The Hidden Art


The Hidden Art
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The Hidden Art Of Homemaking


The Hidden Art Of Homemaking
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Author : Edith Schaeffer
language : en
Publisher: Tyndale House Publishers, Inc.
Release Date : 1985

The Hidden Art Of Homemaking written by Edith Schaeffer and has been published by Tyndale House Publishers, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with House & Home categories.


"I would define 'hidden art' as the art found in the ordinary areas of everyday life. Each person has, I believe, some talent which is unfulfilled in some hidden area of his being -- a talent which could be expressed and developed." That is how Edith Schaeffer defines her theme in this fascinating and unusual book. The Hidden Art of Homemaking will appeal immediately to anyone who believes that the place in which we live needs to be a center of meaningful living and personal enrichment. - Back cover.



The Hidden Art


The Hidden Art
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Author : Valérie Rousseau
language : en
Publisher: Rizzoli Publications
Release Date : 2017-03-07

The Hidden Art written by Valérie Rousseau and has been published by Rizzoli Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-07 with Art categories.


Published in collaboration with the American Folk Art Museum. This unparalleled survey celebrates the works of one of the world’s most important collections of self-taught artists. The Hidden Art reveals for the first time an exceptional trove of contemporary and historic artworks by an exemplary roster of international self-taught artists from the collection of Audrey B. Heckler. Heckler, who has been building her extensive collection with the highest criteria of quality and rigor since the early 1990s, is celebrated for having an acute instinct for exquisite works. This volume presents exceptional examples of some of the most recognizable artists of the field, including Henry Darger, Bill Traylor, Martín Ramírez, Adolf Wölfli, Aloïse Corbaz, William Edmondson, Thornton Dial, Howard Finster, Morris Hirshfield, Nek Chand, Sam Doyle, and Achilles Rizzoli. The Hidden Art explains the breadth and significance of Heckler’s collection within the context of the field of self-taught art. A variety of exploratory texts by 32 renowned scholars discuss these artworks, providing important background information on each of the forty-eight artists. Elegant yet engaging, this comprehensive volume will be treasured by a wide audience of art lovers, artists, and artisans alike.



The Hidden Order Of Art


The Hidden Order Of Art
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Author : Anton Ehrenzweig
language : en
Publisher: Univ of California Press
Release Date : 1967

The Hidden Order Of Art written by Anton Ehrenzweig and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1967 with Art categories.


The author has evolved an altogether new psychology of the artist and the art-work which accounts particularly for the development, significance, possibilities and limitations of modern abstract art.



Hidden Art


Hidden Art
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Author : Edith Schaeffer
language : en
Publisher:
Release Date : 1972

Hidden Art written by Edith Schaeffer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1972 with Art categories.




The Hidden Art Of Hollywood


The Hidden Art Of Hollywood
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Author : John Fawell
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2008-10-30

The Hidden Art Of Hollywood written by John Fawell and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-10-30 with Social Science categories.


Although we tend to accord our highest praise to films with strong messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate Hollywood's classic movies, we have to understand them as the result of a style of filmmaking that justifies itself through the grace and beauty of its form. This beauty, when seen, challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. The Hidden Art of Hollywood draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. While the greatness of the classic Hollywood film is, for many of us, settled business, there are also a great number who have difficulty understanding why these films—which can often seem dated and unrealistic compared to modern fare—are taken as seriously as they are. Although we tend to accord our highest praise to films with strong and often didactic messages, Hollywood is resolutely unserious in its goals, and closer perhaps to music than to literature in this regard. Thus, in order to appreciate classic American movies, we have to understand them as the result of a style of filmmaking that justifies itself not through ideas or social relevance, but through the grace and beauty of its form. The beauty of the Hollywood film challenges our notion of film as the poorer cousin of the high arts, or as worthwhile only when it serves a social purpose. In his effort to answer the many questions that classic American cinema suggests, author John Fawell considers previous criticism of Hollywood, but also draws from a huge fund of recorded interviews with the directors, writers, cinematographers, set designers, producers, and actors who were a part of the studio process, in order to give the filmmakers themselves the chance to explain a very elusive phenomenon: the glancing beauty of the Hollywood film. The films of certain great auteurs, including Charlie Chaplin, Ernst Lubitsch, Preston Sturges, Alfred Hitchcock, Billy Wilder, John Ford, and Orson Welles, receive particular attention here, but this book is organized by ideas rather than films or artists, and it draws from a wide array of Hollywood films, both successes and failures, to make its points.



They Drew As They Pleased


They Drew As They Pleased
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Author : Didier Ghez
language : en
Publisher: Chronicle Books
Release Date : 2016-04-05

They Drew As They Pleased written by Didier Ghez and has been published by Chronicle Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-05 with Performing Arts categories.


As the Walt Disney Studio entered its first decade and embarked on some of the most ambitious animated films of the time, Disney hired a group of "concept artists" whose sole mission was to explore ideas and inspire their fellow animators. They Drew as They Pleased showcases four of these early pioneers and features artwork developed by them for the Disney shorts from the 1930s, including many unproduced projects, as well as for Snow White and the Seven Dwarfs, Pinocchio, and some early work for later features such as Alice in Wonderland and Peter Pan. Introducing new biographical material about the artists and including largely unpublished artwork from the depths of the Walt Disney Archives and the Disney Animation Research Library, this ebook offers a window into the most inspiring work created by the best Disney artists during the studio's early golden age. They Drew as They Pleased is the first in what promises to be a revealing and fascinating series of books about Disney's largely unexamined concept artists, with six volumes spanning the decades between the 1930s and 1990s. Copyright ©2015 Disney Enterprises, Inc. All rights reserved.



The Hidden Art


The Hidden Art
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Author : Fred Gettings
language : en
Publisher:
Release Date : 1978

The Hidden Art written by Fred Gettings and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1978 with Art categories.




