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The Illustrious Gaudissart


The Illustrious Gaudissart
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The Illustrious Gaudissart


The Illustrious Gaudissart
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Author : Honoré de Balzac
language : en
Publisher: Lindhardt og Ringhof
Release Date : 2023-01-05

The Illustrious Gaudissart written by Honoré de Balzac and has been published by Lindhardt og Ringhof this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-01-05 with Fiction categories.


Honoré de Balzac's short story ́The illustrious Gaudissaart ́ reveals the arrogance and prejudice on both sides of the city-country divide. When a slick salesman from the big city visits the provincial town of Vouvray, he is confident that the locals will buy anything. But Gaudissart's apparent belief in the doctrine of Saint-Simonianism, which teaches that industrialisation will empty the countryside and create a Utopian society of workers, riles a local man named Vernier. He tricks him into selling items to his unstable neighbour Margaritis, who convinces the salesman to buy two non-existent wine barrels. This vindictive practical joke then escalates into legal action and a dramatic duel ensues. For more insights into life in 1830s Europe, try Elizabeth Gaskell's 'Ruth' and 'North and South'. Honoré de Balzac (1799-1850) was a French novelist and playwright, most famous for a sequence of novels, collectively called 'The Human Comedy'. His signature style was a warts-and-all representation of post-Napoleonic French life, rich in detail and featuring complex, unfiltered characters. The style means Balzac is regarded as one of the pioneers of European literary realism. He is named as an influence on writers including Emile Zola, Henry James, Charles Dickens, and Gustave Flaubert. The first novel he published under his own name was 'Les Chouans' in 1829. In 1834 he hit upon the idea of grouping his novels together to record all of society. The result, over a period of years, was 'The Human Comedy', which comprised three categories: 'Analytic Studies'; 'Philosophical Studies'; and 'Studies of Manners'.



Lost Illusions


Lost Illusions
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Author : Honoré de Balzac
language : en
Publisher:
Release Date : 1896

Lost Illusions written by Honoré de Balzac and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1896 with categories.




The Illustrious Gaudissart


The Illustrious Gaudissart
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Author :
language : en
Publisher: Independently Published
Release Date : 2020-06-26

The Illustrious Gaudissart written by and has been published by Independently Published this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-06-26 with categories.


"The Illustrious Gaudissart" from Honore De Balzac. French novelist and playwright (1799-1850)



Lost Illusions The Illustrious Gaudissart


Lost Illusions The Illustrious Gaudissart
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Author : Honoré de Balzac
language : en
Publisher:
Release Date : 1899

Lost Illusions The Illustrious Gaudissart written by Honoré de Balzac and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1899 with categories.




The Illustrious Gaudissart


The Illustrious Gaudissart
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Author : Honoré de Balzac
language : en
Publisher:
Release Date : 1898

The Illustrious Gaudissart written by Honoré de Balzac and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1898 with Franse fiksie categories.




The Illustrious Gaudissart Ii


The Illustrious Gaudissart Ii
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Author : Honoré de Balzac
language : en
Publisher: Blue Unicorn Editions
Release Date : 2000-07-01

The Illustrious Gaudissart Ii written by Honoré de Balzac and has been published by Blue Unicorn Editions this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-07-01 with categories.




The Works Of Honore De Balzac The Illustrious Gaudissart


The Works Of Honore De Balzac The Illustrious Gaudissart
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Author : Honore de Balzac
language : en
Publisher:
Release Date : 1895

The Works Of Honore De Balzac The Illustrious Gaudissart written by Honore de Balzac and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1895 with categories.




The Human Comedy


The Human Comedy
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Author : Honoré de Balzac
language : en
Publisher:
Release Date : 1893

The Human Comedy written by Honoré de Balzac and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1893 with categories.




Delphi Complete Works Of Honor De Balzac Illustrated


Delphi Complete Works Of Honor De Balzac Illustrated
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Author : Honoré de Balzac
language : en
Publisher: Delphi Classics
Release Date : 2013-11-17

Delphi Complete Works Of Honor De Balzac Illustrated written by Honoré de Balzac and has been published by Delphi Classics this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-11-17 with Fiction categories.


This comprehensive eBook presents the complete Human Comedy of Honoré de Balzac in English, with beautiful illustrations, concise introductions and the usual Delphi bonus material. (28MB Version 1) * Beautifully illustrated with images relating to Balzac's life and works * Concise introductions to the novels and other works * The COMPLETE 'La ComÈdie humaine' in English translation * The whole series is precisely organised into Balzac's plan * Includes Balzac's introduction AVANT-PROPOS * Images of how the books were first printed, giving your eReader a taste of the original texts * Famous works such as FATHER GORIOT, COUSIN BETTY, THE MAGIC SKIN and many more are illustrated with their original artwork * Balzac's five plays * Criticism section, with seven essays by writers such as Henry James and Leslie Stephen, evaluating Balzac's contribution to literature * Features five biographies - discover in depth Balzac's literary life! * Scholarly ordering of texts into chronological order and literary genres * Special CHARACTERS resource, with information on all members of the cast 'La Comédie humaine', with references to the novels and stories they appear in Please visit www.delphiclassics.com to browse our range of exciting titles. CONTENTS: THE HUMAN COMEDY THE HISTORY OF 'LA COM…DIE HUMAINE' AVANT-PROPOS (PREFACE) THE COMPLETE HUMAN COMEDY - OVER 110 NOVELS AND STORIES (too many to list) The Short Stories DROLL STORIES THE NAPOLEON OF THE PEOPLE The Plays INTRODUCTION TO BALZAC'S DRAMAS by J. Walker McSpadden VAUTRIN THE RESOURCES OF QUINOLA PAMELA GIRAUD THE STEPMOTHER MERCADET RESOURCES The Criticism HONOR… DE BALZAC by Henry James A LETTER, 1883 by Robert Louis Stevenson BALZAC by John Cowper Powys BALZAC'S NOVELS by Leslie Stephen BALZAC by William Ernest Henley BALZAC AS A DRAMATIST by Epiphanius Wilson THE NOVEL by D. H. Lawrence The Biographies HONOR… DE BALZAC by Albert Keim and Louis Lumet HONOR… DE BALZAC, HIS LIFE AND WRITINGS by Mary F. Sandars BALZAC AND MADAME HANSKA by Elbert Hubbard BALZAC by Frederick Lawton WOMEN IN THE LIFE OF BALZAC by Juanita Helm Floyd Glossary of Characters in 'La ComÈdie humaine' Please visit www.delphiclassics.com to view the full list



