The Hours Of Simon De Varie


The Hours Of Simon De Varie
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The Hours Of Simon De Varie


The Hours Of Simon De Varie
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Author : James H. Marrow
language : en
Publisher: Getty Publications
Release Date : 1994

The Hours Of Simon De Varie written by James H. Marrow and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Art categories.


Leading French painters in the late medieval period executed miniatures for lavishly illuminated books of hours. In the mid-fifteenth century, Simon de Varie commissioned such a book. Completed in 1455, it included five priceless works by the most eminent French painter of the time, Jean Fouquet, as well as other striking paintings by two of his contemporaries. In the seventeenth century, Simon de Varie's book was divided into three sections and sold as separate volumes. Two of these volumes are today in the Royal Library in The Hague. The third volume--thought lost until 1984, when it surfaced in a private collection and was subsequently acquired by the Getty Museum--contains the first miniatures by Jean Fouquet to have been discovered in eighty years. This beautiful book will reproduce in color all of the miniatures and historiated initials in the original manuscript, along with selected text pages with secondary decoration. Comparative illustrations also accompany the two essays in the volume. Marrow's text addresses the role of books of hours in late medieval culture; the contents and form of de Varie's Hours; and the relationship of the miniatures by Fouquet to the rest of the artist's oeuvre. In a related essay, Francois Avril discusses the position of Simon de Varie and his family in mid-fifteenth-century France. The publication of The Hours of Simon de Varie adds to the Getty's impressive list of publications on illuminated manuscripts begun in 1990 and including the widely acclaimed facsimile Mira calligraphiae monumenta.



French Illuminated Manuscripts In The J Paul Getty Museum


French Illuminated Manuscripts In The J Paul Getty Museum
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Author : Thomas Kren
language : en
Publisher: Getty Publications
Release Date : 2007

French Illuminated Manuscripts In The J Paul Getty Museum written by Thomas Kren and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.


French Illuminated Manuscripts in the J. Paul Getty Museum introduces the public to the richness of the J. Paul Getty Museum's holdings in French manuscripts from the ninth to the eighteenth century. This volume includes full-color reproductions of masterpieces from such works as a bible from ninth-century Tours; a sacramentary attributed to Nivardus of Milan from the first quarter of the eleventh century; the Shah Abbas Bible, made in northern France about 1250; a book of hours made in the atelier of the Bedford Master in Paris about 1450; and a book of prayers of the mass, written and illuminated in Paris by Jean Pierre Rousselet about 1720-30. It also includes many multiple illuminations from such manuscripts as a psalter by the Master of the Ingeborg Psalter, made after 1205 and probably in Noyon; the Wenceslaus Psalter from 1250; and the Boucicaut Master's illuminated manuscript of Boccaccio's Des cas des nobles hommes et femmes from about 1415. French Illuminated Manuscripts in the J. Paul Getty Museum introduces the public to the richness of the J. Paul Getty Museum's holdings in French manuscripts from the ninth to the eighteenth century. This volume includes full-color reproductions of masterpieces from such works as a bible from ninth-century Tours; a sacramentary attributed to Nivardus of Milan from the first quarter of the eleventh century; the Shah Abbas Bible, made in northern France about 1250; a book of hours made in the atelier of the Bedford Master in Paris about 1450; and a book of prayers of the mass, written and illuminated in Paris by Jean Pierre Rousselet about 1720-30. It also includes many multiple illuminations from such manuscripts as a psalter by the Master of the Ingeborg Psalter, made after 1205 and probably in Noyon; the Wenceslaus Psalter from 1250; and the Boucicaut Master's illuminated manuscript of Boccaccio's Des cas des nobles hommes et femmes from about 1415.



A Masterpiece Reconstructed


A Masterpiece Reconstructed
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Author : J. Paul Getty Museum
language : en
Publisher: Getty Publications
Release Date : 2005

A Masterpiece Reconstructed written by J. Paul Getty Museum and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Architecture categories.


"Janet Backhouse, who originally assembled the evidence that revealed this long-forgotten masterpiece, introduces the Hours of Louis XII and its cycle of miniatures. Thomas Kren discusses the book's provocative miniature of Bathsheba bathing within the context of the king's own taste and predilections and within the then-emerging genre of the female nude in French painting. Nancy Turner considers the importance of Bourdichon's painting and illuminating technique in the Hours of Louis XII in relation to his other work. Mark Evans examines the individual histories of each of the surviving portions of the book. Lastly, an appendix reconstructs the book's devotional contents and program of illumination."--BOOK JACKET.



Piety In Pieces


Piety In Pieces
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Author : Kathryn M. Rudy
language : en
Publisher: Open Book Publishers
Release Date : 2016-09-26

Piety In Pieces written by Kathryn M. Rudy and has been published by Open Book Publishers this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-09-26 with Literary Criticism categories.


Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?



The Waxing Of The Middle Ages


The Waxing Of The Middle Ages
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Author : Charles-Louis Morand-Métivier
language : en
Publisher: Rutgers University Press
Release Date : 2023-04-14

The Waxing Of The Middle Ages written by Charles-Louis Morand-Métivier and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-14 with Literary Criticism categories.


Johan Huizinga’s much-loved and much-contested Autumn of the Middle Ages, first published in 1919, encouraged an image of the Late French Middle Ages as a flamboyant but empty period of decline and nostalgia. Many studies, particularly literary studies, have challenged Huizinga’s perceptions of individual works or genres. Still, the vision of the Late French and Burgundian Middle Ages as a sad transitional phase between the High Middle Ages and the Renaissance persists. Yet, a series of exceptionally significant cultural developments mark the period. The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some “cultural form,” to borrow Huizinga’s expression, to expose the false divide that has dominated modern scholarship.



Faces Of Power Piety


Faces Of Power Piety
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Author : Erik Inglis
language : en
Publisher: Getty Publications
Release Date : 2008

Faces Of Power Piety written by Erik Inglis and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Art categories.


Faces of Power and Piety is the second in the Medieval Imagination series of small, affordable books that draw on manuscript illuminations in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme to provide an accessible and delightful introduction to the imagination of the medieval world. The vivid and charming faces featured in this volume include portraits of both illustrious historical figures and celebrated contemporaries. They reveal that medieval artists often disregarded physical appearance in favor of emphasizing qualities such as power and piety, capturing how their subjects wished to be remembered for the ages. Faces of Power and Piety also looks at the development of portraiture in the modern sense during the Renaissance, when likeness became an important component of portrait painting. An exhibition of the same name will be on view at the J. Paul Getty Museum from August 12 through October 26, 2008.



Medieval Clothing And Textiles 12


Medieval Clothing And Textiles 12
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Author : Robin Netherton
language : en
Publisher: Boydell & Brewer
Release Date : 2016

Medieval Clothing And Textiles 12 written by Robin Netherton and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Clothing and dress categories.


The best new research on medieval clothing and textiles, drawing from a range of disciplines.



Departures


Departures
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Author : Lisa Lyons
language : en
Publisher: Getty Publications
Release Date : 2000

Departures written by Lisa Lyons and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Art, American categories.


Lisa Lyons, guest curator for Los Angeles's Getty Museum, chronicles a series of commissioned works in an array of media by eleven acclaimed artists in response to objects at the Getty. Fine bandw illustrations. Annotation copyrighted by Book News, Inc., Portland, OR



Masterpieces Of The J Paul Getty Museum Illuminated Manuscripts


Masterpieces Of The J Paul Getty Museum Illuminated Manuscripts
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Author : Thomas Kren
language : en
Publisher: Getty Publications
Release Date : 1997-11-13

Masterpieces Of The J Paul Getty Museum Illuminated Manuscripts written by Thomas Kren and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997-11-13 with Art categories.


The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.



Illuminating The Renaissance


Illuminating The Renaissance
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Author : Thomas Kren
language : en
Publisher: Getty Publications
Release Date : 2003-07-01

Illuminating The Renaissance written by Thomas Kren and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-07-01 with Art categories.


This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.