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The Julian Academy Paris 1868 1939


The Julian Academy Paris 1868 1939
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The Julian Academy Paris 1868 1939


The Julian Academy Paris 1868 1939
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Author : Catherine Fehrer
language : en
Publisher:
Release Date : 1989

The Julian Academy Paris 1868 1939 written by Catherine Fehrer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Art categories.




Overcoming All Obstacles


Overcoming All Obstacles
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Author : Jane R. Becker
language : en
Publisher: Rutgers University Press
Release Date : 1999

Overcoming All Obstacles written by Jane R. Becker and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Art categories.


Overcoming All Obstacles: The Women of the Académie Julian is the first book to examine late nineteenth-century Paris's most famous training ground for the leading women artists of the period. The Académie Julian was founded in Paris in 1868, initially to prepare students for entry to the Ecole des Beaux-Arts, the nineteenth-century's preeminent art school. Because women could not study at the Ecole des Beaux-Arts until 1897, Julian itself became an international equivalent for many of the late nineteenth- and early twentieth-century's most important women artists. Not only does Overcoming All Obstacles introduce the reader to many works by women artists-both famous and lesser known-but the essays offer a cultural and historical context in which to appreciate their art. Gabriel Weisberg's essay concentrates on the rigorous training methods enforced by Rodolphe Julian and the teachers at the Academy. Jane Becker explores the competitive environment of the Julian Academy as it affected the Ukrainian painter Marie Bashkirtseff and the Swiss painter Louise-Catherine Breslau. Essays by Catherine Fehrer, the leading scholar of the Académie Julian, and Tamar Garb, an art historian who focuses on the training of women artists, give us a richer understanding of the Académie Julian's place in the sphere of art education in late nineteenth-century Paris. Generously illustrated with both color and black-and-white images, this volume includes documentary photographs and caricatures that have never before been reproduced. The core of the book draws on the large collection of the Académie Julian Del Debbio, the Académie Julian's successor institution in Paris. This publication accompanied an exhibition organized by the Dahesh Museum in New York that opened after its exhibition at the Sterling and Francine Clark Art Institute in Williamstown. The exhibition subsequently continued to the Dixon Gallery and Gardens, Memphis.



Foreign Artists And Communities In Modern Paris 1870 1914


 Foreign Artists And Communities In Modern Paris 1870 1914
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Author : Susan Waller
language : en
Publisher: Routledge
Release Date : 2017-07-05

Foreign Artists And Communities In Modern Paris 1870 1914 written by Susan Waller and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Foreign Artists and Communities in Modern Paris, 1870-1914 examines Paris as a center of international culture that attracted artists from Western and Eastern Europe, Asia and the Americas during a period of burgeoning global immigration. Sixteen essays by a group of emerging and established international scholars - including several whose work has not been previously published in English - address the experiences of foreign exiles, immigrants, students and expatriates. They explore the formal and informal structures that permitted foreign artists to forge connections within and across national communities and in some cases fashion new, transnational identities in the City of Light. Considering Paris from an innovative global perspective, the book situates both important modern artists - such as Edvard Munch, Sonia Delaunay-Terk, Marc Chagall and Gino Severini - and lesser-known American, Czech, Italian, Polish, Welsh, Russian, Japanese, Catalan, and Hungarian painters, sculptors, writers, dancers, and illustrators within the larger trends of international mobility and cultural exchange. Broadly appealing to historians of modern art and history, the essays in this volume characterize Paris as a thriving transnational arts community in which the interactions between diverse cultures, peoples and traditions contributed to the development of a hybrid and multivalent modern art.



Marketing Modernism In Fin De Si Cle Europe


Marketing Modernism In Fin De Si Cle Europe
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Author : Robert Jensen
language : en
Publisher: Princeton University Press
Release Date : 2022-02-08

Marketing Modernism In Fin De Si Cle Europe written by Robert Jensen and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-02-08 with Art categories.


In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters. In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as "true heirs" of Impressionism, and his look at a new form of art history emerging in Germany further expose a linear, dealer- oriented history of modernist art constructed by or through the modernists themselves.



Painting Professionals


Painting Professionals
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Author : Kirsten Swinth
language : en
Publisher: UNC Press Books
Release Date : 2001

Painting Professionals written by Kirsten Swinth and has been published by UNC Press Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Art categories.


Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890.



Childe Hassam American Impressionist


Childe Hassam American Impressionist
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Author : Helene Barbara Weinberg
language : en
Publisher: Metropolitan Museum of Art
Release Date : 2004

Childe Hassam American Impressionist written by Helene Barbara Weinberg and has been published by Metropolitan Museum of Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Impressionism categories.


"This illustrated publication accompanies a major exhibition at the Metropolitan Museum, the first retrospective presentation of Hassam's work in a museum since 1972. Unique to this volume are an account of Hassam's lifelong campaign to market his art, a study of the frames he selected and designed for his paintings, and an unprecedented lifetime exhibition record. Included in addition are a checklist of works in the exhibition and a chronology of Hassam's life. All works in the exhibition as well as comparative materials are reproduced."--BOOK JACKET.



Artists In Ohio 1787 1900


Artists In Ohio 1787 1900
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Author : Mary Sayre Haverstock
language : en
Publisher: Kent State University Press
Release Date : 2000

Artists In Ohio 1787 1900 written by Mary Sayre Haverstock and has been published by Kent State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Art categories.


A three-volume guide to the early art and artists of Ohio. It includes coverage of fine art, photography, ornamental penmanship, tombstone carving, china painting, illustrating, cartooning and the execution of panoramas and theatrical scenery.



City Limits


City Limits
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Author : Judith Owens
language : en
Publisher: McGill-Queen's Press - MQUP
Release Date : 2010

City Limits written by Judith Owens and has been published by McGill-Queen's Press - MQUP this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with History categories.


A variety of new approaches are used to look at the early modern European city.



Louise Jopling


Louise Jopling
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Author : Patriciade Montfort
language : en
Publisher: Routledge
Release Date : 2017-07-05

Louise Jopling written by Patriciade Montfort and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.


Louise Jopling: A Biographical and Cultural Study is the first in-depth study of this nineteenth-century painter who was among the first women admitted to the Royal Society of British Artists (in 1902). In part an engaging biography of a compelling celebrity figure and social campaigner in Victorian England, Patricia de Montfort?s book interweaves a vivid and rounded portrait of this Manchester-born artist, teacher, and author with insightful analysis of Jopling?s artwork and the aristocratic-bohemian social milieu that she inhabited. Painted by Whistler and Millais, Jopling herself portrayed Victorian-era celebrities like the actress Lillie Langtry and her patrons included members of the de Rothschild banking family. Her work also included figure compositions, interiors, landscape and genre scenes. Drawing upon Jopling's unpublished diaries, notebooks and correspondence as well as her 1925 memoir Twenty Years of My Life, de Montfort?s study opens the way for a twenty-first century rediscovery of this now little-known artist, who combined professional artistic practice with social activism, against the backdrop of an often troubled private life. The full scope of Jopling?s artistic endeavours are discussed in relation to the cultural framework for fin de si?e working women, as are her progressive views on education and women?s suffrage.



Identity Community And Australian Artists 1890 1914


Identity Community And Australian Artists 1890 1914
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Author : Kate R. Robertson
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2019-09-19

Identity Community And Australian Artists 1890 1914 written by Kate R. Robertson and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-09-19 with Art categories.


An irresistible call lured Australian artists abroad between 1890 and 1914, a transitional period immediately pre- and post-federation. Travelling enabled an extension of artistic frontiers, and Paris – the centre of art – and London – the heart of the Empire – promised wondrous opportunities. These expatriate artists formed communities based on their common bond to Australia, enacting their Australian-ness in private and public settings. Yet, they also interacted with the broader creative community, fashioning a network of social and professional relationships. They joined ateliers in Paris such as the Académie Julian, clubs like the Chelsea Arts Club in London and visited artist colonies including St Ives in England and Étaples in France. Australian artists persistently sought a sense of belonging, negotiating their identity through activities such as plays, balls, tableaux, parties, dressing-up and, of course, the creation of art. While individual biographies are integral to this study, it is through exploring the connections between them that it offers new insights. Through utilising extensive archival material, much of which has limited or no publication history, this book fills a gap in existing scholarship. It offers a vital exploration re-consideration of the fluidity of identity, place and belonging in the lives and work of Australian artists in this juncture in British-Australian history.