The Selected Works Of Honore De Balzac


The Selected Works Of Honore De Balzac
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Author : Honore de Balzac
language : en
Publisher: Library of Alexandria
Release Date :

The Selected Works Of Honore De Balzac written by Honore de Balzac and has been published by Library of Alexandria this book supported file pdf, txt, epub, kindle and other format this book has been release on with Fiction categories.


Half-way down the Rue Saint-Denis, almost at the corner of the Rue du Petit-Lion, there stood formerly one of those delightful houses which enable historians to reconstruct old Paris by analogy. The threatening walls of this tumbledown abode seemed to have been decorated with hieroglyphics. For what other name could the passer-by give to the Xs and Vs which the horizontal or diagonal timbers traced on the front, outlined by little parallel cracks in the plaster? It was evident that every beam quivered in its mortices at the passing of the lightest vehicle. This venerable structure was crowned by a triangular roof of which no example will, ere long, be seen in Paris. This covering, warped by the extremes of the Paris climate, projected three feet over the roadway, as much to protect the threshold from the rainfall as to shelter the wall of a loft and its sill-less dormer-window. This upper story was built of planks, overlapping each other like slates, in order, no doubt, not to overweight the frail house. One rainy morning in the month of March, a young man, carefully wrapped in his cloak, stood under the awning of a shop opposite this old house, which he was studying with the enthusiasm of an antiquary. In point of fact, this relic of the civic life of the sixteenth century offered more than one problem to the consideration of an observer. Each story presented some singularity; on the first floor four tall, narrow windows, close together, were filled as to the lower panes with boards, so as to produce the doubtful light by which a clever salesman can ascribe to his goods the color his customers inquire for. The young man seemed very scornful of this part of the house; his eyes had not yet rested on it. The windows of the second floor, where the Venetian blinds were drawn up, revealing little dingy muslin curtains behind the large Bohemian glass panes, did not interest him either. His attention was attracted to the third floor, to the modest sash-frames of wood, so clumsily wrought that they might have found a place in the Museum of Arts and Crafts to illustrate the early efforts of French carpentry. These windows were glazed with small squares of glass so green that, but for his good eyes, the young man could not have seen the blue-checked cotton curtains which screened the mysteries of the room from profane eyes. Now and then the watcher, weary of his fruitless contemplation, or of the silence in which the house was buried, like the whole neighborhood, dropped his eyes towards the lower regions. An involuntary smile parted his lips each time he looked at the shop, where, in fact, there were some laughable details. A formidable wooden beam, resting on four pillars, which appeared to have bent under the weight of the decrepit house, had been encrusted with as many coats of different paint as there are of rouge on an old duchess' cheek. In the middle of this broad and fantastically carved joist there was an old painting representing a cat playing rackets. This picture was what moved the young man to mirth. But it must be said that the wittiest of modern painters could not invent so comical a caricature. The animal held in one of its forepaws a racket as big as itself, and stood on its hind legs to aim at hitting an enormous ball, returned by a man in a fine embroidered coat. Drawing, color, and accessories, all were treated in such a way as to suggest that the artist had meant to make game of the shop-owner and of the passing observer. Time, while impairing this artless painting, had made it yet more grotesque by introducing some uncertain features which must have puzzled the conscientious idler. For instance, the cat's tail had been eaten into in such a way that it might now have been taken for the figure of a spectator—so long, and thick, and furry were the tails of our forefathers' cats. To the right of the picture, on an azure field which ill-disguised the decay of the wood, might be read the name "Guillaume," and to the left, "Successor to Master Chevrel." Sun and rain had worn away most of the gilding parsimoniously applied to the letters of this superscription, in which the Us and Vs had changed places in obedience to the laws of old-world orthography. To quench the pride of those who believe that the world is growing cleverer day by day, and that modern humbug surpasses everything, it may be observed that these signs, of which the origin seems so whimsical to many Paris merchants, are the dead pictures of once living pictures by which our roguish ancestors contrived to tempt customers into their houses. Thus the Spinning Sow, the Green Monkey, and others, were animals in cages whose skills astonished the passer-by, and whose accomplishments prove the patience of the fifteenth-century artisan. Such curiosities did more to enrich their fortunate owners than the signs of "Providence," "Good-faith," "Grace of God," and "Decapitation of John the Baptist," which may still be seen in the Rue Saint-Denis.