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The Iconography Of Power


The Iconography Of Power
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Iconography Of Power


Iconography Of Power
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Author : Victoria E. Bonnell
language : en
Publisher: Univ of California Press
Release Date : 1998-02-05

Iconography Of Power written by Victoria E. Bonnell and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-02-05 with History categories.


Masters at visual propaganda, the Bolsheviks produced thousands of vivid and compelling posters after they seized power in October 1917. Intended for a semi-literate population that was accustomed to the rich visual legacy of the Russian autocracy and the Orthodox Church, political posters came to occupy a central place in the regime's effort to imprint itself on the hearts and minds of the people and to remold them into the new Soviet women and men. In this first sociological study of Soviet political posters, Victoria Bonnell analyzes the shifts that took place in the images, messages, styles, and functions of political art from 1917 to 1953. Everyone who lived in Russia after the October revolution had some familiarity with stock images of the male worker, the great communist leaders, the collective farm woman, the capitalist, and others. These were the new icons' standardized images that depicted Bolshevik heroes and their adversaries in accordance with a fixed pattern. Like other "invented traditions" of the modern age, iconographic images in propaganda art were relentlessly repeated, bringing together Bolshevik ideology and traditional mythologies of pre-Revolutionary Russia. Symbols and emblems featured in Soviet posters of the Civil War and the 1920s gave visual meaning to the Bolshevik worldview dominated by the concept of class. Beginning in the 1930s, visual propaganda became more prescriptive, providing models for the appearance, demeanor, and conduct of the new social types, both positive and negative. Political art also conveyed important messages about the sacred center of the regime which evolved during the 1930s from the celebration of the heroic proletariat to the deification of Stalin. Treating propaganda images as part of a particular visual language, Bonnell shows how people "read" them—relying on their habits of seeing and interpreting folk, religious, commercial, and political art (both before and after 1917) as well as the fine art traditions of Russia and the West. Drawing on monumental sculpture and holiday displays as well as posters, the study traces the way Soviet propaganda art shaped the mentality of the Russian people (the legacy is present even today) and was itself shaped by popular attitudes and assumptions. Iconography of Power includes posters dating from the final decades of the old regime to the death of Stalin, located by the author in Russian, American, and English libraries and archives. One hundred exceptionally striking posters are reproduced in the book, many of them never before published. Bonnell places these posters in a historical context and provides a provocative account of the evolution of the visual discourse on power in Soviet Russia.



The Iconography Of Power


The Iconography Of Power
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Author : David LaGuardia
language : en
Publisher: University of Delaware Press
Release Date : 1999

The Iconography Of Power written by David LaGuardia and has been published by University of Delaware Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Literary Criticism categories.


Despite its enormous success and its evident importance in the context of sixteenth-century French literature, few major studies have been written about the French nouvelle of the age of Rabelais, aside from the explosion of articles and books on the Heptameron during the last decade. This study defends the thesis that various nouvelle collections employ an iconographic mode of representation, developing characters by means of external details that situate them on grids of hierarchical power relations. Author David LaGuardia concentrates on the philosophical implications of the nouvelle as a means of cataloging a large body of information about everyday life across a wide social spectrum in France in the fifteenth and sixteenth centuries.



Ceremonial Entries In Early Modern Europe


Ceremonial Entries In Early Modern Europe
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Author : J.R. Mulryne
language : en
Publisher: Routledge
Release Date : 2016-03-03

Ceremonial Entries In Early Modern Europe written by J.R. Mulryne and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-03 with History categories.


The fourteen essays that comprise this volume concentrate on festival iconography, the visual and written languages, including ephemeral and permanent structures, costume, dramatic performance, inscriptions and published festival books that ’voiced’ the social, political and cultural messages incorporated in processional entries in the countries of early modern Europe. The volume also includes a transcript of the newly-discovered Register of Lionardo di Zanobi Bartholini, a Florentine merchant, which sets out in detail the expenses for each worker for the possesso (or Entry) of Pope Leo X to Rome in April 1513.



Images Of Power


Images Of Power
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Author : Jens Andermann
language : en
Publisher: Berghahn Books
Release Date : 2006

Images Of Power written by Jens Andermann and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Art categories.


In Latin America, where even today writing has remained a restricted form of expression, the task of generating consent and imposing the emergent nation-state as the exclusive form of the political, was largely conferred to the image. Furthermore, at the moment of its historical demise, the new, 'postmodern' forms of sovereignty appear to rely even more heavily on visual discourses of power. However, a critique of the iconography of the modern state-form has been missing. This volume is the first concerted attempt by cultural, historical and visual scholars to address the political dimension of visual culture in Latin America, in a comparative perspective spanning various regions and historical stages. The case studies are divided into four sections, analysing the formation of a public sphere, the visual politics of avant-garde art, the impact of mass society on political iconography, and the consolidation and crisis of territory as a key icon of the state. Jens Andermann is a Lecturer in Latin American Studies at Birkbeck College, London, and co-editor of the Journal of Latin American Cultural Studies. Among his publications are Mapas de poder: una arqueología literaria del espacio argentino (Rosario, 2000) and articles for major journals in Argentina, Brazil, Europe and the US. William Rowe is Anniversary Professor of Poetics at Birkbeck College, London. His book Memory and Modernity: Popular Culture in Latin America (London, 1991) has been translated into several languages. His most recent works, apart from translations of a wide range of Latin American poetry, are Poets of Contemporary Latin America: History and the Inner Life (Oxford, 2000) and Ensayos vallejianos (Berkeley and Lima, 2006).