They Drew As They Pleased Vol 4


They Drew As They Pleased Vol 4
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Author : Didier Ghez
language : en
Publisher: Chronicle Books
Release Date : 2018-08-07

They Drew As They Pleased Vol 4 written by Didier Ghez and has been published by Chronicle Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-08-07 with Performing Arts categories.


The 1950s and 1960s at The Walt Disney Studios marked unprecedented stylistic directions brought on by the mid-century modern and graphic sensibilities of a new wave of artists. This volume explores the contributions of these heroes with special emphasis on the art of Lee Blair, Mary Blair, Tom Oreb, John Dunn, and Walt Peregoy. It includes never-before-seen images from Cinderella, Alice in Wonderland, Peter Pan, and Sleeping Beauty and discusses Disney's first forays into television, commercials, space, and science projects—even the development of theme parks. Drawing on interviews and revealing hundreds of rediscovered images that inspired Disney's films during one of its most prolific eras, this volume captures the rich stories of the artists who brought the characters to life and helped shape the future of animation. Copyright ©2018 Disney Enterprises, Inc. All Rights Reserved



The Hidden Order Of Art


The Hidden Order Of Art
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Author : Anton Ehrenzweig
language : en
Publisher: Univ of California Press
Release Date : 2023-04-28

The Hidden Order Of Art written by Anton Ehrenzweig and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-28 with Psychology categories.


From the Preface:The argument of this book ranges from highly theoretical speculations to highly topical problems of modern art and practical hints for the art teacher, and it is most unlikely that I can find a reader who will feel at home on every level of the argument. But fortunately this does not really matter. The principal ideas of the book can be understood even if the reader follows only one of the many lines of the discussion. The other aspects merely add stereoscopic depth to the argument, but not really new substance. May I, then, ask the reader not to be irritated by the obscurity of some of the material, to take out from the book what appeals to him and leave the rest unread? In a way this kind of reading needs what I will call a syncretistic approach. Children can listen breathlessly to a tale of which they understand only little. In the words of William James they take 'flying leaps' over long stretches that elude their understanding and fasten on the few points that appeal to them. They are still able to profit from this incomplete understanding. This ability of understanding- and it is an ability may be due to their syncretistic capacity to comprehend a total structure rather than analysing single elements. Child art too goes for the total structure without bothering about analytic details. I myself seem to have preserved some of this ability. This enables me to read technical books with some profit even if I am not conversant with some of the technical terms. A reader who cannot take 'flying leaps' over portions of technical information which he cannot understand will become of necessity a rather narrow specialist. It is an advantage therefore to retain some of the child's syncretistic ability, in order to escape excessive specialization. This book is certainly not for the man who can digest his information only within a well-defined range of technical terms. A publisher's reader once objected to my lack of focus. What he meant was that the argument had a tendency to jump from high psychological theory to highly practical recipes for art teaching and the like; scientific jargon mixed with mundane everyday language. This kind of treatment may well appear chaotic to an orderly mind. Yet I feel quite unrepentant. I realize that the apparently chaotic and scattered structure of my writing fits the subject matter of this book, which deals with the deceptive chaos in art's vast substructure. There is a 'hidden order' in this chaos which only a properly attuned reader or art lover can grasp. All artistic structure is essentially 'polyphonic'; it evolves not in a single line of thought, but in several superimposed strands at once. Hence creativity requires a diffuse, scattered kind of attention that contradicts our normal logical habits of thinking. Is it too high a claim to say that the polyphonic argument of my book must be read with this creative type of attention? I do not think that a reader who wants to proceed on a single track will understand the complexity of art and creativity in general anyway. So why bother about him? Even the most persuasive and logical argument cannot make up for his lack of sensitivity. On the other hand I have reason to hope that a reader who is attuned to the hidden substructure of art will find no difficulty in following the diffuse and scattered structure of my exposition. There is of course an intrinsic order in the progress of the book. Like most thinking on depth-psychology it proceeds from the conscious surface to the deeper levels of the unconscious. The first chapters deal with familiar technical and professional problems of the artist. Gradually aspects move into view that defy this kind of rational analysis. For instance the plastic effects of painting (pictorial space) which are familiar to every artist and art lover tum out to be determined by deeply unconscious perceptions. They ultimately evade all conscious control. In this way a profound conflict between conscious and unconscious (spontaneous) control comes forward. The conflict proves to be akin to the conflict of single-track thought and 'polyphonic' scattered attention which I have described. Conscious thought is sharply focused and highly differentiated in its elements; the deeper we penetrate into low-level imagery and phantasy the more the single track divides and branches into unlimited directions so that in the end its structure appears chaotic. The creative thinker is capabte of alternating between differentiated and undifferentiated modes of thinking, harnessing them together to give him service for solving very definite tasks. The uncreative psychotic succumbs to the tension between conscious (differentiated) and unconscious (undifferentiated) modes of mental functioning. As he cannot integrate their divergent functions, true chaos ensues. The unconscious functions overcome and fragment the conscious surface sensibilities and tear reason into shreds. Modern art displays this attack of unreason on reason quite openly. Yet owing to the powers of the creative mind real disaster is averted. Reason may seem to be cast aside for a moment. Modern art seems truly chaotic. But as time passes by the 'hidden order' in art's substructure (the work of unconscious form creation) rises to the surface. The modern artist may attack his own reason and single-track thought; but a new order is already in the making.



The Hidden Artist


The Hidden Artist
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Author : Leah Chana Rubabshi
language : en
Publisher:
Release Date : 2023-07-14

The Hidden Artist written by Leah Chana Rubabshi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-14 with categories.


Join a young child's quest to discover the Artist responsible for the world's exquisite splendor and variety.