The Influence Of European Literary And Artistic Representations Of The Orient On Western Orchestral Compositions Ca 1840 1920
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The Influence Of European Literary And Artistic Representations Of The Orient On Western Orchestral Compositions Ca 1840 1920
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Author : Jonathan David Little
language : en
Publisher:
Release Date : 2010
The Influence Of European Literary And Artistic Representations Of The Orient On Western Orchestral Compositions Ca 1840 1920 written by Jonathan David Little and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Music categories.
Influence of European Literary and Artistic Representations of the 'Orient' on Western Orchestral Compositions, Ca. 1840-1920 : From Oriental Inspiration to 'Exotic' Orchestration
Transnational Cinematic And Popular Music Icons
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Author : Aaron Lefkovitz
language : en
Publisher: Lexington Books
Release Date : 2017-09-08
Transnational Cinematic And Popular Music Icons written by Aaron Lefkovitz and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-08 with Social Science categories.
Transnational Cinematic & Popular Music Icons: Lena Horne, Dorothy Dandridge, & Queen Latifah, 1917-2017 centers twentieth and twenty-first century black-transnational stereotypes, celebrities, and symbols Lena Horne's, Dorothy Dandridge;s, and Queen Latifah’s transnational popular cultural struggles between domination and autonomy, with a particular emphasis on their films and popular music. Linking each performer to twentieth century U.S., African-American, and global gender histories and noting the intersections of race, gender, sexuality, class, and empire in their overlapping transnational biographies, Transnational Cinematic & Popular Music Icons: Lena Horne, Dorothy Dandridge, & Queen Latifah, 1917-2017 connects Horne, Dandridge, and Latifah to each other and legacies of Hollywood stereotypes and popular music’s internationally-routed politics. Through a close reading of Horne's, Dandridge's, and Latifah’s films and popular music, the performers tie to historic black-transnational caricatures, from the “tragic mulatto” to Sapphire, Mammy, and Jezebel, and additional, non-white female performers, from Josephine Baker to Halle Berry, maneuvering within transnational popular culture industrial matrices and against white supremacist and hetero-patriarchal forces.
Representations Of The Orient In Western Music
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Author : Nasser Al-Taee
language : en
Publisher: Routledge
Release Date : 2017-07-05
Representations Of The Orient In Western Music written by Nasser Al-Taee and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Music categories.
This book focuses on the cultural, political and religious representations of the Orient in Western music. Dr Nasser Al-Taee traces several threads in a vast repertoire of musical representations, concentrating primarily on the images of violence and sensuality. Al-Taee argues that these prevailing traits are not only the residual manifestation of the Ottoman threat to Western Europe, but also the continuation of a long and complex history of fear and fascination towards the Orient and its Islamic religion. In addition to analyses of musical works, Al-Taee draws on travel accounts, paintings, biographies, and political events to engage with important issues such as gender, race, and religious differences that may have contributed to the variously complex images of the Orient in Western music. The study extends the range of Orientalism to cover eighteenth-century Austria, nineteenth-century Russia, and twentieth-century America. The book challenges those scholars who do not see Orientalism as problematic and tend to ignore the role of musical representations in shaping the image of the Other within a wider interdisciplinary study of knowledge and power.
Literary Sources Of Nineteenth Century Musical Orientalism
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Author : Jonathan David Little
language : en
Publisher:
Release Date : 2011
Literary Sources Of Nineteenth Century Musical Orientalism written by Jonathan David Little and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Music categories.
Consuming The Orient
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Author : Edhem Eldem
language : en
Publisher:
Release Date : 2007
Consuming The Orient written by Edhem Eldem and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Mass media categories.
Edward Said
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Author : Adel Iskandar
language : en
Publisher: Univ of California Press
Release Date : 2010
Edward Said written by Adel Iskandar and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with History categories.
This indispensable volume, a comprehensive and wide-ranging resource on Edward Said's life and work, spans his broad legacy both within and beyond the academy. The book brings together contributions from 31 luminaries to engage Said's provocative ideas.
Arts Humanities Citation Index
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Author :
language : en
Publisher:
Release Date : 1994
Arts Humanities Citation Index written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Arts categories.
The Francophonie And The Orient
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Author : Mathilde Kang
language : en
Publisher:
Release Date : 2018
The Francophonie And The Orient written by Mathilde Kang and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Oriental literature (French) categories.
Historical Painting Techniques Materials And Studio Practice
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Author : Arie Wallert
language : en
Publisher: Getty Publications
Release Date : 1995-08-24
Historical Painting Techniques Materials And Studio Practice written by Arie Wallert and has been published by Getty Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-08-24 with Art categories.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Western Music And Its Others
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Author : Georgina Born
language : en
Publisher: Univ of California Press
Release Date : 2000
Western Music And Its Others written by Georgina Born and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Art categories.
"[Western Music and Its Others] will be taken as an important book signalling a new turn within the field. It takes the best features of traditional, rigorous scholarship and brings these to bear upon contemporary, more speculative questions. The level of theoretical sophistication is high. The studies within it are polemical and timely and of lasting scholarly value."--Will Straw, co-editor of Theory Rules: Art as Theory/ Theory and Art "The great value of this collection lies in the wealth of questions that it raises--questions that together crystallize the recent concerns of musicology with force and clarity. But it also lies in the authors' resistance to the easy 'postmodernist' answers that threaten to turn new musicology prematurely grey. The editors' comprehensive, intellectually adventurous introduction exemplifies the sort of eager yet properly skeptical receptivity to scholarly innovation that fosters lasting disciplinary reform. It alone is worth the price of the book." --Richard Taruskin, author of Stravinsky and the Russian Traditions: A Biography of the Works Through " Mavra" "When cultural-studies methods first appeared in musicology 15 years ago, they triggered a storm of polemics that sometimes overshadowed the important issues being raised. As the canon wars recede, however, scholars are finding it possible to focus on the concerns that led them to cultural criticism in the first place: the study of music and its political meanings. Western Music and Its Others brings together leading musicologists, ethnomusicologists, and specialists in film and popular music to explore the ways European and North American musicians have drawn on or identified themselves in tension with the musical practices of Others. In a series of essays ranging from examination of the Orientalist tropes of early 20th-century Modernists to the tangled claims for ownership in today's World Music, the authors in this collection greatly advance both our knowledge of specific case studies and our intellectual awareness of the complexity and urgency of these problems. A timely intervention that should help push music studies to the next level." --Susan McClary, author of Conventional Wisdom: The Content of Musical Form (2000) "This collection provides a sophisticated model for using theory to interrogate music and music to interrogate theory. The essays both take up and challenge the dominance of notions of representation in cultural theory as they explore the relevance of the concepts of hybridity and otherness for contemporary art music. Sophisticated theory, erudite scholarship and a very real appreciation for the specificities of music make this a powerful and important addition to our understanding of both culture and music." --Lawrence Grossberg, author of Dancing in Spite of Myself