Symbols Of Power In Art


Symbols Of Power In Art
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Author : Paola Rapelli
language : en
Publisher: Getty Publications
Release Date : 2011

Symbols Of Power In Art written by Paola Rapelli and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Art categories.


This volume examines the ways that sovereign rulers have employed well-defined symbols, attributes, and stereotypes to convey their power to their subjects and rivals, as well as to leave a legacy for subsequent generations to admire. Legendary rulers from antiquity such as Alexander the Great, Julius Caesar, and Constantine have been looked to as models for their display of imperial power by the rulers of later eras. From medieval sovereigns such as Charlemagne and France's Louis IX to the tsars of Russia and the great European royal dynasties of the Hapsburgs, the Bourbons, and the Tudors, the rulers of each period have appropriated and often embellished the emblems of power employed by their predecessors. Even the second-tier lords who ruled parts of France and Italy during the Renaissance, such as the dukes of Burgundy, the Gonzaga of Mantua, and the Medici of Florence became adept at manipulating this imagery. The final chapter is reserved for Napoleon I, perhaps the ultimate master of symbolic display, who assumed the attributes of Roman emperors to project an image of eternal and immutable authority. The author examines not only regal paraphernalia such as crowns, scepters, thrones, and orbs, but also the painted portraits, sculptures, tapestries, carved ivories, jewelry, coins, armor, and, eventually, photographs created to display their owner's sovereign power, a vast collection of works that now forms a significant portion of the cultural heritage of Western civilization.



The Musical Iconography Of Power In Seventeenth Century Spain And Her Territories


The Musical Iconography Of Power In Seventeenth Century Spain And Her Territories
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Author : Sara Gonzalez
language : en
Publisher: Routledge
Release Date : 2015-10-06

The Musical Iconography Of Power In Seventeenth Century Spain And Her Territories written by Sara Gonzalez and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-10-06 with History categories.


As Spain encountered economic and political crises in the seventeenth century, the imagery of musical performance was invoked by the state to represent the power of the monarch and to denote harmony throughout the kingdom. Based on contemporary sources, Gonzalez is able to unravel the complex iconography of Spanish politics.



Icons Of Power


Icons Of Power
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Author : Anthony John Spalinger
language : en
Publisher: Czech Institute of Egyptology Charles University
Release Date : 2011

Icons Of Power written by Anthony John Spalinger and has been published by Czech Institute of Egyptology Charles University this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Bas-relief categories.


This is the discussion of the concept of alterity and icons in the Egyptian New Kingdom war reliefs. The concept of drama, and how it is present in these narrative representations is also covered.



The Art Of Power


The Art Of Power
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Author : Diego A. Von Vacano
language : en
Publisher: Lexington Books
Release Date : 2007

The Art Of Power written by Diego A. Von Vacano and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Philosophy categories.


The Art of Power is a challenge to traditional political theory. Diego A. von Vacano examines the work of Machiavelli, arguing that he establishes a new, aesthetic perspective on political life. He then proceeds to carry out the most extensive analysis to date of an important relationship in political theory: that between the thought of Machiavelli and Friedrich Nietzsche. Arguing that these two theorists have similar aims and perspectives, this work uncovers the implications of their common way of looking at the human condition and political practice to elucidate the phenomenon of the persistence of aesthetic, sensory cognition as fundamental to the human experience, particularly to the political life. By exploring this relationship, The Art of Power makes a significant contribution to the growing interest in the intersection of aesthetic theory and political philosophy as well as in interdisciplinary and comparative perspectives on political theory.



The Art Of Power


The Art Of Power
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Author : Thich Nhat Hanh
language : en
Publisher: Harper Collins
Release Date : 2009-10-13

The Art Of Power written by Thich Nhat Hanh and has been published by Harper Collins this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-10-13 with Religion categories.


"Power is good for one thing only: to increase our happiness and the happiness of others. Being peaceful and happy is the most important thing in our lives and yet most of the time we suffer, we run after our cravings, we look to the past or the future for our happiness." Turning our conventional understanding of power on its head, world-renowned Zen master, spiritual leader, and national bestselling author Thich Nhat Hanh reveals how true power comes from within. What we seek, we already have. Whether we want it or not, power remains one of the central issues in all of our lives. Every day, each of us exercises power in many ways, and our every act subtly affects the world we live in. This struggle for control and authority permeates every aspect of our private and public lives, preventing us from attaining true happiness. The me-first mentality in our culture seeps unnoticed into our decisions and choices. Our bottom-line approach to getting ahead may be most visible in the business world, but the stress, fear, and anxiety it causes are being felt by people in all walks of life. With colorful anecdotes, precise language, and concrete practices, Thich Nhat Hanh illustrates how the current understanding of power leads us on a never-ending search for external markers like job title or salary. The Art of Power boldly challenges our assumptions and teaches each of us how to access the true power that is within our grasp.



Ceremonial Entries In Early Modern Europe


Ceremonial Entries In Early Modern Europe
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Author : J.R. Mulryne
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2015-03-28

Ceremonial Entries In Early Modern Europe written by J.R. Mulryne and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-03-28 with History categories.


The fourteen essays that comprise this volume concentrate on festival iconography, the visual and written languages, including ephemeral and permanent structures, costume, dramatic performance, inscriptions and published festival books that ‘voiced’ the social, political and cultural messages incorporated in processional entries in the countries of early modern Europe. The volume also includes a transcript of the newly-discovered Register of Lionardo di Zanobi Bartholini, a Florentine merchant, which sets out in detail the expenses for each worker for the possesso (or Entry) of Pope Leo X to Rome in April 1513.