema was, is, and will become in a digital future.
Film Art New Media Museum Without Walls
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Author : Angela Dalle Vacche
language : en
Publisher: Springer
Release Date : 2012-06-12
Film Art New Media Museum Without Walls written by Angela Dalle Vacche and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-06-12 with Art categories.
In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization.