The History Of Painting In Brazil
DOWNLOAD
AUDIOBOOK
Download The History Of Painting In Brazil PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get The History Of Painting In Brazil book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages. If the content not found or just blank you must refresh this page
The History Of Painting In Brazil
DOWNLOAD
AUDIOBOOK
Author : Carlos Rubens
language : en
Publisher:
Release Date : 1943
The History Of Painting In Brazil written by Carlos Rubens and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1943 with Painting categories.
The History Of Painting In Brazil
DOWNLOAD
AUDIOBOOK
Author : Carlos Rubens
language : en
Publisher:
Release Date : 1943
The History Of Painting In Brazil written by Carlos Rubens and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1943 with Painting categories.
Pinacoteca Do Estado
DOWNLOAD
AUDIOBOOK
Author :
language : en
Publisher:
Release Date : 2007
Pinacoteca Do Estado written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with categories.
Constructing An Avant Garde
DOWNLOAD
AUDIOBOOK
Author : Sergio B. Martins
language : en
Publisher: MIT Press
Release Date : 2021-08-24
Constructing An Avant Garde written by Sergio B. Martins and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-08-24 with Art categories.
How Brazilian postwar avant-garde artists updated modernism in a way that was radically at odds with European and North American art historical narratives. Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio Martins seizes on this uncanny obliqueness and uses it as the basis for a reconfigured account of the history of Brazil’s avant-garde. His discussion covers not only widely renowned artists and groups—including Hélio Oiticica, Lygia Clark, Cildo Meireles, and neoconcretism—but also important artists and critics who are less well known outside Brazil, including Mário Pedrosa, Ferreira Gullar, Amílcar de Castro, Luís Sacilotto, Antonio Dias, and Rubens Gerchman. Martins argues that artists of Brazil’s postwar avant-garde updated modernism in a way that was radically at odds with European and North American art historical narratives. He describes defining episodes in Brazil’s postwar avant-garde, discussing crucial critical texts, including Gullar’s “Theory of the Non-Object,” a phenomenological account of neoconcrete artworks; Oiticica, constructivity, and Mondrian; portraiture, self-portraiture, and identity; the nonvisual turn and missed encounters with conceptualism; and monochrome, manifestos, and engagement. The Brazilian avant-garde’s hijacking of modernism, Martins shows, gained further complexity as artists began to face their international minimalist and conceptualist contemporaries in the 1960s and 1970s. Reconfiguring not only art history but their own history, Brazilian avant-gardists were able to face contemporary challenges from a unique—and oblique—standpoint.
Breaching The Frame
DOWNLOAD
AUDIOBOOK
Author : Pedro R. Erber
language : en
Publisher: Univ of California Press
Release Date : 2014-12-12
Breaching The Frame written by Pedro R. Erber and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-12-12 with Art categories.
Circa 1960, artists working at the margins of the international art world breached the frame of canvas painting and ruptured the institutional frame of art. Members of the Brazilian Neoconcrete group, such as HŽlio Oiticica and Lygia Clark, and their counterparts in Japan, such as Akasegawa Genpei and the Kansai-based Gutai Art Association, challenged the boundaries between art and non-art, between fiction and reality, between visual artwork and its discursive frame. In place of the indefinitely deferred promise of a revolution of the senses, artists called for Òdirect actionÓ here and now. Pedro Erber situates the beginnings of these profound transformations of art in the politically charged debates on realism and abstraction and in the experiments of 1950s concrete poetry. He shows how artists and critics in Brazil and Japan brought modern painting to a point of crisis that paved the way for the radical experiments of the 1960s generation. In contrast to the ÒdematerializationÓ of the art object promoted by New YorkÐbased critics and conceptual artists in the late 1960s, avant-garde artists and poets in Brazil and Japan embraced materiality as intrinsic and fundamental to their highly conceptual practices. Breaching the Frame explores their uncannily contemporaneous trajectories, tracing the emergence of participatory practices and theories that challenged the limits of aesthetic contemplation and redefined the politics of spectatorship.
The Long Roots Of Formalism In Brazil
DOWNLOAD
AUDIOBOOK
Author : Luiz Renato Martins
language : en
Publisher: BRILL
Release Date : 2018-01-09
The Long Roots Of Formalism In Brazil written by Luiz Renato Martins and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-01-09 with Social Science categories.
The present studies on Brazilian modern art seek to specify some of the dominant contradictions of capitalism’s combined but uneven development as these appear from the global ‘periphery’.
Form And Feeling
DOWNLOAD
AUDIOBOOK
Author : Antonio Sergio Bessa
language : en
Publisher: Fordham University Press
Release Date : 2021-02-09
Form And Feeling written by Antonio Sergio Bessa and has been published by Fordham University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-02-09 with Art categories.
A significant contribution on the development and aftermath of post–World War II Concretism in Brazil Form and Feeling features a collection of essays by noted scholars exploring the sensorial, experience-based, and participatory practices pioneered in the 1950s by artists and poets such as Flávio de Carvalho, Ivan Serpa, Hélio Oiticica, Haroldo de Campos, Mary Vieira, Lygia Pape, Anna Maria Maiolino, Lygia Clark, Waly Salomão, and Emil Forman, among many others. Fourteen thought-provoking essays examine how many of their strategies constituted a pertinent critique of the country’s wide-ranging embrace of Eurocentric modernity while anticipating a number of practices prevalent among contemporary artists today—namely, the rise of art as social practice, the embrace of pedagogical concerns by artists, and relational aesthetics. The fourteen essays collected in this volume consider the ramifications of modernist abstraction in the second half of the twentieth century and contribute to a growing academic field in postwar Brazilian and Latin American art history. Contributions to this anthology examine the development of modernist ideas that flourished in Brazil during a controversial period interspersed by dictatorial regimes. The global aspect of Brazilian art is especially evident in these studies, presenting the relational complexity of their subjects as transcultural, transnational actors while simultaneously contributing to a growing, increasingly nuanced understanding of visual and material culture, performance, and criticism in Brazil. Form and Feeling continues the important process of re-analyzing the intersections of Concretism and Neo concretism, arguing for greater affinities between the primary and lesser-known cast of characters while equally redistributing the strict geographical divisions of São Paulo and Rio de Janeiro. This anthology broadly situates this extraordinary period of artistic experimentation in direct relationship to contemporary factors, such as psychoanalysis, educational systems, poetry, politics, and feminism. It crafts innovative relationships about the constructive hierarchies of form and space, poetry and painting, and mathematics and philosophy, thus engendering new positions for a deeply ensconced period in Brazilian history.
Internationalizing The History Of American Art
DOWNLOAD
AUDIOBOOK
Author : Barbara Groseclose
language : en
Publisher: Penn State Press
Release Date : 2009-01-01
Internationalizing The History Of American Art written by Barbara Groseclose and has been published by Penn State Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-01-01 with Art categories.
"A collection of essays presenting international perspectives on the narratives and the practices grounding the scholarly study of American art"--Provided by publisher.
Modernity In Black And White
DOWNLOAD
AUDIOBOOK
Author : Rafael Cardoso
language : en
Publisher: Cambridge University Press
Release Date : 2021-04-15
Modernity In Black And White written by Rafael Cardoso and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-15 with ART categories.
In his first single-authored English-language work, Rafael Cardoso offers a re-evaluation of modern art and modernism in Brazil.
Cannibalizing Modernism
DOWNLOAD
AUDIOBOOK
Author : Adriano Pedrosa
language : en
Publisher: Masp
Release Date : 2019-10-22
Cannibalizing Modernism written by Adriano Pedrosa and has been published by Masp this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-22 with Cultural fusion and the arts categories.
The most comprehensive exhibition catalog dedicated to the work of Brazilian artist Tarsila do Amaral (1886-1973), a pioneering figure in Latin American modernism. The focus of the exhibition is the popular, or the vernacular, a notion as complex in Brazil as it is contested, and which Tarsila explored in different ways throughout her career. The popular is associated with debates on national art or identity and the invention or construction of brasilidade, Brazilianness. In Tarsila, the popular is manifested in landscapes of the countryside or the suburbs, the farm or the favela, populated by people of indigenous or African descent, characters from Brazilian folklore, full of animals and plants, both real and fantastic. But Tarsila's palette (which served as inspiration for the colors of the exhibition design) is also popular: "pure blue, violaceous rose, bright yellow, singing green." Much of the art criticism on Tarsila to this day in Brazil has emphasized her French affiliations and genealogies, possibly in search of the artist's international legitimization, but thus marginalizing the themes, characters, and popular narratives that she constructed. Today, after successful shows in the United States and Europe, we can look at Tarsila in other ways. In this sense, the essays and commentaries on her works included in the exhibition and in the catalog are central elements of this project. It is not by chance that the controversial painting A Negra [The Negress] has received special attention from the authors and is a central work in the exhibition. Tarsila do Amaral: Cannibalizing Modernism does not seek to exhaust all these discussions, which take into account questions of race, class and colonialism. But the project does point to the need to study this artist, so fundamental in our art history, from new perspectives and approaches. This exhibition is part of a series that MASP has organized reassessing the notion of the popular in Brazil: from A mão do povo brasileiro, 1969/2016 [The Hand of the Brazilian People, 1969/2016] and Portinari popular [Popular Portinari] in 2016 to Agostinho Batista de Freitas in 2017 and Maria Auxiliadora in 2018. Tarsila do Amaral: Cannibalizing Modernism is contextualized in a full year dedicated to women artists at the museum in 2019 under the heading Women's Histories, Feminist Histories. The exhibition dialogues with two others dedicated to artists who explored the notion of the popular through different approaches: Djanira: Picturing Brazil, on view through May 19th, and Lina Bo Bardi: Habitat, on view through July 28th.